Now, at this time I call your attention to the fact that there's the Earth's surface and the sky and the horizon to the north and the horizon to the south and the horizon to the east and the horizon to the west. Those of you who are having absolutely no difficulty getting things into walls, please use these six reference points in order to put things into things. OK? Alright. Now we're just going to call the various things that we're supposed to put into these.

We have here the front wall, the back wall, the right wall, the left wall, the floor and the ceiling. Consecutive, one after another, we're going to put certain concepts, which are actually energies or lack of them, as part of the exercise, gradient scale, toward the granting of beingness. Alright.

Now I want you to put an insistence on consciousness. An insistence that it be conscious. Go ahead, into the six solids, you might say. An insistence it be conscious. OK. Now into the north, put into the north, across the whole horizon, put no unconsciousness. Into the horizon to the south, across the whole horizon, put no unconsciousness. Into the horizon to the west, all through it, put no unconsciousness. And into the horizon to the east, all along it, put no unconsciousness. Into the surface of Earth, put no unconsciousness. And into the sky, put no unconsciousness. OK. And once more, into the north, into the south, into the east, west, the ground and the sky, no unconsciousness, insistence upon. Alright.

I want you to put no motion into the front wall. And insistence on the part of the front wall, of no motion. Now get the back wall insisting there, real good, on no motion. The right wall. The left wall. The floor. The ceiling. Let's get those real insistent, now. Now the front wall again, and so on. Around again, no motion. Some more times. No motion. Now get a downright frantic insistence on motionlessness. Around some more. Front wall, back wall, right wall, left wall, floor and ceiling. Insistence upon no motion. Get the wall insisting, not you insisting. Around again. Utter motionlessness. OK.

Now specifically, whether or not you were doing this before, have it insisting. The horizon to the north, the horizon to the south, so forth, each one insisting on no unconsciousness. Alright. Have each one of these now, insisting on unconsciousness. Have the north, the south, the east, the west, the ground and the sky insisting on unconsciousness. Alright.

Now let's take a wider view of it and get the north horizon, the south horizon, west and east, ground and sky, each one utter motionlessness. Stop. Around again. Everything on the northern horizon, everything on the southern horizon, and so forth, utter motionlessness. Around some more. Motionlessness. OK. Now pick six spaces near to hand, and put the feeling of motionlessness in each one of these spaces. Freeze them. Space after space. OK. Now let's take the north horizon, the south horizon, the west, east, and all the ground and the sky, one after the other, now, utter motionlessness. Create motionlessness, and this time let's get it to a point where you know that if you threw motionlessness at something, it would stop. Get this real good. OK. Let's do it some more. OK.

Now have the north insisting on consciousness, the south insisting on consciousness, and so forth. Have each one insisting on consciousness, 'til you can get that insistence really good. OK.

Now let's find those six spaces which are close to hand, and have each one of those insist on motionlessness toward you.

Now pick out six large spaces. Six large spaces. And into each one of these spaces, let's put no awareness. Insistence upon unawareness. And some more, through these spaces, one after the other, no awareness. I just altered that slightly, it doesn't mean the same thing. No observation. No observation of what's going on. Put that into these spaces. Now let's get it specifically, an insistence in these spaces, that you not be observed by them. Give spaces, one after the other, an insistence that you not be observed by them. OK.

Alright. Find a couple of objects and hold on and don't think. OK. Let go and find some places where you are not at this moment moving. OK.

Now let's just take the walls of the room, and in the front wall of the room, put no awareness. Back wall of the room, put no awareness. Right wall of the room, no awareness. Left wall of the room, no awareness. Ceiling of the room, no awareness. Floor of the room, no awareness. Go on around again. OK.

Now let's take the six walls of the room, and have each wall insists, front wall, back wall, right, left, floor, ceiling, insist on there being no distance. Let's insist on there being an insistence, no distance. OK. Now alter that to "got to be close." Each one of them insisting on that they have to be close. Now change that, that they have to have things close. Be sure you can get it in each one. OK.

Let's find a couple of objects and hold onto them and don't think. OK. Let's let go. Find some places where you are not. Alright.

Now let's take the front wall, back wall, right wall, left wall, ceiling and floor, and have each one insist that there's no remedy. For those who've been in Scientology, vary it to no processing. No remedy. Now have each one of these walls insist on "don't treat me. ' No treatment, no processing, don't treat me. Don't alter me, don't change me, don't treat me. Around again. Alright. Now let's pick up six spaces close to hand and have each one of these spaces insist on no change, alteration or treatment. That general idea. Pick six spaces now, no treatment. Now alter that in these spaces to "no remedy." Impossibility to treat, no remedy, no change. Alright. Now on these spaces, let's have you insist that there's no remedy for them. Now have the walls to the room, one after the other, no possible remedy. No remedy at all. No change. OK.

