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ENGLISH DOCS FOR THIS DATE- Group Processing - Elementary Process, Exteriorization (3ACC-71) - L540211 | Сравнить
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GROUP PROCESSING ON CLASS: THINGS TO BE

GROUP PROCESSING ON CLASS: RESIST EFFECT

Lecture given on Feb 11, 19545402C11, 3ACC-67
5402C11, 3ACC-66
[Alternate title: Processing Machines (demo)]
[An existing freezone transcript from old reels. Alphia Hart missed this lecture and therefore no notes are available for confirmation. Need reel for proper proofing.]

OK. And this is, this is the eleventh of February, 1954. We're going to continue immediately with processes, and processing. You won't need the note books.

Lecture given on 11 February 1954

Now we are going to have a little different type of process this morning. You probably think I've forgotten all about machines, that sort of thing, "That's all ancient history, we don't use those anymore." That was last week, everything's changed.

OK, and this is the second hour of processing on February eleven, 1954. I, you won't need any notes.

OK. Now close your eyes, and let's get with great certainty something you can be. Let's get several things you can be, but let's get this first one with great certainty. Something you really can be. Some more things you can really be. Now come on, get certain. Something you can really be. An eight ball, an idea, I don't care what it is. Something you can be. If you can be this thing, well you can jolly well feel the mass of it. Or the space of it. And this might be interpreted with another phrase. Get something you can be and then feel being it. You all got something you can be now? You got something you can be with great certainty now?

Now the essence of the machine of course is its repetitiveness. But there's another essence to any such machine, which really compares with repetitiveness, and that of course is simply resist all effects. The machine must resist all effects. So right away let's, without worrying about that or having been evaluated about it, let's take a look at this manifestation of certainty about no change.

Alright, now let's experience the beingness of it. Now isn't that nice? Let's experience the beingness of it. Let's feel it. Let's be it. Let's get our behavior pattern as it. What would our behavior pattern be. An eight ball would roll around a pool table. Let's roll. Now let's be this thing some more. If you're not quite satisfied yet that this is the realest thing that you can be why, shift it and be something else that's more real to you. Let's be this thing now with reality. Be it real good.

Now let's be way out someplace if you can, and get a, get a, anything there now that is going to resist all effects. Got something there that will resist all effects? Good, let's set that aside and get something else that'll resist all effects. Now let's set that aside and resist all effects, get something else to resist all effects. Now let's be this thing that's resisting all effects, any one of these that you've gotten, let's be it. And be the qualities of it. And get what you'd really have to do now, to continue this quality of resisting all effects.

OK. OK? Well now let's see, see if we can find something else you can be now. And something else. And let's be this with good reality. Something else you can be for sure. Now somebody sitting back there with a, with a, saying, "Well let's see. Get the idea, alright. I could be a, I could be an Empire State building, I guess." And then isn't immediately the mass of the Empire State building, he ain't playing this game right. Now let's get something you can really be. Right where you are at. No strain, no pain about this, let's just be it. And experience your behavior pattern as it now.

Now ask yourself effects of what, what effects particularly. Get very selective now, instead of all, let's get selective. What particular effects must we resist to be this thing. Alright, now let's make those things occur and resist them. And let's do that rapidly, make the effect occur and resist it. At least make it come toward you and resist it. Get the degree of alertness necessary now to resist the whole thing.

Alright, now let's find something else you can be. Now let's be this for sure. Let's be this thing for sure now, and experience it. Feel being it. Get the appropriate emotion, and experience it. Steve has found something he can be, he can be late. Well let's be this for sure now, something you can be, and be it for sure. Experience being it. OK.

OK, now let's throw that away, and be the MEST universe and resist all effects. Set that aside and do it again. And set that aside and do it again. And set it aside and be the MEST universe and resist all effects again. Now set that aside and be the MEST universe, and now resist all possible impulses coming from a thetan. Set it aside and do it again. Set it aside and do it again. Set it aside and do it again.

Now let's find something else you can be. Something else. Fish around 'til you get something with super reality. Good, real, you just know for sure you can be this thing. A black case might get the fact that he can be a small cube of blackness. Let's get that for sure.

Alright, set that aside and be the MEST universe and sort out your goals. What are your goals. Oh, set that aside now, and be the MEST universe once more, and sort your goals out. And set that aside and be the MEST universe and sort out your goals with regard to a thetan. And set that aside and do it again. Throw it away and do it again. Throw it away and do it again. Throw it away and do it again. OK.

