Today we’re going to continue to talk about spacation. We’re going to go into energy, particles, and then go into time. We’re going to cover this all very rapidly and if anybody gets left behind, that’s too bad.

Let’s go on now as to how you use these… these points on some of these… some of this material. This is the second hour of December 4th. Now let’s go on to how we use some of these materials in auditing and why it is an apparent uh… upset to a preclear to be disoriented.

We have a couple of questions here which have been asked; they’ll probably be answered in this lecture just in general.

We’re operating, of course, from Q-1 and that says creation of uh… space, time, energy, matter, location in this. You see, if a man can’t locate himself in space and time, why, he can’t locate himself – well, he just can’t locate himself. And therefore it says he’s not theta. He’s MEST because MEST is what can’t locate itself.

Now the subject of spacation is the subject of the creation, handling of, or concept of space. What’s space? Very difficult problem at this time. It is sufficient to answer the problem in this wise. Actually the physicist has no definition for space – now isn’t that a heck of a thing? He operates in space all the time and he doesn’t have a definition for it. He says, „space,“ and everybody knows what he means, only he doesn’t know what he means.

Somebody always has to locate MEST. That’s why you have surveyors. MEST never has been known… a roadside rock has never been known to get up and say to you, „Hello, what’s your name? Uh… where are you going?“ Nope, never been known to. Sometimes a roadside rock says „Milestone 26,“ but somebody put that on that.

Now, uh… a mathematician has a viewpoint for space. He says „point, a point is something with location but without dimension. It has no length, breadth, or thickness.“ That is a point, mathematician’s definition of a point. Now that’s all very well, but uh… what about this space?

So the difference between being MEST and being theta is location in space. That’s the difference between the two things. MEST has… now when I say MEST is, I’m using our old word as to mean object, a solid object, and the space and energy and so forth which comprise such solid objects, the energy flows itself, and the space therein; I’m using just that term physical universe MEST.

Well, I’ll tell you what a space is, and a space is something, uh… well, you see it’s like this. Time… time, you see, you have time and you have, uh… well uh… the two interlocked and uh… and you, have time. That’s… that’s motion, and uh… what motion is… is uh… well, that’s time, uh… uh… well, operating in space. You see how that is?

All right, uh… when a person goes down the tone scale, that is going down from a concept of being able to locate or originate in space, originate space, down to being a chunk of something that’s been located. Now, in other words, it goes from theta, tone scale goes from theta to MEST. And, of course, MEST has always got theta in it but that… that’s beside the point.

Now that’s all very clear and I’m very glad that you have that, because that is the limits of uh… our understanding the subject. Now, I want you to get into something very practical like building a steam locomotive, uh… weights, balances, and all into other complicated things here in this subject of physics because we haven’t got the time to spend on these basic fundamentals like what is space.

It has gone to the point where it doesn’t do the locating but somebody locates it. And even though a piece of MEST is used for propulsion or for shoveling or for pushing or for pulling or anything like that, there’s theta directing it.

All right, let’s… let’s take a look at space. Now when you… when… when your physicist starts talking, remember the other day I was telling you, you can do an awful lot if you have three frames of reference. And you compare each frame of reference to the other frame of reference, then you’re all right.

So an individual conceives himself to be as free, as knowing, as much cause as he can locate himself in space or create space. He’s so… as long as he can do that.

If you have three frames of reference just as you have if you have three summer lines of position, you’ve got a position. You can orient yourself, but don’t just take three, think you have something very thorough, if you merely have three things, each one defined in terms of the other two and without any further definition.

Now you get somebody out in the country and he gets lost, well, he’s not terribly lost, he can look at the vegetation and he can look at the road and he can look at things and he said, „Look, somebody with three-dimensional space on the brain built all this, I’m still here, uh… somewhere. As I just have lost the difference between my immediate new anchor points and the anchor points to which I’m accustomed and I do not know the dimension from here to the point of origin from which I normally operate. I don’t know that distance.“ And so he says he’s lost, but actually just to that degree produces the most fantastic results on an individual.

