Okay. And this is the second hour of processing on February 11, 1954. You won’t need any notes.

This is the 11th of February-11th of February, afternoon session. This is a Group Processing session. And this session is going to be, probably, more elementary than sessions which you’ve been having lately.

Now, the essence of a machine, of course, is its repetitiveness. But there is another essence to any such machine, which really compares with repetitiveness, and that, of course, is simply “resist all effects.”

It’s going to stress, rather heavily, exteriorization, but if you don’t, well, that’s all right. Don’t feel invalidated, just because you can’t follow an exteriorization command.

A machine must resist all effects. So right away let’s-without worrying about that or having been evaluated about it-let’s take a look at this manifestation of “certainty about no change.”

Okay. Be three feet back of your chair.

Now let’s be way out someplace if you can and get anything there, now, that is going to resist all effects.

And get some places where you are not.

Got something there that will resist all effects?

Some more places where you are not.

Good. Let’s set that aside and get something else that’ll resist all effects.

And get some things which you are not at this moment duplicating, [pause]

Now let’s set that aside and resist all effects. And get something else to resist all effects.

There’s something you’re not duplicating. Great certainty.

Now let’s be this thing that’s resisting all effects. Any one of these that you’ve gotten, let’s be it.

Okay. Now check over some bodies which you are not exteriorizing from at this moment And see if we can’t kind of spot them geographically.

And be the qualities of it.

Let’s get some more bodies you’re not exteriorizing from.

And get what you’d really have to do now to continue this quality of resisting all effects.

Now let’s get some heavy masses you’re not exteriorizing from.

Now ask yourself, “effects of what?” What effects, particularly? Let’s get very selective now. Instead of all, let’s get selective. What particular effects must we resist to be this thing?

And now some spaces you’re not exteriorizing out of.

All right. Now let’s make those things occur and resist them.

Now any feeling which you have at this moment, duplicate. And duplicate it many times.

And we’ll just do that rapidly: make the effect occur and resist it. At least make it come toward you and resist it.

Duplicate it some more.

Get the degree of alertness necessary now to resist all effects.

Okay. Now any object which you think of, any object which you think of when

Okay. Now let’s throw that away and be the MEST universe. And resist all effects.

I say "go,” duplicate it. Go.

Set that aside and do it again.

Duplicate it some more.

And set that aside and do it again.

Okay. Now any object which you think of when I say the next harshly accentuated word, duplicate many times. Be.

And set it aside and be the MEST universe and resist all effects again.

Okay. Now any circumstance that occurs to you when I say the next harshly accentuated word, duplicate it many times. Head.

Now set that aside and be the MEST universe. And now resist all possible impulses coming from a thetan.

Duplicate it some more.

Set it aside and do it again.

Okay. Set that aside.

Set it aside and do it again.

Now any circumstance which occurs to you when I say the next accented words, get it and duplicate it many times. Three feet.

Set it aside and do it again.

Duplicate it many times.

All right Set that aside and be the MEST universe. And sort out your goals. What are your goals?

Now the next phrase or command which I give you, get the first circumstance that comes to mind immediately that I say it and then duplicate it many times.

Oh, set that aside now and be the MEST universe, once more, and sort your goals out

Be three feet back of your head.

And set that aside and be the MEST universe and sort out your goals with regard to a thetan.

Okay. Now on the next command which I give you, get the first thing that comes to mind, the first thing, thought or otherwise which comes to mind after I utter this next command and then duplicate it many times. Be three feet back of your head.

And set that aside and do it again.

Okay. Now duplicate any automaticity which occurred while you were doing this, [pause] If none did, duplicate nothing.

Throw it away and do it again.

Okay. Now get the most certain thing that you can be certain of on the First Dynamic, you, a thetan.

Throw it away and do it again.

And the Second Dynamic, [pause] Children.

Throw it away and do it again.

Third Dynamic.

Okay. Be up above Phoenix. And mock-up something going in and out of a building or a piece of rock.

Most certain thing you have about Mankind.

Do it a lot of times.

About auditors.

Okay. Now let’s mock-up the person who is the most antipathetic to your beingness-you’ve all got a favorite goat. Let’s pick out this goat and let’s start this person-mock him up-and start this person going in one direction and then stop them. Start them going in another direction, then stop them. Start them going in another direction, then stop them. And continue this up as an exercise. If the mock-up fades out, put another one back.

