GROUP PROCESSING SERIES B: SPACES | GROUP PROCESSING SERIES B: ATTENTION |
OK, let's check around the environment and locate spaces you are not at this moment occupying. Let's get some more. Spaces you are not at this moment occupying. Let's find some more, particularly behind you. And let's get them certainly now, that you know for certain you're not occupying these spaces, no matter how far out you have to go to find one you're not occupying. And some more spaces you're not occupying. Now get spaces below you that you're not occupying. Check them over, one after the other. OK. | I want you to isolate, spot, identify some things on which you do not have to keep your attention fixed. Find something on which you don't have to keep your attention eternally fixed. At least one thing absolutely sure. Now let's get several things on which you don't have to keep your attention continually fixed. Some more things. Let's find some more things on which you don't have to keep your attention fixed. And some more things you don't have to keep your attention fixed on. Alright. |
Now let's get spaces you're not attacking. More spaces you do not have under attack. Let's spot them one after the other. Spot each one. And some more spaces you do not have under attack. OK. | Now let's check over some objects, people, animals, places, which you're not demanding put their total attention on you. Some more things you're not demanding that they put their attention on you. Now let's get some people, specifically, that you're not demanding of them to put their attention on you. Alright. Now let's get some people, specific people that you're not demanding of them to put their attention on themselves. Some more people that you're not commanding to put their attention on themselves. Alright. Now some people that aren't commanding you to put your attention on yourself. Some more people that aren't demanding you put attention on yourself. OK. |
Now let's find some PAST spaces you don't have under attack. More past spaces you do not have under attack. Let's check off some school rooms you don't have under attack. Some more spaces you don't have under attack. | Now let's call off some objects, locate some objects that you're not commanding put attention on other specific objects. Two at a time. OK. Now let's list some objects which are not at this moment demanding attention from you. And let's check over some objects from which you're not demanding attention. OK. |
And now some black spaces you do not have under attack, in the past. Some black spaces in the past that you don't have under attack. Some real dark spaces in the past that you don't have under attack. Some more dark spaces in the past which you are not attacking. Some more spaces in the past which you are not occupying. | Now let's find some attention which you're not trying to withdraw from. Some more attentions from which you're not trying to withdraw. Now some spectators of audiences you're not at this moment trying to appear before. Some audiences you're not trying to appear in front of. Some more audiences you're not trying to appear in front of. Now some audiences you're not trying to appear naked in front of. OK. |
And now some things you're not waiting to have happen. Some things for which you're not waiting to have happen. Now get this with great certainty. Some things you're not waiting to have happen. Some more things you're not waiting to have happen. OK. | Now let's find a couple of objects and hold on, and don't think. OK. Let's let go. Find some places you're not. |
Let's take hold of a couple of objects, and sit there and don't think. OK. Let's go and find some places where you are not. OK. | And now let's take a general survey of the situation and find some good places to hide. Some really good ones. Now let's find some good hiding conditions. What's the best condition to be in, so that you could hide. Some more conditions very ideal to the problem of hiding. Alright. |
Now let's check over some people that you are not about to laugh at. Some more people, or the same one many times. Some people you are not about to laugh at. | Now let's figure out a condition, the best condition you have, and the best place to hide, and make all the necessary decisions so that you could be in that condition, and hide successfully. Let's see if we can't better this solution somewhat. And now let's get some things which you could think, which wouldn't be picked up and betray your whereabouts, so that we get thinkingness taken care of there, too. OK. |
And now let's find some spaces you're not occupying. | Now let's insist that the body put attention on itself. Insist that several times from several different locations. Let's be more insistent about it, now. |
Now let's check over some people who are not at this moment showing you pictures. Some more people who aren't showing you pictures. | Now let's check over some attentions that wouldn't be entirely undesirable. Some attentions that would be acceptable. Some things that which, if you could get attention, attention of which would really be acceptable. Now let's check over a number of things willing to accept your attention. And now some things from which you would be willing to accept attention. |
And now let's check over some things which will come back to you, or would come back to you. Get something very certainly that would come back to you. Some more things that would come back to you. And some more things that would come back to you. | And now some persons or things to whom you would willingly appear, show yourself. And some things which would willingly show themselves to you. And some things to which you would be willing to show yourself. And some things which are willing to show themselves to you. Alright. |
And now some spaces you are not now occupying. Some more spaces which you will not be occupying in the next twenty-four hours. Some more spaces which you will not be occupying in the next twenty-four hours. | Now let's list some things you are not at this moment trying to compete with. Get some very certainly. Some more things you're not trying to compete with. OK, now let's check off some things or people which or who are not competing with you. OK. |
And now some objects which are not occupying you. Some more objects which aren't occupying you. Get this with great certainty. Some more objects that aren't occupying you. And now some gases that are not occupying you. And some energy types which aren't occupying you. | Now let's check over some objects, some objects which could appear without immediately sending you someplace. And check over some things which, if you gave them your attention, wouldn't blow you up. And some things that would not blow up if you touched them with some energy of your own. Some more such things. Some more things you could touch without exploding. OK. |
And some spaces you're not occupying. OK. Let's hold onto a couple of objects. You sit there and don't think. OK. Let go. Alright. | Find a couple of objects and hold on and don't think. OK. Let go. And find some places where you're not. |