Now into the six walls of the room, we're going to put no anaesthesia. Into the front wall, nothing that would drug anybody. No anaesthesia. Back wall, no anaesthesia. Right wall, no anaesthesia. Left wall, no anaesthesia. Floor, no anaesthesia. Ceiling, no anaesthesia. And go on around again. Get an insistence upon it in those walls, now. As though the walls were saying and pleading, "Don't anaesthetize me. Don't render me numb." Alright.

Find a couple of objects and hold on now, and don't think. OK. Let go. And find some places where you are not. OK.

Now get these walls again, as though you're insisting that they don't anaesthese you. Front wall, that it mustn't anaesthese you or render you numb. Back wall, same way. Right wall. Left wall. Floor. Ceiling. And around again. OK.

Let's take the front wall of the room, grant it beingness, then grant it no beingness. And then beingness and then no beingness, alternately, many times. Many more times. Beingness, then no beingness, and beingness, then no beingness. OK. Now let's take the floor and grant it beingness, and then no beingness, and beingness and no beingness. Alright. Let's not verbalize that.

Now let's pick out six spaces. Six spaces, and put no anaesthesia in each one of these spaces. No drugging or gassing or rendering you unknowing. Just go on putting it into walls, don't run an incident. Putting it into spaces. Don't run an incident. Put no anaesthesia into these spaces. Now put it into these spaces, as though you were pleading with the spaces. OK.

Now let's get livingness into the floor, and then out of it. And then into it and out of it. The feeling of being alive. OK. Now let's take the back wall and let's grant it beingness and then no beingness. Non-verbally now, but make it feel alive and then not feel alive. Feel alive, feel dead, feel alive, feel dead. OK.

Now go back to the north, south, east, west, then ground and sky. And into the north, into the north put in no successes. Have it saying, "No successes." The south, no successes. No wins. OK. Now find six large spaces and into these, put no successes. OK. Now into the north, south, east, west, ground and sky, in that order on it, put no failure, no defeat. And now get these six large spaces and into these, put no defeat, no failure. And now into those spaces, put no successes. OK. And into the walls of the room, front wall, no happiness. Back wall, no happiness. An insistence on it, now. Right wall, no happiness. Left wall, no happiness. Floor, ceiling. Round and round. Round and round. No happiness. OK.

Now front wall, back wall, right, left wall, floor, ceiling, sleepiness. OK. You can make that wall real sleepy. And the next one. OK. Now wall after wall, make each wall feel like it's boiling off, getting very sleepy, drugged out, unaware, unconscious, but get the feeling in there, not the words. Now let's see if we can't get one whole wall entirely, pick out one now, now get it entirely, from corner to corner, top to bottom, feeling all the way through it, completely sleepy. The whole thing.

Now into the front wall, put no unhappiness an insistence. Have it insisting that there be no unhappiness. Alright. Now you get that insistence at them, now, no unhappiness. Insist this for them, that they mustn't be unhappy. And now have each one of them insist that there's no happiness. The front wall, no happiness. The back wall, so forth. OK.

Now let's take another wall and let's see if we can't get that bright awake, from corner to corner and all over it. Very alert, aware feeling. Make it sustain that feeling. Alright. Now let's make this bright, awake, aware feeling occur in the front wall, the back wall, right, left, floor, ceiling. OK.

Find a couple of objects, hold onto them and don't think. OK. Let go. And find some places where you are not. OK.

Now let's pick out six spaces near to hand and make each one of those appear slightly aware. Not merely with words, but get the actual beingness of the liveness, alertness. Just go around and do that some more. OK.

Now into the walls of the room, into the front wall, an insistence on no fire. In the back wall, no fire. In the right hand wall, no fire. In the left hand wall, no fire. In the floor, no fire. Ceiling, no fire. And around again. Fill those walls with that feeling, now. There must be no fire. Around again, each wall, floor and the ceiling insisting on no fire. OK.

Find a couple of objects and hold on and don't think. OK. Let go.

Pick out six specific spaces close to hand, six specific spaces. Got 'em? Alright. Into the first one of those, put an insistence on no fire. Into the next one, an insistence on no fire. Go on around. Around and 'round those spaces uniformly, each one, no fire. And each one getting the feeling necessary so that there's, shall be no fire. Around these spaces again, no fire. OK.

Now find something that you could hit with actual energy. And by energy, I mean something electrical that you yourself would create. Find something that you would dare touch with this actual energy. Actual, created energy. Something you would dare actually contact and touch. And then some more things. Actually put energy into it. In the flesh, not into a facsimile of it, but actually into it. Find some more things. OK.

Now, to the north, the south, east, west, around, behind, no fire. Around and around, each area insisting on no fire. Now get more specific. No fire at all. And get the thought, not the verbalization, in these areas. Around again. North, south, east, west, no fire, around in the sky. OK. Now pick out several large spaces, six large spaces, six large spaces as before, have each one of these spaces with the intention of no fire. Fill the whole space up with that intention, so that it has the intention of no fire. Space after space, no fire. OK.