About auditors, another certainty.

All right. Now set that aside.

Another certainty about auditors.

And if getting a mock-up of this person was a little bit difficult, why, let’s mock them up changed in some way or another.

Another certainty about auditors.

And then change them again. And change them again. And change them again. And change them again. Just in appearance or characteristic in some fashion. No matter how slight the change is.

Now a certainty about God.

All right. Now set that aside. Mock them up again and get them moving in various directions. Start them and stop them. Start them and stop them. Put barriers in front of them and stop them. And start them in a new direction and put another barrier in front of them and stop them.

And a certainty about your condition.

Okay. Let’s set that person aside now. And mock-up some possession of this person’s. And start it and stop it in various directions.

Now get that certainty now, many times, and duplicate it.

Now change it.

Duplicate it some more.

Change it some more. Change it again. Change it again.

Now mock-up your ideal self and exteriorize something out of it.

Okay. Now mock-up this person again. Throw that away. And mock-up this person again. And change this person a few times. Some article, even place of residence. Some change.

Do it again. Do it again. More and more.

Okay. Now let’s mock-up this person and start this person going. And put a barricade in front of them and stop them. And start them going again and drop another barricade in front of them and stop them.

Okay. Now let’s be up above the city, take any visio which now greets your eye or greets you and duplicate it many times.

Continue that as an exercise.

Throw it away. Get a nothingness. Find one or create one and duplicate it many times.

Okay. Set that person aside. Let’s get another person. And start and stop this person.

Many more times.

All right. Set that person aside.

All right. Move a little bit in one direction.

And now let’s take any person-mock-up any person you can get a good mock-up of. And start and stop this person by booting him ahead and dropping a barrier in front of him.

Move a little bit in another direction.

And booting him ahead and dropping a barrier in front of him

Now get an idea of moving away, finding nothing and putting something there.

All right. Set that aside.

Again. Moving away, finding nothing and putting something there.

And get a mock-up of any person.

And moving away, finding nothing and putting something there.

And change the mock-up.

Moving away, coming back, finding nothing and putting something there.

And change it several times.

Moving away, coming back, finding nothing and putting something there.

Okay. Set that person aside. And get another mock-up of a person. And start this person going in one direction and then drop something in front of them and stop them. And start them going and drop something in front of them and stop them again. Go on with that exercise.

Moving away, finding nothing, coming back, finding nothing and putting something there.

Okay. Set that aside and get the mock-up of any other person. And start and stop this person similarly.

Get an idea of moving away, finding nothing, putting nothing there, coming back, finding nothing and putting nothing there.

Okay. Now get a mock-up of any other person. And change this mock-up several times.

And repeat that.

Okay. Set that person aside. Get a mock-up of another person, old or young. Handle it similarly, of course.

Okay. Now let’s move away, find nothing, put nothing there, move back, find nothing, put nothing there.

Okay. Set that person aside.

And repeat that many times as an exercise.

Now see if you can get a mock-up of your own body. And start it and stop it-even if you have to take a pin to it to start it. Throw up a barrier to stop it. And start and stop it. And start and stop it. And start and stop it.

Okay. Check over some places you are not.

If it fades or does something like that, put another mock-up there.

Now be in various places and, one after the other, point at objects and say, “I’m there.”

Okay. Do it again.

Do this with great determination. Point at an object and say, “Well, I’m there.” And point at another object and say, “I’m there.”

Now duplicate any automaticities which have occurred during this processing of these people.

Okay. Now be in various places, one after the other, single out obstacles or objects of some kind and say, “It’s coming from there” to each one. Decide it’s coming from there.

Duplicate it And duplicate it. And duplicate it. If any automaticity has occurred, any sudden uncontrollability, duplicate it many times.

And more of them, [pause] We won’t care what it is.

All right. Now mock-up your own body. And make it flip-flop, with great franticity.

More of them. Point at objects and things. “It’s coming from there.”

Now set that aside. And make your body flip-flop real good now in a very public, embarrassing place.

Now be in various places, single out various objects and say, “It’s going to come from there.”

Now set that aside. And rig up this incident so it’s even much more embarrassing. And make your body flip-flop and do something obsessively, completely out of your control, in a very, very public place.

Okay. Duplicate any automaticity which occurred in any of the processing you’ve had.

Do it again.

Now be in various places and in each place find something and sympathize with it because it’s lost.

Do it again.

