Now let’s grab on as anchor points the top of the Westward Ho Hotel and any mountain that you happen to see around.

Now we have, then-that immediate problem, you can with a little practice, I think, satisfy yourself that it’s resolved on a Resistive V level.

Just hold on to them and don’t think.

I’ll go over that again very, very briefly and that is to say, the fellow is a communication particle rather than a communication cause and effect. And you have him receive communications and, you know, interiorize into them. Instead of going someplace, close with them. And then have him receive a communication and then get the sensation of sending himself someplace else. You see, the demand of a bad news is that you be somewhere else instantly. Any communication which carries bad news with it really is insisting on you being elsewhere.

Okay, now put out in front of you-wherever you are, exteriorized or interiorized-put out in front of you four times “deep unconcern,” no flinch.

One of the silliest things you can get a preclear to do, by the way, is “I’m supposed to be there. I’m supposed to be there. I’m supposed to be there. I’m supposed to be somewhere else. I’m supposed to be somewhere else and so forth.” You get that? He’s supposed to be elsewhere. And by the way, try that. Just say to yourself, “Well, I’m supposed to be there and I’m supposed to be there ...” Interesting, isn’t it? That’s because nearly every communication you receive says that you must do one or two things: you must either duplicate it or be someplace else. You must be it or elsewhere.

Let go of it.

Now, a V has an awful hard time being the communication, because he’s so used to receiving orders in this fashion.

Put it out there again “deep unconcern,” no flinch.

Well now, sound is always telling you something. It says it’s safe to be here or you should be elsewhere or there’s trouble over there. So just take sound as a communication. If you heard an explosion up the block, why, it would really be saying to you “duplicate it.” You know, to hear it perfectly, you’d have to duplicate the explosion or be elsewhere. Just the wave flow of it would say “be elsewhere.”

And let go of it.

Now, let’s take a bullet. The V will discover this when this is run on him, so you as an auditor ought to be prepared to have him discover it-he won’t necessarily, but he’s liable to. A communication and a bullet are, by our definition and actually by behavior, quite similar. And a bullet falls within our definition of a communication, which simply is a particle from C to E. It’s not a particle from C to E and then back to C again. That’s not a communication, that’s a conversation. You could have a conversation with bullets. (A lot of people used to, out here in Arizona.) And very seldom did a fellow get to communicate back after somebody else had communicated first.

Note: The recording starts with the demonstration already in progress.And again “deep unconcern,” no flinch, steady control.

Well now, what’s our goal here? Our goal is to get him over fear of being sent and to unreverse that inversion. Let’s get the inversion reversed so it’s running straight. Well, you do that by-he receives a communication and closes with it, then he receives a communication and goes away with it. Because as he sits there, that V is doing, on all communications, some kind of a flinch. So this is really a reverse flinch. When he receives a communication, his impulse is to flinch back, but he doesn’t flinch back-he flinches in. It’s a reverse flinch. He’s gone down the line far enough to do reversals on flinches. When trouble hits him, he closes with it. And that may or may not be a virtue-when it’s done automatically, it’s no good at all. Anybody can close with trouble, you would never have any randomity if he didn’t. But that’s a reverse flinch.

Let go of it.

Now, right in the middle, between a reverse flinch (as it works out) and just a straight flinch, is a beautiful apathetic null period, the powerlessness of which shouldn’t happen to somebody. Now, you should also know that a V has probably been a member, too, of one of these invader forces and they quite normally were left-handed. They’re not right-handed. Right-handedness is a very, very artificial development. Making everybody right-handed here on this planet is a sort of a slavery practice itself.

Put out there again four times “deep unconcern,” no flinch, steady control.

Now, that shows up most markedly in a schoolchild who is made to shift from his left hand to his right hand in writing. And the schoolchild is usually very emotionally upset about this. Why? Well, because the boys were all southpaws. They wore a gun on the left-hand side. Their arms were always on the left. They always used their left hand. And the way they were crippled, before they were shot down here, was to fix them up so they couldn’t use their left hand. So if a little boy is getting along fine using his left hand, he hasn’t got this incident in restimulation. And then you, all of a sudden, say, “You mustn’t use your left hand, you must now use your right hand” and he goes boom. He’s degraded, of course, because that’s the implant. And when they run into that and go bad off from it, you can generally count on the fellow getting occluded fairly early in life. It puts him on the chutes.

Now let go of that and put out in front of you “all knowingness, great certainty” four times.

Well you’ll find, then, that delivering communications and receiving communications with the left hand on a Resistive V-you know, a punch to the jaw and receiving a punch to the jaw, that sort of thing from the left-hand side-will restimulate the most awful feelings of weakness. He just gets terrible-I mean, it’s just ghastly.

Let go of it and duplicate it.

Well, when you’re doing this inverted flinch, a reversed flinch, when that starts to turn around and become a straight flinch-you know, he’s hit and backs up-why, your null period that lies right in between is a nice, deep, black apathy and there’s an implant that actually implants that weakness. You just have him manufacture the stuff, that’s all. Just manufacture that weakness, do it often enough so he comes out of the null period.

And continue to duplicate that.

