Saint Hill Manor, East Grinstead, Sussex HCO BULLETIN OF 12 JANUARY 1980 | Saint Hill Manor, East Grinstead, Sussex HCO BULLETIN OF 12 JANUARY 1980 |
Art Series 9 | Art Series 9 |
To do a montage, shot or work of art that talks one must: | To do a montage, shot or work of art that talks one must: |
1. Figure out what your message is. | 1. Figure out what your message is. |
2. Decide to communicate the message. | 2. Decide to communicate the message. |
3. Put things or arrangements in that contribute to the message. | 3. Put things or arrangements in that contribute to the message. |
4. Take out or exclude things or arrangements which don't contribute to it. | 4. Take out or exclude things or arrangements which don't contribute to it. |
It also helps to know what is meant by «message». (Def: Message – is a unit communication of a significance.) | It also helps to know what is meant by «message». (Def: Message – is a unit communication of a significance.) |
It also helps to know the definition of «montage» which is – a series of shots with one message. | It also helps to know the definition of «montage» which is – a series of shots with one message. |
One should also know the definition of a shot and should understand that a short cut or glimpse of something is just a blip or some frames as opposed to a scene or a «picture» and there is really a missing word for this in the English language. | One should also know the definition of a shot and should understand that a short cut or glimpse of something is just a blip or some frames as opposed to a scene or a «picture» and there is really a missing word for this in the English language. |
A scene is a picture with a message in its own right. | A scene is a picture with a message in its own right. |
A shot is anything and it has no message in its own right and doesn't talk unless connected to other shots or scenes. | A shot is anything and it has no message in its own right and doesn't talk unless connected to other shots or scenes. |
One should also know what is a sequence and what is an action sequence. | One should also know what is a sequence and what is an action sequence. |
A sequence is a series of scenes related by location or general subject. | A sequence is a series of scenes related by location or general subject. |
In films or a photo story it is comparable to a chapter in a book. | In films or a photo story it is comparable to a chapter in a book. |
An action sequence is often fast cut to give the appearance of rapid movement and will never be a montage as each picture in it is a scene and therefore has its own message. | An action sequence is often fast cut to give the appearance of rapid movement and will never be a montage as each picture in it is a scene and therefore has its own message. |
Individual shots in a montage have little meaning in themselves individually but when cut together deliver a single message. | Individual shots in a montage have little meaning in themselves individually but when cut together deliver a single message. |
By confusing an action sequence and a montage or a montage shot and a scene, one gets very little audience reaction and after all, that's the name of the game. | By confusing an action sequence and a montage or a montage shot and a scene, one gets very little audience reaction and after all, that's the name of the game. |
Doing things for self-satisfaction is for professors who can't. | Doing things for self-satisfaction is for professors who can't. |
All of this comes under the heading of integration. Integration consists of uniting the similar. | All of this comes under the heading of integration. Integration consists of uniting the similar. |
If you try to unite the totally dissimilar and unrelated you don't have integration and you don't have art. You have chaos. | If you try to unite the totally dissimilar and unrelated you don't have integration and you don't have art. You have chaos. |
The principle of integration applies to all editing and composition in all fields. | The principle of integration applies to all editing and composition in all fields. |
The above 1, 2, 3 and 4 is a formula that helps one to achieve clear aesthetic communication of art. | The above 1, 2, 3 and 4 is a formula that helps one to achieve clear aesthetic communication of art. |
Founder | Founder |