Okay. Now, that knock you kind of off?

Do it again.

All right. Sympathize with a few more things because they’re lost. Poor thing, it’s lost.

Set it aside and do it again. This time get more artistic about it.

Get some more of them. Sympathize, one right after the other.

Set it aside and do it again.

All right. Now find some nothingnesses, some spaces and sympathize with each one, that is to say, sympathize with the object because it’s no longer there. Just assume there’s an object missing in each one of these nothingnesses and sympathize with the lostness, the missingness of the object.

And again.

Find some more empty spaces or make some and sympathize with what’s missing from them. Poor thing, it’s no longer there, [pause] You don’t have to have specific objects in each one of these places. Just look at the nothingnesses and just get the feeling that something is no longer there, the poor thing.

And this time, get it doing it uncontrollably.

Be in some more places. Find some more nothingnesses. Poor thing, it’s no longer there.

Set it aside now. And let’s get something else there that would be terrifically embarrassing if it happened. Terrifically embarrassing. And make the body go right straight through it and do it in its most embarrassing fashion.

Now some specific item has turned up-if some specific item has turned up, very overpoweringly so you’re kind of stuck on it or something like that, just get a whole bunch of empty spaces where it’s not. Each time with sympathy.

Do it again.

All right. Now duplicate the automaticity or any automaticity there, the object, that is. Duplicate it many times.

Okay. Now just mock-up your body and have it flip-flop and then stop it from flip-flopping.

Now mock-up a head and say, “Poor thing, Pm no longer guiding it.”

And then make it flip-flop and stop it from flip-flopping.

And do it again. And do it again. And do it again. And do it again. And do it again, [pause] Many times. Feeling of sympathy because you’re no longer guiding it. [pause] Mock it up again. And again. And again. And again. And again.

Do that several times.

Now mock-up a planet. And each time get “Poor thing, I’m no longer guiding it.” Move it aside and get another planet. “Poor thing, I’m no longer guiding it” and so on, so on.

Okay. Now throw that aside.

Okay. Set this aside.

And now look around and whatever you see, duplicate it.

And mock-up a sun. And say, “Poor thing, it can no longer shine upon me.”

And duplicate it. And duplicate it. And duplicate it. And duplicate it many, many times.

Now say, “Poor thing, it needed me so.”

Now find the most certain thing about your condition. The most certain thing about your condition. And duplicate it. And duplicate it. And duplicate it. And duplicate it. And duplicate it Many times.

Do that many times. You got a stuck visio, just keep doing it.

More times.

All right. Now mock-up huge mobs of people out in front of you, each time with great sympathy, “Poor things, they needed me so.”

Now pick out the thing which you could most certainly be, earlier, in today’s processing. Or anything which you can be with great certainty. And duplicate it. And duplicate it. And duplicate it. And duplicate it. And duplicate it.

Sweep them aside. Put another mob there, same thing.

Let’s get lots of duplicates of it.

Now add this. Get mobs of people out in front of you and each time, “Poor things, they are so lost.” And then lose them.

Oh, many more duplicates of it.

Okay. Now start getting planets now, one after the other, each time, “Poor thing, it needs me so.” [pause] Lots of them.

Now pull them all together.

Okay. Now let’s get some places you are not.

Okay. Throw them away, do something with them.

And some places you are not thinking.

All right. Now mock-up your body.

And some things you’re not feeling lost about, [pause] Get some? Things you’re not feeling lost about?

Get your body. And get you as a dot of light, a thetan, going in and out of the head-a yo-yo effect. And being very embarrassed in front of people that you can’t do this just right, but you keep yo-yoing. In and out, in and out.

Okay. Now let’s mock yourself up at the bottom end of the final spiral, done in, utterly finished.

Get how embarrassing this is to your body.

And do it again. And do it again. And do it again. And do it again. And do it again. And do it again. And do it again.

How embarrassing this is to you.

Do it some more times. Last end of the dregs of nothing, final conclusion, done. Many times.

Okay. Throw that aside. And give me some places where you are not.

All right. Mock yourself up at the final end where you’re heading to right now. Final end where you’re heading to. The final end of that.

Some more places where you’re not.

And duplicate it many times, [pause] Nobody gets hellfire, I’ll be very surprised, [pause] Don’t be specific. Just get the final, bottom, last-dregs end that you’re inevitably heading toward. Finished, completed, done.