I’m only telling you this, not because you need the historical data but just as a little word of warning to you, is don’t leave the guy in that null. He’ll be weaker than a cat, he’ll be dragging himself around with his fingernails-it’s real weak. And he’ll come out of it then and be able to exteriorize straight.

All right. Let go of that and put “reassure them that they do know” out in front of you four times.

It takes quite a bit of this on such a case, by the way, but it’s just the same technique over and over and over and over. More locks will fly off with which you have no interest or concern. Lots of locks come off. The time he received a telegram that the barn had burned down will fly off and all of this stuff. The time he sent a message to this fellow that was such a nasty message. And there’s all kinds of these present time locks. But the trouble is not in this lifetime. This boy generally tries to exteriorize as a black body too, which is very amusing. Why should he exteriorize as a black body? Then he has degradation trouble with mass and so forth.

Let go of it.

So right after you run this communication bap-bap technique, you have him go around and pick up pieces of mass and get how much he needs them and how much he has them and all of that sort of thing until he’s finally satisfied with very small pieces of matter. Sort of an Opening Procedure, okay? That’s really a pattern of handling one of these V’s to get him exteriorized.

Duplicate it and continue to duplicate it.

Now, let’s say that you have somebody who’s exteriorized. And there are quite a few people here who are exteriorized. In fact, very far the majority of those present. And you haven’t yet had an opportunity to really clear up some things and do a Grand Tour of-I shouldn’t call it really a Grand Tour. A Grand Tour of this universe is a pretty big, wide proposition. You can do all sorts of interesting things, but the tour with which we’re interested, immediately, is just a tour of the solar system. And the tour could be called “The Solar System: Its Booby Traps and Masses and Spaces.” So, after you get somebody out and his perceptions up a little bit, why, you get him going out around the town or around the building or something and looking at things and flinching and then have them look at him and flinch. And he looks at things and flinches and they look at him and flinch. You know, you send him up to Camelback and have Camelback flinch. And then have him flinch from looking at Camelback and so forth-flinches back and forth, his perception keeps coming up.

Now let go of that and put out in front of you this, as a sort of a curve, “all knowing down to no knowing.”

Quite usually, then, you’ll run in something on the subject of duplicating nothing, something like that. All right. “Now let’s find a nothingness around you.” “Now duplicate it.” “Now duplicate it.” “Now duplicate it.” “Now duplicate it.” And his perception will come up some more. “Now let’s find the realest thing that you can find around here someplace. Okay. You got that?” “Now make it flinch.” “Now you flinch from it” and so on. In other words, we sort of tin-cup him around till his perception comes up.

And throw it away and put it there again and continue to put it there. Then let go.

And then you run him with-just very briefly, because he’ll have to be run enormously on this later-is you get him to duplicate himself: make two of him and be one and be the other one and then be both and be one and be the other and around. And then you make him resist the universe. And that’s a whole process all by itself. The universe caves in on him from all sides and it packs him down and you exteriorize him from the mass and then you have the universe cave in on him and you exteriorize him from the mass of that and do this about eight times until he’s got eight nice masses. Then have him put those together and bang them in real tight till they explode.

“All knowing down to no knowing.”

And then have him duplicate that operation-just have him duplicate eight masses and so forth-till you get him over fear of resisting the MEST universe so he can resist it or not resist it at will. How do you do this? You bring it up to the ultimate result of having resisted it, which is to become a solid mass. You just resist all spaces and masses in all directions now and have them all come in on you and exteriorize from that and so forth. You’re getting him over being leery and this whole process, the tour and all the rest of it, is just to get him over being frightened of being alive as a thetan-show him he can get away with it.

Now let go of that and let’s get another curve, run in reverse, from “no knowingness up to all knowingness.”

Now, you take him out someplace over Earth and you locate some finite spot and we start to do some Change of Space Processing. We get him over in the middle-а standard one is to get him over in the middle of the Sahara Desert and get him over the auditing town and get him over the Sahara Desert and the auditing town or get him over the Mountains of the Moon and the auditing town-back and forth, back and forth, back and forth. And then let him pick out something real over this far place and then have him dive through solid objects.

And duplicate that, letting it go each time.Now put that curve up there twice, each time, and duplicate that-no knowingness to all knowingness.

You first start in by having him dive at and miss solid objects, dive at and miss solid objects and then have him dive through them. Well, generally pick up some live object at first-you know, have him dive through a cat, dive through a sheep, and have him do this until his fear of bodies is somewhat diminished-and then have him dive through masonry or mountains or something of the sort. And now start to do Change of Space Processing around the solar system-Sun, Moon, Earth, Sun, Moon, Earth, Sun, Moon, Earth, Sun, Moon, Earth, Sun, Moon, Earth-have him get on the back of the Moon, look around and see what he finds there.

Continue to duplicate it.

You can have him dive through the Moon if you want to and then go out in the asteroid belt and go around and take a look at it and then have him particularly look at Mars and be in the center of it and outside of it and down in the center of it.

Let that go and put “no prediction” to “predicting everything” out there in front of you twice-two no-predictions and then run it up to all predicting, predicting everything. Continue to duplicate and let go of that one.