Alright. Now let's find out now, by being it, what you are being, rather chronically. Let's be what you are being rather chronically. You know, day by day, find out what you're being. Somebody might be being a ghost. Alright. Now let's be it. Somebody says a dope. Well, be a dope. Now let's be it now.

Be up above Phoenix, and mock-up something going in and out of a building or a piece of rock. Do it a lot of times. OK. Now, let's mock-up the person who is the most antipathetic to your beingness. We've all got a favorite goat, let's pick out this goat, and let's start this person, mock them up and start this person going in one direction and then stop them. Start them going in another direction then stop them. Start them going in another direction, then stop them. And continue this up as an exercise. If the mock-up fades out put another one back.

OK. Now let's be way out somewhere. Way away. Look around the environment, and check off some places you don't have to leave for at this moment. Some more places you don't have to leave for. Now work out wherever you are.

Alright, now set that aside, and if getting a mock-up of this person was a little bit difficult, why let's mock them up changed in some way or another. And then change them again, and change them again, and change them again, and change them again, just in appearance or a characteristic in some fashion, no matter how slight the change is. Alright, now set that aside, mock them up again, and get them moving in various directions, start them and stop them. Start them and stop them, put barriers in front of them and stop them, and start them in a new direction, and put another barrier in front of them and stop them.

Now you know all about automaticity and machines. Now let's find a machine you can be. A machine you can be. Let's find a machine you can be now, now be it. Now be it and perform its function. Come on, you can be some kind of a machine. Now you can be some kind of a machine. If you're having any difficulty being this, why just stretch your imagination a little bit. What you doing right this minute? Well be that kind of a machine. A machine you can be for sure now. Now you perform its function. Perform its functions with the proper emotions, proper to this machine.

OK, let's set that person aside now and mock-up some possession of this person, and start it and stop it in various directions. Now change it. Change it some more, change it again, change it again. OK, now mock-up this person again, throw that away, mock-up this person again and change this person a few times. Some article, even place of residence, some change. OK, now let's mock-up this person and start this person going, and put a barricade in front of them and stop them. And start them going again, and drop another barricade in front of them and stop them. Continue that as an exercise.

Alright, now let's be another kind of a machine you can be. Another kind of a machine you can be. And let's be it with the proper emotion now, and perform its functions. Now let's not get significant about this. Let's just be the machine, and perform its function. Now don't be you being the machine, be the machine. Now get very functional. Do with a vim and a will what the machine is supposed to do.

OK, set that person aside, let's get another person and start and stop this person. Alright, set that person aside and now let's take any person, mock-up any person you can get a good mock-up of and start and stop this person by booting them ahead and dropping a barrier in front of them. And booting them ahead and dropping a barrier in front of them. Alright set that aside and get a mock-up of any person, and change the mock-up. And change it several times.

OK, let's be another machine. Another kind of a machine you can be. Perform its function. Good certainty now. Just be the machine itself, don't be you too.

OK, set that person aside and get another mock-up of a person, and start this person going in one direction and then drop something in front of them and stop them, and start them going and drop something in front of them and stop them again. Go on with that exercise. OK, set that aside and get the mock-up of any other person, and start and stop this person similarly.

OK. Now let's check over the environment and find some places that aren't leaving for you immediately. Got some places that aren't leaving for you? Aren't departing to arrive where you are? Get some more.

OK, now get a mock-up of any other person, and change this mock-up several times. OK, set that person aside, get a mock-up of another person, old or young, and similarly of course. OK, set that person aside. Now see if you can get a mock-up of your own body, and start it and stop it. Even if you have to take a pin to it to start it, throw up a barrier to stop it. Start and stop it, start and stop it, and start and stop it. If it fades or does something like this, put another mock-up there. OK, do it again.

OK. Now let's find something you can be. And something else you can be. But be sure and experience being this thing now. If you're a tree, be a tree. Don't be you pretending you're a tree. Be a tree. Whatever you can be. Some more things you can be.

Now, duplicate any automaticities which have occurred during this processing of these people. Duplicate it and duplicate it and duplicate it, if any automaticities occurred, any sudden uncontrollability. Duplicate it many times.

Alright, now check over the environment, check over the environment, and get things which tell where other things are.

Alright, now mock-up your own body, and make it flip-flop, with great franticity. Now set that aside and make your body flip-flop real good now in a very public, embarrassing place. Now set that aside, and rig up this incident so it's even much more embarrassing, and make your body flip-flop, and do something obsessively, completely out of your control, in a very, very public place. Do it again. Do it again. Do it again. Set it aside and do it again. This time get more artistic about it. Set it aside and do it again. And again. This time get it doing it uncontrollably. And set it aside now, and let's get something else there that would be terrifically embarrassing to happen. Terrifically embarrassing, and make the body go right straight through it and do it, in its most embarrassing fashion. Do it again. OK, now just mock-up your body and have it flip-flop, and then stop it from flip-flopping. And then make it flip-flop and stop it from flip-flopping. Do that several times.