Now mock-up yourself as you would like to have yourself.

Do it some more. Do it with frills now.

And do it again. And again. And again. And again. And again.

Do it some more.

Okay. Give me some more places where you are not.

Oh, do it some more. Final end, last ditch. You as a thetan now, last ditch, your inevitable result.

And give me a series of particles, two or more, that you don’t have to hold apart. And now a series of particles, two or more, that you don’t have to hold together. Okay. Now be up above Phoenix and make things zzwfall. From the surface of Earth into the sky. All kinds of things, make them «»fall.

Oh, some more. Inevitable result.

Make them fly from the surface of Earth into the sky.

Okay. Now just for variation, let’s mock you up sucked down into the bowels of the Earth and finished, [pause] Time, after time, after time, after time.

Lots of them.

Now let’s see if you can mock-up some flaming cores of planets and move them in on yourself. Lots of them.

Now get one of them and tie a ribbon on it.

Now mock-up lots of gravitic pull.

Okay. Do what you please with all those now. And let’s mock-up a cube of space, a cube of space. And grant prediction to it.

And duplicate it. And duplicate it. And duplicate it. And duplicate it. [pause] More of it.

And another one. And another one. And another one. And another one. And another one.

Now be a planet and mock-up a lot of pull on a thetan. And duplicate it many times, [pause] More times, [pause] Mock-up yourself as a planet, pull in thetans many times.

Lots of cubes of space.

Okay. Now mock-up yourself as a sun and pull thetans up to you off of planets.

All right. Throw those away. And now let’s get cubes of space now and grant wowprediction to them.

[pause] Kind of beat them back in the process a little bit with a few rays just to confuse them, but get them up there anyhow.

More of them.

Okay. Now be a moon and pull thetans into you.

More of them.

And now be a planet and pull thetans off the surface down into you. Lots of them.

All right. Do what you please with those or what you can.

Now be the space between a sun, moon and a planet and just confuse the devil out of a thetan by not letting him know which way he’s being pulled or by what.

And get cubes of space and grant prediction to them.

Okay. Let’s throw that aside.

Okay. Now let’s get cubes of space. And grant wowprediction to them.

Give me some places where you’re not.

Put it there, then grant nonprediction.

Now let’s look around the environment. Let’s be well out, look around the environment. And put your attention on an object and then lift it over. Put your attention on another object and then put your attention on another object and put your attention on another object. Each time fix your attention, then unfix it.

Okay. Now let’s just take person after person at random. And two or three times for each person, mock them up and grant prediction to them.

Now act so as to attract the attention of a number of objects, [pause] And specify the objects you’re getting attention from.

Mock-up each one, two or three times.

Okay. Mock-up a noise or get the idea of a noise somewhere and then explode. And then just do this alternately, [pause] If you can’t explode yourself, get the idea of an explosion.

Okay. Now let’s do this to people and grant wowprediction to them.

Now let’s get them right together. A noise and an explosion.

Now let’s take some cubes of blackness and grant nonprediction to them.

All right. Let’s start an avalanche of sound now.

One after the other.

Start it and stop it. Start it and stop it. Start it and stop it. Start it and stop it. Start it and stop it.

Okay. Some cubes of whiteness and grant nonprediction to them.

Then get the feeling of blowing up, blowing up, blowing up, blowing up, one after the other.

Now some planets and grant nonprediction to them.

Okay. Start an avalanche of sound and blow up. [pause] And do it again. And again. And again. And again. And again. Avalanche of sound, blow up. Avalanche of sound, blow up.

And some suns and grant nonprediction to them.

Okay. Lay that aside.

And now some cubes of blackness and grant prediction to them.

Now let’s check over some things which are not at this moment happening to you.

And some cubes of whiteness and grant prediction to them.

Okay. Now start an avalanche of sound and blow up against it. And start another one and blow up against it. Another one and blow up against it. And another one and blow up against it.

And some planets and grant prediction to them.

All right. Now start an avalanche of sound and zwzplode. Avalanche of sound and you blow inwards on yourself.

And some suns and grant prediction to them.

All right. Any condition now which you found difficult with this sound and explosion, duplicate. And duplicate it many times.

Okay. Throw those away or dispose of them, as you will. And mock-up your body and grant some prediction to it.

Okay. Any difficulty you had in the session, duplicate, [pause] More of them.

And repeat that, duplicate it many times.