Now, I call to your attention that most of the time you’re operating, you’re telling him to be here, be there. In other words, materialize, unmaterialize and rematerialize. Though there’s no process for it except just that. He just does it. You tell him to be somewhere else, he just is there. You don’t tell him move somewhere else. And this is the reason why: he can only move if he’s a mass. And he isn’t a mass.

All right. Let go of what you’ve got there and grab ahold of the two back anchor points of the room.

Now, you get him out and get him to chase a meteorite or something-a comet. Get him to stand in front of it and have it rush at him and then have him pass through it and be in its tail. And have him be out in front of it and start to resist it and then pass on through it and out its tail.

All right. Now have the front wall say to you, “something wrong with you.” Tell the front wall to tell you there’s something wrong with you.

And then you get him way up above a planet and then have him be on its surface and then be way up above it and then be on its surface and up above it and on its surface and then have him be up above it and go down to the surface and this is the first time you’d have him move, see? As he starts to move toward the surface, he’ll generally protest-he won’t like that. So just have him be on the surface again. And approach it gingerly until he’s actually willing to move toward the surfaces of things and so on.

And the back wall tell you there’s something wrong with you. Make it be very specific now, have the back wall tell you there’s something wrong with you.

Well now, when you start to use this on Mars (I hate to have to talk about this, really), it’s very terrible, I know, for Mars to be force-screened, but it happens to be. Now, when he’s way outside of Mars and he moves down to the surface, he’s going to run into force screens, that’s all there is to it. Because he’s a mass. And the only way a force screen can hurt him-if he is a mass. Well, you tell him to move, he has to really be a mass-he thinks.

And the right wall tell you there’s something wrong with you.

So he starts to move as a mass and he hits these force screens and he doesn’t like it. And so you tell him to be on the surface and then you have him move it again. He’ll eventually get to a point where he can move without being a mass and that’s what you’re trying to educate him out of.

And the left wall tell you there’s something wrong with you.

Well, what that mean? That means force screens can’t operate on him. In other words, all doors, at that moment, become unlocked in this universe. See how you do it? You have him move down towards something-if he can’t make it or protests, you just have him be at his destination.

Then the ceiling.

Well always, when you tell him to move at something and he doesn’t get there, have him be at the destination. Don’t leave an unfinished cycle-of-action in a term-of a course of action. Solve it somehow, get him there somehow. Always get him there and always get him someplace else and someplace else and someplace else. But don’t let him not arrive on you. You figure it out so he can arrive.

The floor.

Well, you have him scout, then, the various places and then just start binging around like “Be in the center of the Sun, the center of the Moon, the center of the Earth.” And you’ll find out very rapidly that you can’t talk fast enough to keep up with a thetan. So, if you wish, you can institute some sort of a system by which you can really drill him in these places.

The space in front of the building, tell you there’s something wrong with you.

Now, immediately above that, there’s another specialized version of Change of Space Processing and this would be the Grand Tour. And you just have him be in all the places-the geographical area of all the places mentioned in What to Audit. That starts in with his entrance to the MEST universe. And you have him be at that place and then in the room and then there and in the room and then there and in the room and there and in the room, till he’s in present time there. And then the place where he made his first facsimile and then a place where . .. and so on. I think you’d-have you had it included in your kits there of paper?

Space to the rear of the building.

Female voice: Yes.

Space to the right of the building.

Well, that’s it. That’s the list. There’s only one thing-there’s an error on that list: that’s 3 and 4 are reversed on that list. So re-reinverse them.

And the space to the left of the building.

Well, that’s Change of Space Processing and that makes a Grand Tour.

And the space above the building.

Female voice: Oh, overtact first.

And the space below the building.

Yeah.

All right. Repeat any automaticities in your effort to control them, one right after the other, each one about five times, that have occurred while you were doing this.

And you chase him all around the universe and you give him, eventually and at last, a complete freedom in present time in this universe and that’s what the purpose of the Grand Tour is. Now, you got to do that with a fellow and you got to do it pretty well. And you’ll find it very interesting.

Okay. Be the space of the room.

If you, too, happen to be operating fairly well, chase along with him.

The space around the building.

Now, it’s very amusing to chase along with a thetan because, although he becomes invisible when he becomes “no mass” at all-see, the trouble with most thetans are they become a certain amount of mass. And the reason he can do this so ably is because what mass he really cherishes-the old pots and pans and chains and so forth, which he stowed-you’re not asking him to abandon them, he’s just leaving them for a moment and you as an auditor are standing guard over his possessions for him. So he’s perfectly willing to move around all over the place without this mass bothering him. But most thetans will carry with them a tiny amount of mass and they are, to some degree-you shouldn’t tell your preclear this and you should never comment on it-but they are to some degree visible. And you certainly can spot them easily because you’re auditing them.

The space of your body.

Now, when you say, “Now be over the pyramids. Now how many pyramids do you see there?” And they tell you the pattern of the pyramids-you’re just above that pattern of the pyramids and you see what pattern he’s looking at-so you say, “Well, get that pyramid-now choose one of these pyramids there, which one is it?”

The space around the building.

And he said, “Well, it’s the one closest to the river.”

The space of your body.