Now check over some things you don't have to flinch from.

OK, now throw that aside and now look around, and whatever you see, duplicate it. And duplicate it, and duplicate it, and duplicate it, and duplicate it many, many times. Now find the most certain thing about your condition, the most certain thing about your condition, and duplicate it, and duplicate it, and duplicate it, and duplicate it, and duplicate it, many times. More times.

Now find some things that aren't flinching from you.

Now pick out the thing which you could most certainly be earlier in today's processing, or anything which you can be with great certainty, and duplicate it, and duplicate it, and duplicate it, and duplicate it, and duplicate it. Let's get lots of duplicates of it. Oh, many more duplicates of it. Now pull them all together. OK. Throw them away, do something with them.

Now check over some things, and find some things which don't necessarily know you're there. Some things which aren't aware of you.

Alright, now mock-up your body. Get your body, and get you as a dot of light, a thetan, going in and out of the head, a yo-yo effect, and being very embarrassed in front of people if you can't do this just right, but you keep yo-yoing. In and out, in and out. Get how embarrassing this is to your body. How embarrassing this is to you.

OK. Now let's find some more machines now, but this time let's find a stopping machine you can be. Some kind of a stopping machine that you can be. And be it. Go on, figure around, figure-figure for a while or something, get a stopping machine that you can be and be it. Don't be a machine that's out there, be a machine right where you can be it. Right where it is or right where you can be it, a stopping machine. Perform its function.

OK, throw that aside and give me some places where you are not. Some more places where you're not.

OK. Now let's be another kind of stopping machine. And another kind of stopping machine. Be it and perform its function.

Now mock-up yourself as you would like to have yourself. And do it again, and again, and again, and again, and again. OK.

OK. Now let's check over the environment, let's look around.

Give me some more places where you are not.

Be way above Phoenix if you can, and check over the environment and find some things there which aren't telling the police that you are where you are.

And give me a series of particles, two or more, that you don't have to hold apart. And now a series of particles, two or more, that you don't have to hold together. OK.

OK, and some places where you won't be in the next couple of minutes.

Now be up above Phoenix and make things un-fall, from the surface of Earth into the sky. All kinds of things, make them un-fall. Make they fly from the surface of Earth into the sky. Lots of them. Now get one of them and tie a ribbon on it. OK, do what you please with all those now.

OK. Now let's be a machine, any kind of a machine that you can be. And be it, and perform its function. Be it again and perform its function.

And let's mock-up a cube, space, a cube of space, and grant prediction to it. And another one, and another one, and another one, and another one. Lots of cubes of space. Alright, throw those away, and now let's get cubes of space now, and grant wrong prediction to them. More of them. More of them. Alright, do what you please with those, or what you can.

OK. Now let's find what kind of a stopping machine you can be. What kind of a stopping machine can you be, and let's be it. Perform its function.

And get cubes of space and grant prediction to them. OK, now let's get cubes of space, and grant non-prediction to them. Put it there, then grant non-prediction. OK.

OK. Now let's find out what kind of a changing machine you can be. What sort of a changing machine can you be. Be it and perform its function. Be it real good now, and perform its function real good.

Now let's just take person after person at random, and two or three times for each person mock them up and grant prediction to them. Mock-up each one two or three times. OK, now let's do this to people, and grant non-prediction to them.

OK. Now let's find some other sort of a changing machine that you can be. OK. Now let's find out what other kind of a changing machine you can be, and be it.

Now let's take some cubes of blackness and grant non-prediction to them. One right after the other. OK, some cubes of whiteness, and grant non-prediction to them. Now some planets, and grant non-prediction to them. And some suns, and grant non-prediction to them. And now some cubes of blackness, and grant prediction to them. And some cubes of whiteness, and grant prediction to them. And some planets, and grant prediction to them. And some suns, and grant prediction to them. OK, throw those away or dispose of them as you will, and mock-up your body and grant some prediction to it, and repeat that, duplicate it many times. Alright.

OK. Now let's be way up above the environment, and let's check over three places you are not living in.

Now, mock-up your body and grant non-prediction to it. Now grant prediction to it. OK, set that aside. Now mock-up somebody else and have this person grant prediction to you. And set them aside and have them to it again, set them aside and do it again, set them aside and do it again. Get another person, do it some more.