Don’t think you have something defined. That is definition, as you find in the HANDBOOK FOR PRECLEARS, that’s definition by association. Uh… what is a cow? Well uh… a cow is like uh… yeah, well, you know what a bull is. Well, uh… well, a cow is not a bull but it is like a bull, and uh… they’re in a barn so that’s like a barn. low you understand of course what a cow is. That’s silly, isn’t it?

You take a… a… fellow out here in the woods and there’s nothing but trees, trees, trees and all the trees look like more trees. And everything is unfamiliar, anchor points gone, and, believe me, it’s a very solid guy who doesn’t lose his head. I have seen fellows just go so pale green with… with a fear – they go right on down the tone scale. They don’t know what they’re afraid of. They haven’t any idea what they’re doing or what’s happening. And they will run aimlessly. They’ll do the strangest things: They will be very hungry and throw their pack away. They will desperately need their rifle and cartridges and throw them in the nearest creek. They will walk in circles, oddly enough. They… they seem possessed with an inability to take straight lines.

And yet, the physicist has been doing this. He says, „What’s space? Well, space is something in which uh… operates, uh… well, it’s motion, motion, and that’s time and… and motion… motion is change of position in space, and you see that changes position by time and time is a change of a… of a… a action or something in space.“

You meet up with one of these fellows, quite ordinarily he’s in a panic. It takes a long time; a woodsman has learned to be calm in the presence of all anchor points looking like all anchor points and no dimension known to the anchor point he wants, because he knows by experience that he can still find a dimension.

„You know, what is a cow? A cow is a… it’s like a bull, but it’s not a bull, but cows and bulls have something about this thing, otherwise you wouldn’t have barns. And uh… the barn, that’s a… we don’t know anything else about a barn. Actually it’s a far clearer explanation than…

What the other fellow doesn’t know is he can’t find a dimension. He doesn’t know he can find a dimension anymore. And that unability to find a dimension upsets him terribly. And is that fear of not being able to find a dimension which keeps your preclear from changing anything. He is sure that if he loses his dimensions, he’s gone. He’s just sure of that. If he loses anchor points and dimensions he’s a gone fellow.

„Well, I’ll tell you. Space is something that is determined by time and energy, and energy is something determined by space and time, and time is something determined by energy and space.“ Now I tell you, get up… get an airplane up in this rat race and you get going around this field. And you go round and round and round. And you’ve got to get out of this rat race before you ever land or go anyplace with the airplane. Now that’s the solid truth of the matter.

That’s why young fellows go down tone scale so badly on this thing that’s laughingly called universal military training. Somebody grabs him by the nape of the neck, throws him into a brand-new set of anchor points and says, „These are your anchor points, Bud. Your MEST.“ Now this fellow’s idea of this – new spaces he will occupy and so forth – has a terrible abyss lying between his teens and his ability to occupy any space in the society and have anchor points in the society. And that abyss is somebody standing there saying, „Now, you’re going to have anchor points according to our direction, you’re going to be transported, transshipped, removed and uh… no anchor point with which you’ve been accustomed, and for a couple of years you can count, as far as you’re concerned, on being MEST and being utterly lost.“

Physics, nuclear physics, atomic and molecular phenomena, is going round and round in that rat race right now. What’s space? Space is a dimension in which a motion can operate and that’s time.

And they go just boom. You can watch them, they go down tone scale. Their plans for the future and all that sort of thing have a tendency to go by the boards. This is the lousiest trick that could ever be pulled on a country. Instead of paying a little bit more for soldiers and making a little bit of their life a little bit more interesting than kicking up a few wars to keep the troops happy – something like that – they make it a compulsory supercontrol operation.

What is time? Time uh… well, time is a measurement of change of a motion in space. Well, now, what is a motion? Well, that’s something operating in time and space, of course. Now I want you to get clearly there that if you have uh… some sort of a rat race like this, it adds up to space, energy and time, and that stands for S E T and that is SET.