You say, "That’s fine, now be on the exact top of it-exact top, exact center of the top of it. You’ve got that now?” Okay. He’s there, see?

The space around the building.

Well, you’ve got him spotted from there on. As a matter of fact, you probably can see him. And you start chasing him around and you tell him to scare up a flock of goats, something like that-“Be over the middle of the Sahara and scare up a flock of goats.”

The space of your body.

“Okay.”

The space around the building.

You’ve got him more or less located. Now, you know where the flock of goats are and so forth and you got the flock of goats picked out and you get him to locate them geographically. You actually know damn well whether or not he chases that flock of goats.

The space of your body.

And this is the first place where you’ll trip the guy up if he’s using a tremendous number of facsimiles. And if he is, you have a very simple ... Well, you say, “Chase this flock of goats.” You’ve got the flock of goats spotted, you see? And nothing happens to this flock of goats. I mean, they’re just sitting there. And you say, “Did you chase them?” and he says, “Sure, sure, sure.” Yeah, the hell he did.

The space around the building.

All right. You really mean what you say-you mean chase a flock of goats.

The space of the room.

Well, you don’t get insistent upon this, but you must realize, at that moment, that this boy is using facsimiles. He is doing a flinch back from the MEST universe. So give him some more flinches without letting him in on your little secret, just give him a few more flinches. And then have him mock-up and duplicate and duplicate and duplicate and duplicate flocks of goats. And all of a sudden he says, “Well, what do you know, ha-ha, yeah, there is a flock of goats there.”

You say, “Chase them.”

Now be the tension in you. And make the body tense.

“Well, how do you chase a flock of goats?”

Be the body and be made tense.

“Oh, I don’t know, bap one of them. Or get ahold of one of their-run a beam through the brain of one.” It’s very easy to run a beam through the brain of a goat-there’s nothing there. Find their anchor points, their balanced anchor points and pull one off-center. That will make a goat start turning in peculiar circles-and harass him, will get him to run. You can get the whole flock running with great ease.

Now be the tension and make the body tense.

But you start him handling animals. And that’s the other little gimmick that goes into this. After you’ve cleaned up the MEST universe and you have him in present time anyplace, you just start him handling animals. And you’ll know whether he’s handling animals or facsimiles of animals.

Be the body and be made tense.

Now, he’s not above-if he’s really having a rough time of it-pulling this real covert one on you: he’ll mock-up the animal he’s just seen and he’ll look at the mock-up and then do things with the mock-up, mostly because a body is so private. Well, that’s what you’re trying to get him over. He’ll pull this trick on himself and on you and confuse his reality so that he says, “Well, it isn’t very real anyway, but it’s real enough for me” and he’ll give himself a bunch of fairy tales about it.

Female voice: [in grief]

Truth of the matter is he’s merely frightened of handling animal bodies. He doesn’t want to. And so you get him to handle insects and you get him to handle various domestic animals and go find wild animals and so forth. And "Let’s chase them over hill and dale.” “And let’s sit on the tail end of a bluebird or a swallow or something and take a good flight,” until he’s perfectly willing to do this.

Be the tension and make the body tense.

Now in flight, of course, you take a bird or something like that-and you want to get him real high and then make him do an appetite over tin cup and then recover his balance and get him way up high again and then upset his flying balance and then get him way up high again and upset his flying balance. And after a while, the thetan begins to take over control of bodies and he has always been trying to prove to himself that he can control any body he runs into and he’s never quite made it. You let him finish that cycle-of-action.

Be the counter-emotion and make the body upset.

You get him to control animal bodies and you get him to control real good, animals, insects, birds and then go in for fish. About the time you go into fish, a thetan is going to start getting too interested, in some cases, because the sea is composed of tremendous drama. There are no police around forbidding anybody from eating anybody, and there’s lots of “buddies” to eat.

Be the body and be made upset.

Be the counter-emotion and make the body upset.

All right. Now, you’ve taken him on the Grand Tour, you’ve made him handle some bodies and in a very elementary form, that’s good enough to last you for a while till we get into SOP 8-0, because that’s part of it. I’ve got to give you that now, however, because a lot of you are overreaching it.

Be the body and be made upset.

Now, it’s a very, very good thing to run a person exteriorized on 8-C at least once, all the way through-you can do everything at least once, while exteriorized. That’s really what the technique is designed to do. But don’t be misled by the brevity of Step lb. Because that is what I have just described to you. It isn’t all “wrote down by hand.” But that is really Step lb, SOP 8-C. It says “Be in pleasant and unpleasant places and ugly places.” You couldn’t have had a more inadequate statement made of what you do with a thetan after you’ve got him exteriorized, see? And just out of curiosity, you can always do End of Cycle Processing on a fellow when he’s exteriorized, you know? And remember that he can be anything and you have him be spaces. Don’t avoid having him be spaces just because you don’t like space-if you’re auditing somebody and you’re not feeling too well that day.

Be the counter-emotion and upset the body.

Of course, your next lineup above this is you get him to do a lot of End of Cycle Processing and then get him to do every form of communication of which any body, of any kind, is capable anywhere in the universe-including whistling people in with a phosphorous light. You know, whistling fish in and so forth.