Think of Chicago. Get a picture of Chicago right where you are. Think of San Francisco. Get a picture of San Francisco where you are. Think of London. Get a picture of London where you are. Think of Washington D.C. and get a picture of Washington D.C. where you are. Think of New York and get a picture of New York where you are. Now repeat that exercise with many cities. Do it with some more cities. | Check over now, some things you could communicate with, safely. And now some things which could communicate safely with you. And now some things you could touch without an immediate explosion. And now some things you could cause without terrible consequences. And some things which could be caused on you without terrible consequences. Get one, at least. OK. |
Now continue this exercise with this connotation - past dates. Chicago in 1890. London in 1700, so forth. Just arbitrarily. Think of it, then get a picture of it, and put the picture where you are. Let it go. Think of another one, then get the picture. Let it go. Think of a city and a date, get the picture of it, and put it where you are. Let it go. Think of a city and a date, then see the picture, put it where you are. Alright. | Now let's get some spaces you're not occupying. |
Now as you do it, make sure that it's your picture. If another picture appears, you make sure you get one. And then put the picture where you are. Now let's do that some more. If you've got places that are not on Earth, that's fine. Think of the place without a picture, then get a picture, then put the picture where you are, and then dispose of the picture. Alright. | And now some things you could do without several hours of hard considering. And several things you could kill, without any consequences to you. At least one. Then some more. Now let's get several things you could say without immediate retaliation or consequence. And several things you could depart from, which wouldn't hold you. Some more things you could depart from, which wouldn't hold you. One for sure, and then some more. |
Now do this same thing with black space. Think of black space, then get the black space, then put the black space where you are. Let's do that many more times. Think of black space, then get a space, put the picture where you are. Let's do that lots more. Think of black space, get a picture of black space, put the picture where you are. OK. | Now let's get some things you could have departed from, if you'd only known it. Some more things you could have departed from. People, situations, if you'd only known it. More things you could have departed from, if you'd only known it. And more things you could have departed from, if you'd only known it. And more things you could have departed from, if you'd only foreseen the real end. And now some things you might as well have thrown away, considering what happened to them. Some things, considering what happened to them, you might as well have broken or ruined. OK. |
Now think of a city and just suppose that it is exactly where you are, as a picture. Think of a location as a picture, have the picture appear where you are, and put it back in place, regardless of where the place is. Think of Chicago as a picture of Chicago right where you are. Now put it back in place. You should get an almost audible click. If they don't go back in place easily, why just think of another picture of a town and put it back in place. And keep putting pictures of the town back in place until the town sits there. Have a town appear where you are, and then push it back into place. Have it appear where you are, and push it into place. Where you are, and then have it go into place where it belongs. If unsuccessful, simply do it again. OK. | Let's find a couple of objects and hold onto them and don't think. OK. Let go. Find some places where you're not. |
Now duplicate any confusion you have, many times. Now check over some places which you are not occupying. OK. Hold onto a couple of objects, sit still and don't think. OK. Let go. | Now let's find some times when you needn't have been so careful of something, considering what eventually happened to it. Alright. And people you needn't have been so nice to, considering what they eventually did. And things you might as well have thrown away, considering their fate. And people you needn't have been so polite to, considering what they did afterward. And people who really didn't have a hold on you, after all. And problems you needn't have been so careful at working out, seeing that no solution was ever put into effect. And things you could have walked away from, if you'd only known. OK. |
And check over some towns you do not have under attack. Towns, planets, spaces, that you don't have under attack. Check over many of them. Places, spaces, areas you don't have under attack. Check over many of them. Places, spaces areas you don't have under attack. Let's get many more that you don't have under attack. | Now let's check over, let's check over and find some barriers, which are not at this moment immediately in front of you. And some barriers, which are not at this moment immediately behind you. And some distances which are not immediately in front of you, and which you will not immediately have to cross. OK. Some distances which are not immediately behind you, and which you've just crossed. Now let's find some spaces that aren't immediately under you. And where are some places now, where you are not falling the rest of the way. OK. |
Now let's get some people who do not have you under attack at this moment. Let's get many more people who do not have you under attack, as well as past figures. And now let's get some who are not waiting to attack you. Some more who are not waiting to attack you. OK. | And some things which you are free to put your attention upon. Some more things which you are free to put your attention upon. And some things you could permit to give their attention to you. And some spaces that you're not at this moment stuck in. Some more spaces you're not stuck in. Some more spaces you're not stuck in. Some more spaces you're not stuck in. Some things you are not at this moment doing. Some things you wouldn't object to having moved. Get something that you wouldn't object to moving, having moved. And now get some people you wouldn't have to consult before you acted. OK. |
Now let's get some places where you're not waiting for anything. And some places where you're not waiting for money. And some places where you're not waiting for an answer. Some more places where you're not waiting for an answer. Some more places where you're not waiting for an answer. And some places where you're not waiting for something to happen. Some more places where you're not waiting for something to happen. Some more places where you're not waiting for something to happen. | Find a couple of objects, hold on and don't think. Let go. And mock up your body as flip-flopping and out of control. And do that again, do it again, do it again, do it again. Now mock-up your body as unconscious, again, and again, and again, and again. Now mock up yourself as dead because of the processing, and again, and again, and again, and again. Find some places where you're not. Find the floor beneath your feet. |
Some places where you're not reassuring anybody. Some places where nobody is reassuring you. And some things which, if you found them imprisoned, you would let go free. OK. | End of session. |
Let's contact two objects, sit there and don't think. OK. Let go. Find some places where you're not. Find the floor beneath your feet. | |
End of session. | |