As a matter of fact, a… a few boys from Batten, Barton, Durstine and Osburn got together and figured out how do we make military life interesting so as to get lots of recruits? Why, uh… they put their heads together; they’d say, „Well now, let’s see, let’s have canteen – no, let’s have company hostesses. Aha ha-ha, yeah, that’s good. Company hostesses – no, squad hostesses. Terrific overproduction of women in this country; there’s 15 million of them are going to be unmarried to the end of their days. Let’s see, we’ll take the statistics so we can prove it to the government.“ „Therefore company, no, squad. No, I think there oughta be a senior and a junior hostess to every squad. And, uh… let’s see, there should be uh… should be, uh… let’s pep these uniforms up a little bit – these boys walking around in olive drab, we’ve chosen in the past, the ugliest, messiest uniform we could possibly imagine. Well, let’s get somebody down in the Arts Department to draw one up.“

And SET was the most incredible, to read, of all Egyptian cats. And that was night itself. Now, actually, when… when you said… when you said this, you… you actually have a slightly wider range of comparison. We’ve said, what is space, energy and time. Well, space, energy and time adds up to SET and SET is a cat and that is an Egyptian cat, and it was a black cat. Now that’s all there is to it. But actually you’ve said more than energy, space and time. Space is time and energy, and time is space and energy. You’re not out of any rat race, I mean, we’re just there.

„Okay, now, let’s fix it over on the citizen front there so that people who neglect to service this uniform properly, and so forth, they get their taxes increased. Yeah, that’s a good idea. That makes the boys happy. Naw, that wouldn’t work because that’s too compulsory.“

And we’ve got to get out of this association of ideas and get over into another association of ideas before we can determine this and before we can use these concepts actually and handily in human experience – not just build uh… atom bombs and child’s toys and so forth with them.

„Let’s see, I know, we’ll… we’ll just get the democratic administration or the republican administration or somebody to write some more figures on a book up in Wall Street that somebody keeps up there so they can write some more books on the figures down in the Treasury Department down here and what we laughingly call money will be then issued in superfluity to these troops and we will have troop money which buys twice as much as any other kind of money. Yeah, that’s very interesting.“

Before we can do anything with these things we have to have them in a framework where man can experience. Now you are motion in space and time. You’re quite aware of that. But unless you compare that immediately and exactly to understandable experience, these three things aren’t worth much to you.

„Now, let’s… let’s stop all this walking. That… that walking is bad, the boys don’t like to walk, and let’s get each one of them a, well, I don’t know, a motorcycle, how about a hotrod? They are cheap to produce. And we’ll have squads of hotrods and senior and junior… Let’s put another hostess in that squad. And uh… let’s… let’s have three times a week – see, they haven’t looked at the ages that they’re getting into the army – three times a week, at least, we will have all the malted milks and hamburgers you can uh… possibly eat for suppers. Yeah, that’s a pretty good idea. And we’ll have an issue of chewing gum, good, solid issue of chewing gum, so on. Good.“

You build an atom bomb, so what? That’s nothing. So what are they? Space is a viewpoint of dimension. That’s a good definition. Thought it up myself and recommend it to you very thoroughly. Space is a viewpoint of dimension.

And what do you know, they wouldn’t have to have universal military service, but universal militaries have to work for that so nobody’d bother on this other line. Being a little bit snide on that, but uh… it’s a good thing.

Now we have such a thing as height, length and breadth. And you would get here uh… from an origin, you would get X Y Z. Now actually that’s a sort of a floor there and this back area here is a… a wall. You see how that would be there, you got a quadrant. You’ve got a chunk of space; it’s a viewpoint of dimension, that’s all, just a viewpoint of dimension.

Now, of course because every time… every time you get a control army, then you have to have somebody to hate. That makes it necessary to go on having the army and it gets very complex after a while.

Now that doesn’t mean that you necessarily have to be at the point of view of your space. You can make some space that has a viewpoint of dimension way over there. Or you can be at the viewpoint of dimension yourself. You can mock up one, put one out here. You can be at it yourself, or you can be operating in a hidden viewpoint of dimension. That is to say, here’s a viewpoint of dimension over here someplace and you can actually operate without Knowing exactly where it is. You just know you’ve got some space.