Be the body and be made upset.

Okay? That is just as far as we need to go here at the minute because you will find some people doing that.

Be you, a thetan, and observe counter-emotion making the body upset.

I really ought to give you a lot more on making sounds and making this and that and doing actual communications while exteriorized. And it really isn’t germane to what we are doing right this minute. What you want to do is get him perfectly at ease and solve this first. The problem has two halves and one of these problems is this: he believes the MEST universe is dangerous to him. You disabuse him of that. That’s the first half of SOP 8-0 and the other half is jolly well convincing him he’s damn dangerous to the MEST universe. Because if you don’t run that in auditing, he’s going out and find it out for himself with consequences. Not necessarily consequences to him, but he’s going to bull around and he’s going to start taking it out on the MEST universe for all the things it’s done to him just now. Because nobody ever bothered to tell him before that he didn’t have to be a mass to have a personality. They told him quite the reverse. They told him he was dynamic and he needed energy and all sorts of things. And when he finally finds out what you can do with energy out in a vacuum, there’s practically no holding him. You can start running resistances into-you see, there’s no resistance out in the minus 273-degree vacuum and, boy, can he handle electrical energy.

Be you, a thetan, and observe the body being made upset by counter-emotion.

Well, here on Earth, of course, he gets very, very caved in. The poor fellow, the air ionizes every time he puts out a beam, you see, and the beam just goes flop-а. little inconsequential beam-which is a tremendous convincer. And what happens is that it convinces him he has no force or power. What it should convince him of is that electrical energy, as put out by himself, does not happen to have force or power when superionized by air. See, it’s an entirely different thing.

Now you be upset.

But you’ll find out the first-if you don’t know this-the first time you exercise him (he’s outside and you exercise him) and you say, “Put out a beam,” he’ll put out a beam. He’ll be happy putting out beams for a little while and then he finds out the beams are getting thicker. And then they get thicker and thicker and he feels more and more degraded and so forth. He’s running into air. Air is the big, invisible barrier.

Now you upset the counter-emotion.

Well, he doesn’t run into this out in space. Boy, the mock-ups that you can make out in space are just strictly terrific compared to what they are here. And do they last! You get an Operating Thetan mock-up thrown out there on the asteroid belt and so forth, why, it’ll just go right around with the asteroids-round and round, round and round. Has no volume. It’s why the people in the asteroid belt, by the way, are so terrifically superstitious. You never saw anything quite as superstitious as some of the other peoples of this particular system.

Now you upset the body.

By the way, don’t keep on being so egocentric as to believe that Earth is the only populated planet in this system or this galaxy or in this island universe or in six or eight island universes. This would be the most impossible actuarial fact.

Now be the space of the body.

Be the space of the room.

Be the space just back of the body.

Be the space just in front of the body.

Be the space just back of the body.

Be the space of the body.

Be the space just back of the body.

Be the space of the body.

Be yourself.

And mock-up or repeat any automaticity, emotion or a strange mock-up or a thought that has occurred to you during this part of the session. Repeat it and then duplicate it.

And continue to duplicate it, one after the other.

Female voice: [sigh]

Duplicate it.

Duplicate it again.

Continue to duplicate it.

Duplicate any upsetting that this process has done to you.

And again.

And again.

And again.

And continue to duplicate that not-result.

Female voice: [sigh]

And grab the two back anchor points of the room.

And sit there and don’t think.

Hold on to the two back anchor points of the room and sit there and don’t think.

Two back anchor points of the room, sit there and don’t think.

If you’re not arriving at them adequately, grab them from outside in.

Sit there, don’t think.

Now duplicate your not-thinkingness.

Duplicate it again.

Duplicate it again.

And put unwanted voices in the front wall.

Unwanted voices in the back wall.

Unwanted voices in the ceiling. In the floor.

Unwanted voices in the space in front of the building.

Unwanted voices in the space to the right of the building.

To the left of the building.

Behind the building.

Above the building.

Below the building.

Now let go everything you’ve been holding on to.

Now grab on to everything that’s real tense and make yourself very tense.

Now let go of it.

Now be this tenseness and hold on to the body and you. Hold on hard!

Now be the body and be held onto by it.

Now be the tenseness and let go of the body.

Be the body and let go of the tenseness.

Now put unwanted thinking in the back wall.

Unwanted thinking in the front wall.

In the right wall.

In the left wall.

In the ceiling.

In the floor.

In the space above Earth.

In the space below Earth.

In the space around the Moon.

In the space of your body.

Put unwanted emotion in the front wall.

In the back wall.

In the right wall.

In the left wall.

In the ceiling.

In the floor.

In the space in front of the building.

In the space back of the building.

The space above the building.

To the right of the building.

To the left of the building.

Under the building.

Put “must perfect myself” in the front wall.

In the back wall.

In the right wall.

In the left wall.

In the ceiling.

In the floor.

Put “must prepare myself” in the space in front of the building.

In the space back of the building.

The space to the right of the building.

The space to the left of the building.

In the space above the building.

The space below the building.

All right. Put “you must be prepared” in the front wall.

In the right wall.

In the left wall.

In the back wall.

In the ceiling.