Now some places where you're not pulling perception in.

Alright, now let's get somebody and have them grant non-prediction to you. Duplicate it many times. OK. Get another person, have this person grant non-prediction to you. Do it many times.

Alright, find a MEST object and look through it.

Alright, put that aside, and get a book and grant prediction to it. And then a whole bunch of books, one after the other, and grant prediction to each one. Alright, let's grant non-prediction to them now. OK. Now let's grant prediction to a number of books. Now let's grant non-prediction to a number of motion pictures. Now let's grant prediction to a number of motion pictures. OK, prediction now to a number of text books. Non-prediction to a number of text books. OK.

OK. Now let's find what kind of a starting machine you can be. What can you start, be the machine that does it. Let's be the machine. Perform its function. Another one, and perform its function. Alright, now what kind of a starting machine can you be. Perform its function. OK.

Let's be up above Phoenix somewhere and find some places where you're not.

Now be up above the environment, and knock some places soft. You know, find something that's hard and massy, and sort of swat it so it'll get soft. Some more places.

Now, let's mock ourselves up as something which has to be stopped, by an exterior agency. And move it aside and do it again, and move it aside and do it again, and move it aside and do it again. Something that has to be stopped. Many times. OK.

OK. Now check over some places you're not leaving from at this moment.

Now let's mock ourselves up as something that has to be started. Set it aside and do it again, set it aside and do it again, set it aside and do it again. OK. Now let's mock ourselves up as something that has to be changed. Continue to duplicate it. OK, now again as something that has to be stopped. Set it aside and do it again. OK. Now mock ourselves up as something that has to be started. Set it aside and do it again. Continue to do that. OK.

OK. Now what kind of a mock-up machine can you be. Let's be it. What can you mock-up, be the machine. Do it. Perform the function.

Now let's mock ourselves up as something that must be changed, and set it aside and do it again, and set it aside and do it again. Continue to do that. OK.

OK, now what sort of an unmocking or a disappearer machine can you be. Go ahead and be it, an unmocker. Go ahead and be it, perform its function. OK. What other kind of an unmocker can you be. And perform its function.

Now let's mock ourselves up as something which can only operate on attention from outside agencies. Set it aside and do it again, set it aside and do it again. OK.

OK. Now let's be up above the environment, and very rapidly, one after the other, split in half. That's right, split in half. Still in the body? Why, just split in half.

Now let's mock ourselves up as a communication machine. And get the amount of attention necessary to operate. Set it aside and do it again, and set it aside and do it again, and set it aside and do it again. Do it again, a communication machine and the amount of attention necessary to operate. Many times. Well OK.

OK. Now check over the environment, and find some things which are holding together. Get how nice that is. Get the form of these things, how the form is holding together. And get how admirable that is.

Now let's find some places where you're not, and some things you're not being at the moment. And some places where you don't have to arrive. And a series of particles you're not trying to hold apart. And a series you're not trying to hold together. And a series of particles somebody else isn't holding apart, a specific person. And a series of particles somebody else, a specific person, is not trying to hold together.

Alright, now what kind of an object can you be, for certain. What sort of an object can you be for certain. Now let's not look out in front and find an object, and yap-yap. No, just an object that's built out of energy, any energy mass. Now let's be this energy mass. Just be it. Be it real good. Experience what it should experience. OK.

And now some things which you don't need energy for at this second.

Now what kind of a space can you be. For certain. And what's the most certain space that you can be. Be it, with certainty. OK. Be another space.

And some people you are not at this moment under arrest for having killed.

Alright, now let's check over from where you are, some space you don't have to be at this moment.

And some things which are very serious. And some more things that are very serious. And some more things that are very serious. Well get one with certainty. Some more.

Some objects you don't have to be.

Now let's get some cats that are not at this moment pretending they are you.

Some machines you don't have to be.

And some mountains that are not known by your name. Well get one at least.

Some machines that stop things that you don't have to be. Some more.

And some horses that are not eating spinach.

Some machines that start things that you don't have to be.

And a logical reason, completely logical reason. That's all, just a logical reason. Some more logical reasons.

And some machines that change things that you don't have to be.

Now mock-up your body laughing and getting shot. Set it aside. Mock-up your body laughing and being shot for it. Many times, over and over. Now have it be ground to fine powder just because it laughed. Now be the MEST universe and inhibit all laughter. OK.

Now some machines that mock-up things that you don't have to be.

Be your favorite machine. Now be the machine that nobody must touch. ...

Now some machines that unmock or make things disappear that you don't have to be.