Now let's find something you'd be willing to hurt. Something on which you would actually hurt. On which you would inflict pain. Alright. Now let's see if you could touch a little beam of energy to this thing and inflict that pain. Alright.

Now let's take parts of the body. Parts of the body. The right foot, left foot, right hand, left hand, head, stomach, no fire. Have each one think this. Go over them again. Now have your right foot thinking, "No fire," insisting upon it. Your left foot insisting upon it. Your right hand, your left hand, your head and your stomach. Go over these again. Your right foot, no fire. Your left foot, no fire. Have that part think it. OK. Now let's take the walls of this room. Front wall, no fire. Back wall, no fire, and so forth. OK.

Now let's find something that you might bring life to, actually touch with energy and bring some life to. Some more things you might bring some life to. Some more things. Now, let's get some things now, that you'd like to bring some death to. OK.

Let's find a couple of objects and hold onto them and sit still and don't think. OK. Let go. And find some places where you are not. Alright.

Now this is a good long one. Let's find a couple of anchor points, corners somewhere. Hold onto the two of them and just sit there and not think at all. Going to be a good long one now, so just, just sit there and not think at all. Just get interested in holding onto those things. OK. Let go. And find some places where you are not. OK.

Now let's just select out in the immediate neighborhood, several buildings or structures, solid objects. Solid objects. Now pick them out in rotation. Now have the first one think softness. Only softness, no solidity, only softness. And the next one, softness. And the next one, softness. Go on around to the first one again. Around and 'round, softness. Around and 'round, softness. Building after building, those buildings are getting sort of frayed looking to you, or something like (unraveled?) new buildings. More and more structure firmly with the thought, softness. OK.

Now find a nothingness in front of you. A nothingness. And then get the idea of your body intervening. And then a nothingness that you might have made, and your body intervening. And a nothingness, and a body intervening. And a nothingness, and any body intervening. Intention to make a nothingness, the nothingness there, and then the body intervening. Time after time after time, let's do that. Do it some more. A nothingness, and then the body intervenes and puts a somethingness in the road. You're all set to making a nothingness, and everything's going along fine, then the body gets in the road. Something interferes. Do that some more. Alright. Throw all those away, whatever you've got there.

Now let's divide the sky up into four sections and have each one of the four, in rotation, independently think softness. 'Round and 'round, four sections of the sky. OK. Now let's pick out the parts of the body we had before, right foot, left foot, right hand, left hand, head and stomach, and have the right foot think now, softness. And insist upon it. And the left foot. And the right hand. And the left hand. And the head. And the stomach. Around again, each part independently thinking softness. Do that until you're sure each one of these has softness very well. Alright.

And now get the idea of having a nice conversation with another thetan, a nothingness, and have two bodies get in the road on the communication line. Set that aside. And you're having a nice conversation with another thetan, nothing to nothing, very nicely, and then two bodies get in the road. Set that aside. And do it again and again and again. Throw those all away. And do it some more. Nice conversation. But now get the being both coming to you from the other thetan, and going to you from the; to the other thetan. Both ways. Then the two bodies get in the road. Alright. Throw all that away.

Now have these parts, one after the other, think hardness. And have the buildings all around now, think hardness. And have the front wall of the room now, think hardness at you. And the back wall, right, left wall, floor and ceiling. Around again, have them think hardness. And now pick out, pick spaces close to hand and have each one of these think at you, hardness. Around again. OK.

Now get the most detested person you have, person you like the least. And get you successfully making a nothing out of something. You're successfully creating a nothingness, and they jump in the road. Do that again over and over and over. OK.

Now let's put into the front wall, no effort. Into the back wall put no effort. The right wall, no effort. The left wall, no effort. The floor, no effort. The ceiling, no effort. OK.

Find some places you are not. Put Earth a hundred thousand miles below you. Be where you please. Find some places where you're not. Find some more places where you're not. Take hold of something you could really feel, and know it's there. Find the floor beneath your feet.

Now let's find some places where you are not making any effort at this moment. Some more places where you're making no effort at this moment.

End of session.

Now get the idea of trying to make a nothingness directly in front of you, but having your body intervene. And do it again, and have your body intervene. Try to make a nothingness and your body intervene. Try to make a nothingness and your body intervene. Nothingness, and your body intervene. Do that a lot of times. Try to make a nothingness and your body intervene. Do that a few more times. Make a nothingness and have your body intervene. OK.

Let's find some places where you're not. Now get a good solid tactile, a good solid touch on something which your body, oh, well that'll exteriorize you, but make sure it's a good solid touch on something. Something you really know you're touching. That you're really certain you're touching it. OK. Find the floor beneath your feet.

End of session.