In the floor.

Put “there is something wrong with you” in the front wall.

In the back wall.

In the ceiling.

In the floor.

In the space to the right of the building.

In the space to the left of the building.

Be a thousand miles back of your chair.

Be one foot back of your chair.

Be a thousand miles back of your chair.

Be one foot back of your chair.

Fix a duplicate of you in your head.

Be a thousand miles back of you.

Be a foot back of you.

Put the duplicate of you a foot back of you.

Throw away-let go of any odds and ends.

And dismiss a thought, get a thought and then dismiss it.

Have somebody else get a thought and you dismiss that thought.

You get another thought and dismiss it.

Think of something in the MEST universe you could do without and reject it.

Grab ahold of the two back anchor points of the room.

Find a fact of which you are absolutely certain.

Now let’s recall something that’s really real to you.

A time when you were in good communication with someone.

A time when you really felt some affinity for something.

A time when something was really real to somebody else.

When somebody was in good communication with you.

And when somebody felt some affinity for you.

Now mock-up yourself as obliterated, you as a thetan, obliterated because of this processing.

And let go of that.

And mock yourself up again, obliterated because of this processing.

And let go of that.

And mock-up yourself as having lost everything because of this processing.

And let go of that.

And mock yourself up as being completely spoiled to the end of time because of processing.

And let go of that.

And mock-up your preclear as completely ruined because you processed him.

And then you completely ruined because you processed him.

Female voice: [in grief]

And then mock yourself up as entirely and completely restricted.

And entirely and completely free.

Female voice: [in grief]

And completely restricted.

Female voice: [sigh]

And let go of that and mock yourself up as entirely free.

Female voice: [sigh]

Now mock-up any automaticity that’s occurred during processing which you 7 haven’t already handled.

And duplicate it.

And duplicate it.

And duplicate it.

And duplicate it.

And throw those away and mock yourself up as entirely degraded and lost.

Female voice: [crying and laughing]

Now mock-up yourself as having been ruined because of the disturbances of the MEST universe.

And now mock it up as impossible to communicate.

And get that certainty of an impossibility to communicate.

And duplicate it.

And duplicate it. Real certainty now of impossible communication, impossibility to communicate.

And duplicate it.

And duplicate it.

Now mock-up somebody else completely certain of impossibility to communicate.

And duplicate it.

And duplicate it.

And duplicate it.

And have somebody else being completely certain that it’s impossible to communicate to somebody else.

And duplicate it.

And duplicate it,

And duplicate it.

Let go of all that and get somebody else being completely certain it’s impossible to communicate to you.

And duplicate it.

And duplicate it.

And duplicate it.

Get the certainty on that now, utter rock-bottom.

And duplicate it.

And duplicate it.

And duplicate it.

And let go of all that and get you being completely certain that it’s impossible to communicate with the MEST universe.

Get complete certainty on this now.

And duplicate it.

And duplicate it.

And duplicate it.

And let go of all that. And get the MEST universe being completely certain that it can communicate with you any time it wants.

And duplicate it.

And duplicate it.

And duplicate it.

And duplicate it.

And duplicate it.

And duplicate it.

And duplicate it.

And let go of all that and mock yourself up as “damned if it will.”

And duplicate it.

And duplicate it.

Duplicate it.

And let go of all that and mock yourself up as having discovered at last that it is completely impossible to be happy.

And duplicate it.

And duplicate it.

And duplicate it.

And duplicate it.

Now mock-up any automaticity which has occurred during this processing.

And duplicate it.

And duplicate it.

Continue to duplicate it.

Any other automaticity that’s occurred during this processing.

And duplicate it.

And duplicate it.

And duplicate it.

And duplicate it.

And let all that go and look through it and throw it away and otherwise dispose of any of it.

And let go of everything and hold on to the two back anchor points of the room. Don’t think. Hold on to the two back anchor points of the room and don’t think. Okay. Let go.

Find the feet under your floor.

Audience: [various responses]

Anybody ruined?

You?

Female voice: Oh, I think not.

Did you duplicate that automaticity of feeling that way? Did you handle that as an automaticity?

Female voice: [laughs]

Hm?

Female voice: Well, I did it as best I could.

You did, huh?

Okay. Anything strange, odd, spectacular, occur to anybody?

Female voice: Mm-hm, highly unusual.

Good.

Male voice: I started to see my leg once until I flinched.

Look at it again and flinch.

Do it again.

Do it again.

Do it again.

Do it again.

Do it again. Okay.

Male voice: It’s got curves.

All right. Did we get another exteriorization here, first time? Didn’t get a new exteriorization? Okay.

The processes you use can now include not-knowingness, only beware of using too much Matched Terminals. And I was giving you, which you might hand out as just a standard session to a preclear, if you wanted to, simply combining the various things we know. And what I was doing this for, completely aside from bringing you up the line, was also to give you some insight into what would happen if you simply turned loose with a preclear on just about exactly what I did, with this slight exception: you would be monitoring him directly and watching for the automaticities and making them occur when they happened or ignoring them, as the case may be.