Okay. Now let’s put out there somewhere, “Reserve some for myself.” Just the idea of “Reserve some for myself” and duplicate it many times, [pause]

All right. Now mock-up your body and grant wowprediction to it.

Now put out the feeling somewhere, "Can’t support all those people” and duplicate it many times, [pause] Duplicate it some more, [pause] Any variation of it.

Now grant prediction to it.

Okay. Mock-up the front desk in the room exploding many times.

Okay. Set that aside.

Now mock-up fire hoses going toward the source of sound.

Now mock-up somebody else and have this person grant prediction to you.

Okay. Now mock-up a whole mob of people in front of you, claiming they can see you.

And set them aside and have them do it again. Set them aside and do it again.

Set them aside and do it again.

Get another person, do it some more.

All right. Now let’s get somebody and have them grant wowprediction to you.

Duplicate it many times.

Okay. Get another person. Have this person grant nonprediction to you.

Do it many times.

All right. Put that aside. And get a book and grant prediction to it.

And then a whole bunch of books, one after the other, and grant prediction to each one.

All right. Let’s grant prediction to them now.

Okay. Now let’s grant prediction to a number of books.

Now let’s grant wowprediction to a number of motion pictures.

Now let’s grant prediction to a number of motion pictures.

Okay. Prediction now to a number of textbooks.

Nowprediction to a number of textbooks.

Okay. Let’s be up above Phoenix somewhere and find some places where you’re not Now let’s mock ourselves up as something which has to be stopped by an exterior agency.

Move it aside. Do it again. Move it aside. Do it again. Move it aside. And do it again.

Something that has to be stopped.

Many times.

Okay. Now let’s mock ourselves up as something that has to be started.

Set it aside. And do it again. And set it aside. And do it again. And set it aside. And do it again.

Okay. Now let’s mock ourselves up as something that has to be changed.

Continue to duplicate.

Okay. Now again, as something that has to be stopped.

Set it aside. And do it again. Set it aside. And do it again. Set it aside. And do it again.

Okay. Now mock ourselves up as something that has to be started.

Set it aside. And do it again.

Continue to do that.

Okay. Now let’s mock ourselves up as something that must be changed.

And set it aside. And do it again. Set it aside. And do it again. Continue to do that.

Okay. Now let’s mock ourselves up as something which can only operate on attention from outside agencies.

Set it aside. And do it again. Set it aside. And do it again.

Okay. Now let’s mock ourselves up as a communication machine. And get the H amount of attention necessary to operate.

Set it aside. And do it again. And set it aside. And do it again. And set it aside.

And do it again.

Do it again. A communication machine and the amount of attention necessary to operate.

Many times.

Okay. Now let’s find some places where you’re not.

And some things you’re not being at the moment.

And some places where you don’t have to arrive.

And a series of particles you’re not trying to hold apart.

And a series you’re not trying to hold together.

And a series of particles somebody else isn’t holding apart. A specific person.

And a series of particles somebody else, a specific person, is not trying to hold together.

And now some things which you don’t need energy for at this second.

And some people you are not, at this moment, under arrest for having killed.

And some things which are very serious.

And some more things that are very serious.

And some more things that are very serious.

Oh, get one with certainty.

Some more.

Now let’s get some cats that are not at this moment pretending they are you.

And some mountains that are not known by your name.

Oh, get one, at least.

Audience: [laughter]

And some horses that are not eating spinach.

And a logical reason, completely logical reason. That’s all, just a logical reason.

Audience: [laughter]

Some more logical reasons.

Now mock-up your body laughing and getting shot.

Set it aside. Mock-up your body laughing and being shot for it. Many times, over and over.

Now have it being ground to fine powder, just because it laughed.

Now be the MEST universe and inhibit all laughter.

Okay. Be your favorite machine.

Now be the machine that nobody must touch.

Now point out several places you would be found if you were lost in them.

Audience: [laughter]

And find two big pieces of MEST or two corners of something. And hold on to each one, sit there and don’t think.

Okay. Let go. And duplicate whatever visio first comes to your attention.

And duplicate it. And duplicate it. And duplicate it. And duplicate it. And duplicate it.

And start and stop a tremendous inflow of sound.

Now throw away the ridge you created.

And grab on to two pieces of the universe.

And look at something and look straight through it.

And look at something else and look straight through it.

And look at something else and look straight through it.

And find the floor beneath your feet.

End of session.