Now, uh… I think – uh… what is it? One hundred and eighteen percent of the national budget goes for the maintenance of our military defenses. Well, you might as well take over three or four states and turn them over to the teenagers and uh… and… and just have a good time for a couple of years. I mean if somebody solved war you could do that. Now, let’s get off of that subject for a minute.

And if you do that you have to put in a false viewpoint of dimension. You have to add then a viewpoint of dimension of your own. Now supposing you didn’t know where 0 was and you were out here. And you were operating in 0’s space, X Y Z 0 space, and you’re at… you’re at this little point here which is point one. And you want to use X, Y, Z coordinate space and you don’t know where 0 is.

The reason why those guys get lost is anchor points and then nobody lets them put in items. They got to have the uniform that’s issued. Ta-ta-ta- ta-ta-ta-ta-ta. Just exactly what it says, and you got to do this with this equipment. And we give you this but you don’t own it.

You’ve got to postulate something to use that adequately. You’ve got to say you know where 0 is. You’ve got to sort of assume you know where 0 is. That is the physical universe. You’re assuming you know where 0 is. 0 exists in the physical universe.

Now we give you this rifle, but you don’t own that. Now we give you this uniform, but you don’t own that. Now, we’ll come around and see if you’re keeping this rifle right, and this tank right and this uniform right, and everything is right and you don’t own that but it’s yours. And you’re going to get practically machine-gunned if you don’t keep this equipment good, you understand? But you don’t own it and we’ll make sure you don’t own it, and so forth; now you control it but don’t own it. Now you locate it in space, exactly where we tell you to locate it, and you only put it in space where we tell you to locate it or else. Isn’t that great? I mean you couldn’t figure out a lower tone scale operation than this whole thing.

What is the point of origin of the coordinates of the physical universe three-dimensional space? Actually this type of space is the idiot’s delight. This type of space goes into minus coordinates and down here you have a quadrant. Here you have a quadrant, back there a quadrant, here a quadrant. You’ve got eight quadrants.

What’s the… what’s the answer then on the whole track? The MEST universe is doing this to the preclear. Now I’ve been talking about the army, but the actual fact of the matter is I’ve been talking about inhabitants of the MEST universe.

If you take three intersecting planes there it gives you all these beautiful quadrants. Three intersecting planes – it’s very lovely, beautiful, and uh… the planes don’t exist, all they are is a viewpoint of dimension. Now to each one of you postulating a viewpoint of dimension: as long as you postulate that you do not know where origin is, you cannot then yourself say you are origin. As long as… as you think, „Well, there’s an origin someplace, and that’s really what the origin is, why, I’ll just kind of tap in and say, „Well, I… I’ll be origin too, I mean I’ll just view this thing from this.““

In they come, MEST universe says, „Now look, there’s a bunch of natural laws and bunch of agreements. And these are the anchor points and these are the only anchor points you can have and you locate yourself in the middle of these anchor points. And uh… you do just exactly with what… what… what with this planetary arrangement and these photons and so forth as we tell you, because this place is rigged to enforce itself upon you. And uh… you can’t have any of your own particles. And if you start using any, you’re going to get in trouble.“

But it’s a sort of diffident thing; it’s something – you don’t say I’m origin for the MEST universe. Just… just think of this. Just think of this as the thought to yourself right now: I am the origin point of the whole MEST universe.

And you get the same kind of a state of mind that you’d get as a teenager in the army on the part of MEST people. No responsibility, there’s nobody taking responsibility for this universe at all. It’s just sort of floating around like a Russian army.

Sometimes people get pale when they think of that. „That’s just, oh no, I am the point of creation of the MEST universe. No, no, uh-uh.“ Now, what he does instead, he says, „Origin, I don’t know anything about that – wherever the origin is, but I sort of look at what is there in terms of origin. I sort of look at this from a viewpoint here that, well, uh… it’s a secondary viewpoint and somebody must have given it to me.“

Okay, here we have… here we have, then, the most fundamental process that you could run on a preclear, which is orientation in space, the most fundamental thing you can do. And that would consist of a very strange thing for one lifetime, the location of 0-1. What’s 0-1 for this preclear? What is the origin point he’s been using all of his life? He’s using one origin point or another all the way along the line, from his earliest childhood. What’s his origin point?