[end of transcript]

OK. Now let's take a look at the environment, and not see it at all. Inspect it very carefully without seeing it at all.

OK. Now be the MEST universe, and give directions to you, a thetan. Oh, lots of them. Alright, set it aside and do it again. Give lots of directions to you a thetan.

Now be the MEST universe and get lost, so that you a thetan can't find a thing. Be the MEST universe and just hide everything, and hide yourself, and so on, so this thetan just starts going frantic.

Now be the MEST universe and start handing out mis-directions to a thetan, delusory directions.

Now just be the MEST universe and give directions to many thetans. Have them start in one direction, and you direct them someplace else, and then direct them someplace else, and direct them someplace else. Direct them someplace else.

Now be the MEST universe and shoot noises at a thetan, which directs it in many different directions. Starts in a direction, shoot a noise at it and send it in another direction.

Alright, now be the MEST universe, and punish thetans for looking. Punish them for looking again.

OK, be above the environment now and check over several places where you are not.

And now several places you aren't trying to get out of.

OK. Now very rapidly, put up injunctions of the various kinds. Prohibition signs, injunctions, phrases, whatever you want to put up, or the thought, that you mustn't use thoughts that aren't yours. Well, just put that up all over the place. Many times. Put it up some more.

Now let's get you, a thetan, out in front, and let's do everything as many times as necessary to convince this thetan that it mustn't use thoughts that aren't his or hers.

Now many injunctions to be original. New, never been done before, must be new. And get the penalties now for non-originality.

Now a whole series of injunctions about individuality. Must be an individual, mustn't be like anybody else. And all of the horrible threats that you can level at this thetan for being otherwise than original, otherwise than an individual. Get real tough about it.

OK. Now, be the MEST universe, and inhibit a thetan from stealing. And just give him hell about stealing. And then do it over and over and over and over. Mustn't take things that aren't his, and so forth. Whole lots of them on that. Mustn't steal. Whole lots more.

Now start setting up, and putting a thetan in, prisons, as a punishment for stealing. Whole lots of them. Just jail the hell out of him for stealing. Teach this thetan about the value of property. These many thetans, about the value of property. Many more of these jails.

OK. Now, be somebody or the MEST universe, as you choose, and thoroughly indoctrinate you, a thetan, into the fact you're totally responsible at all times for everything. And set it aside and do it again, and set it aside and do it again, and set it aside and do it again. Totally responsible. If anything happened, you did it. Set it aside and do it again, set it aside and do it again.

OK. Now start giving a thetan the devil for giving things away. Set it aside, and do it again. Set it aside, and do it again. Give this thetan hell for giving things away. Set it aside, and do it again.

OK. Be way up above Phoenix, or look around the environment you're in, and mock-up something and put prediction in it. And do it again. And again, and again, and again. Lots of them, and set them aside. Do it again and again and again. The number of times you do it is more important than the length of time you do it. Set 'em up, put prediction into it. Do it some more. Do it some more. Put up some more things and put prediction in them.

Now set up something and put non-prediction in it. And do it again and again and again and again and again. Set up some more things and put non-prediction in them. Now start setting things up putting prediction in them. I don't care what you do with these things.

Alright, start setting up spaces now, putting prediction in them. OK, put up spaces now with non-prediction in them. Lots of them. Now put up spaces with prediction in them. Now spaces with non- prediction in them. And spaces with prediction in them. OK.

Now take a look at the environment and check off some places where you are not. Now mock-up some places where you are not.

Now find some objects and look straight through them.

Find some spaces and look straight through them.

Now be the MEST universe and punish smelling. On thetans now, punish smelling. So he will smell, will he? Heh. Fix him up.

Alright, now mock yourself up reserving things for yourself. Time after time after time after time after time after time.

OK, find some places you are not.

Now whatever you're looking at at this instant, duplicate it, duplicate it, duplicate it, duplicate it, duplicate it, duplicate it, duplicate it, duplicate it.

Now mock yourself up as an ideal thetan. Do it again, do it again, do it again.

Now mock yourself up as an ideal thetan, but add this quality, full of prediction.

OK, now check over some things you don't have to be perfect at. Oh you can get one.

[End of tape]
[The following notes on the final section of this lecture are from the ACC notes (published 1955) of Alphia Hart, D. Scn. who attended this ACC. These are notes rather than a complete transcript. We begin with the sentence corresponding to the above paragraph.]

Check over some things you don't have to be perfect at.

Check over some lives you don't have to live.

Find two MEST objects, reach for them, hold on to them, and don't think.

[End of Lecture]