All right. The subject of not-knowingness is easily the most important subject in processing, but you can plunge your preclear into the depths with it occasionally, because remember that not-knowingness and forgettingness are the same thing. The first mechanism of not-knowingness is forgettingness. You want to improve somebody’s memory, run not-knowingness rather than run rememberingness.

Rememberingness is not necessarily knowingness, but not-knowingness is certainly forgettingness. You got that?

Remembering is an artificial system, ordinarily, to supplant knowingness.

Remembering and forgetting have been ignored to a large extent in auditing, simply because they’re not a dichotomy-they appear to be, you see, but they’re not.

Remembering is actually pulling things into you and forgetting them is pushing them away-but that isn’t apt either-it only carries out a certain time and then breaks down. And remembering is not the opposite of forgetting, remembering is the substitution of an artificial system for knowingness. Got that?

And remember that control-we haven’t gone into this too much yet-but control is simply the process of start, stop and change. And anything which happens accidentally is something which is not under control. And anything that occurs can be started, stopped and changed or duplicated by the preclear and it will come under control.

Let’s say the preclear started to cry-actually he can start it, stop it and duplicate it and he will bring cryingness under control. And what do you know, when he’s done this thoroughly, he’ll be able to cry out the bank at will or simply blow up the crying machine.

Interesting, isn’t it?

Tears come from that little thing in What to Audit evidently, the Grim Weeper. It’s a method of material rejection of a mis-emotion, tears are. You can materially, obviously, reject something, you see? You’ll find out that preclears also head for the bathroom. You’ll find out that they also try to cough out their aberrations. They’re trying to reject in various forms.

Now, let me repeat, just as we went into yesterday morning, that rejection is the keynote of what we call psychotherapy. So where your processes come along and you can suddenly have the preclear reject something, have him do so.

I, by the way, ran a session on one of the famous tough cases last night for a couple of hours and exteriorized him with complete perception from utter blackness. I didn’t use on him very much different than what I used on you this morning, actually.

Get a mock-up right now.

And let go of it.

Did you get a better mock-up? You mock-up better, worse, how?

Female voice: Slightly worse.

Slightly worse, well.

Mock-ups a little worse? Good.

Huh?

Female voice: I couldn’t get rid of mine.

Couldn’t get rid of yours. Well, you had a change.

Put it there, five times more, to stay.

Female voice: Нт! I made it.

Let go of it.

How did it go?

Female voice: The third disintegrated.

Good.

Okay. Well, did you get a perception change this morning?

Audience: [various responses]

That’s all you’re batting for.

There’s another funny technique that has to do with making the preclear feed out energy lines from himself to all kinds of machinery all around the place. It’s a terribly interesting process. All you do is concentrate on his feeding energy lines out to things from himself so that he won’t know it. Each time, “I’m going to feed this energy line out to this machine so I won’t know it.” And then you hook one in. Then you do that five more times for that particular operation and then you just skip it. And then you get five more energy lines let out to the machine “so I won’t know it.” You just make him do this.

A machine? Well, he hasn’t got any machine, he tells you.

Okay. Put one out there and lead it to him-all of a sudden the damnedest things will fly into his face or something. Because, of course, he’s energizing all this machinery on surreptitious communications systems.

All you’re working with is a not-knowingness about “the communications system I go through to have things happen automatically and produce randomity.” Basic mechanisms of communication are just that- С, E. The fellow, in order to make himself an effect, has to go to an awful lot of trouble. And then he forgets he’s gone to this trouble and then, after a while, he’s terribly amazed at the things that happen to him in life.

Now, let’s get in there and pitch on some of these pcs. You’ll find them flying off on certain of these processes. Believe me, an individual who steps sideways and jumps like he’s shot from one of these processes probably ought to be shot. But what you’ve got here is you’ve got a dodge at work, one way or the other. These processes don’t-do you realize they can be kind of tough?

Audience: Mm-hm. Yes.

Well, you’d be amazed-of course your basic process is that your preclear is resisting all direction. Now, if he resists all the directions that there are to resist, of course he has turned his whole bank into a randomity. Every minute of a clock as it ticks by, every minute once having ticked by, becomes his randomity-in other words, becomes an enemy. The past itself starts to swamp him, he starts to resist it. All of his automatic machinery starts going into operation. Why? Because he’s resisting a direction. He set the machinery up to direct him and now he’s resisting direction, because the machinery has played him false. Well, he’s played himself false.

The way you get over this hump is exterior direction. And you know that you can take some pcs and be so arbitrarily foolish, in their eyes, about the exterior direction-you know, just be completely silly about the things you’re directing the pc to do-direct him to do them monotonously, very silly. Claim there’s great therapeutic value in his reading the letters on a pencil backwards. You’d think at first that it’d reduce him into a sort of an hypnotic state. Well, it doesn’t. The funny part of it is, it doesn’t do that. It picks him out of an hypnotic state because he finds he can accept this direction. And your mission is to show him that he can accept this direction without its killing him.

And his mission, where direction is concerned, is to demonstrate to you, an auditor, as clearly as possible, that the direction is killing him. See that? That’s your kickback from preclears and so forth. They’ve got to show you that the direction is killing them and you’ve got to show them it isn’t killing them. So that’s the argument.

You’re not trying to produce any major agreement or any sudden, big shift, particularly, with direction. It’s one of those things that adds up kind of slowly.

If you had a fellow walk down a path, directing where he should set his feet, you know, just deciding each time he should set a foot there and then deciding each time before he let a piece of ground go-see, the one thing he has never done is decide to let something go. He just gets into an apathetic state of letting it be taken away. He gets automatic machinery that will tell him when to let go, like the heat in a stove.

See, the heat in a stove tells him when to let go and the MEST universe tells him when to let go and other things tell him when not to touch them and so forth. And all this is set up automatically, so “let go” and “not touch” get very automatic-that becomes his randomity. After a while, he can’t touch anything. You ask him to remember something, he can’t remember it. Why? Because he can’t touch the objects involved. And then you get a fellow completely blanked out.

The end product of this is “no distance between me and every enemy I have.” See that? All right. So you’ve got to make it so an individual can accept direction and then gradually direct himself in the most minute and peculiar and upsetting sort of ways.

I had a pc walking one time, just directing his feet. I got him down to where he was directing the position of each toe, painstakingly, aloud, as he walked. And it was taking him anywheres up to two or three minutes to take a step, because we had to direct the position of every bone in the foot.

I saw this fellow a couple of days after we’d gone through this process (and he wouldn’t have admitted it if it had killed him), but the fact of the matter is, he was walking briskly. He had hitherto been walking like an old man. An old man is a complete automaticity of shuffles-he thinks it’s walking. And this fellow who had been walking that way was walking briskly and alertly and so on.

You would be surprised that age mirrors itself in a person’s motions. You see that? And everybody has got such a set idea about sitting still and the big goal of sitting still-“If I sit still enough, they won’t bother me” or something like that-that they forget that what communicates is motion. And where there is no motion, there’s no communication. And so, age is communicated by action. And if you want to appear young, move young.

Well, how do you do that? Well, you take over the automaticity of all of your motions. Don’t move automatically anymore. Move self-consciously, if you please. The one thing you’re not supposed to do is to move self-consciously, you know? Well, that’s the one way out, and of course it’s booby-trapped.

Okay? Anything else I can do for you? All right. Let’s crack some cases today. Let’s stop fooling around with this.

Now, on the method of instructions which you are getting, you’ll understand something-it should have dawned on you before this-that you can’t instruct anybody unless you’re willing to direct people. And you can’t be willing to direct people unless you’re willing to be directed. The curse of direction must be deleted before you make a good Instructor. And so, let’s just beat this out completely and be perfectly willing to direct people and get so you’re perfectly willing to be directed and your ability to predict this MEST universe will come way up.

Let me call your attention now to “where you are not; where you were not” and “where you will not be.” That is a method of prediction of great value to you. It is, at first glance, a long process only because it has a long goal. The goal is to know where you will be tomorrow at 2:02. You will know, too!

But your preclear just comes on this gradually while you’re making him take over the automatic machinery which tells him where to go. A preclear is as bad off as he has automatic machinery which tells him where to go or what to move. And boy, that’s real good.

You could go out here and take an index of a number of guys - all right, let’s take the next ten automobiles that go by in the street out here and let’s find out how much machinery each one of those boys has got, on an Е-Meter. And you’ll find the bottom two have had a number of serious accidents. The bottom two, who have the most machinery-that is to say, were told where to go by their machinery—have had the most accidents. The “devil-may-care,” “go to hell” sort of an attitude that many a guy has is usually coupled with—incomprehensibly to the rest of the world—a tremendous lack of accident, it’s incomprehensible. Well, he can direct particles, so he can afford to be devil-may-care.

All right. What are you working on these pcs normally right now? You departing way off of SOP 8-C or are you staying with it pretty close?

Female voice: Гт staying with it.

All right. Let’s extend it to all steps now. Let’s not fool around with the other. And let’s get somebody exteriorized, huh?

How do you exteriorize somebody that isn’t exteriorized? Well, some fellows are worse off this way than another way. Just add up the blackness this way: the blackness is a flinch, a permanent flinch. And it’s a permanent flinch on the part of other things.

You see, loss is actually-supposing somebody loses a fountain pen. Let’s put this crudely: let’s say the fountain pen flinched from him. You see? So it’s a two-way flinch.

Now when he loses something, the blackness comes on. Did you realize that? Well, it’s a re-dramatization of this flinch, which is an unwillingness to receive particles.

So, let’s run “don’t know” and “flinch” on these black cases and then try to exteriorize them. And then run it on them some more and then try to exteriorize them. And run it on them some more and try to exteriorize them, remembering to get the unlimited techniques such as “Hold the Two Back Corners of the Room” and "Remember Something Real” and other things like that in the interim, because you can get them pretty fogged up on “don’t know.” The first thing you know, of course, they don’t know. After you’ve run “don’t know” and “flinch” on a black case for a while, boy, he has the feeling like he really doesn’t know a damn thing. That’s because you’re sort of pulling him through the abyss. You’re hoisting him up by his heels one inch at a time and he goes into the abyss deeper before he comes out of it.

Well, okay. Let’s take a brief break, knock off the seminar for the First Unit and then get onto your auditing.