And here we get the whole theory of God made the physical universe and God made me but uh… I am – by His good offices, good graces and by a charter which I don’t quite have a copy of – am able to view all this space by His leave. And that’s where you get that.

Student: himself.

Now, what kind of self-determinism is this? This is pretty horrible self-determinism. Now what… what’s the viewpoint of space of the MEST universe? Well, the truth of the matter is, you are at the viewpoint of the space of the MEST universe with an extensional line from the viewpoint of space of… of dimension of the MEST universe. You’re actually at that point. You want to know where you are? Well, you’re actually at that point. And you want to know what you’re doing? You’re kidding yourself you’re someplace else. Now, that’s the trick of the MEST universe.

LRH: No, it’s not. He has to have an anchor point. His origin point has been dependent upon, probably A, A-l, A-2. You see, he hasn’t got any location himself by agreement in this universe unless he has some anchor points that have to do with the MEST universe. He’s already given up the right to be his own anchor point and to choose for himself anchor points.

If you can tell a fellow, „All right, now look, we’re going to coincide our viewpoints of dimension. Now you agree that uh… it’s that-a-way and that-a-way and that-a-way. Now you agree that, don’t you? All right, now that you’ve agreed that, you have that, now you know you couldn’t possibly have made that, now we’ll move you someplace else and you pretend you’re at this new place.

So he’s using an anchor point from somewhere in this lifetime somewhere on his track. What is it? You find out – what are those anchor points? This is surprising, but you will find out it’s such a thing as the fireplug which stood outside his house when he was a little boy. That is one of his anchor points. The other anchor point may be a small hill which was about eight miles south of his home where he used to… he used to be able to look out the window and see this hill. Those were the anchor points of the world. And as a little child, if you would have gone up to him as a little child and you could say, „How big is this world?,“ he would say, „Well it… it goes, well, it’s… it’s uh… way over from that fireplug there and it’s way over from that hill and it goes down… well, I know a canyon down the line, it’s pretty deep, it’s a hundred feet deep, and it goes down there, and every once in a while the stars come out and they’re over a mile high. And there they are, and that’s… that’s… that’s the universe and that’s it.“

It’s very simple to take a thetan and knock him into a state of somnolence and make him believe he is someplace else and then actually operate with him at that new place. You could, for instance, take a… go down the street here and find a lady of easy virtue and uh… put her into a super trance and then tell her very convincingly while she’s in this super trance that you’re going to take care of her body, but you simply want her to go down and uh… uh… uh… be Mrs. Eisenhower. The darndest things would happen to Mrs. Eisenhower. This is one of the oldest political gimmicks in this universe. This is so old and so worn out as a political gimmick that nearly everybody has done it and he is now guilty of an overt act every time he thinks of it.

And you would have said, „How about the Germans? How about the Japanese? How about the uh… Russians? How about uh… uh… the Kentuckians? Uh… anything.“

You take somebody’s body here and you just change this false viewpoint of dimension. Because it is a false viewpoint of dimension from which he is operating, an extended viewpoint of dimension of the same point in space, he can then be shifted anywhere because he’s already lost. He’ll already believe he’s anywhere if he doesn’t know where he is. All you’ve got to do is get somebody thoroughly lost and then tell him that he’s at Broadway and 42nd Street while he’s standing out in the middle of Albuquerque, and if he’s so thoroughly lost he couldn’t even recognize Broadway and 42nd Street he would shake you by the hand and pant with gratitude. You’ve at least given him a name for the place he is and the point he is.

And he would have said, „Well, obviously they must be just beyond there. I’ll have to ask somebody. I’ll… I’ll… I’ll get… get somebody to pack me a lunch and I’ll walk over and see them.“

Now you recognize that, he’s… he’s so anxious to be found that he’s willing to believe he’s lost. All right, we take this fellow and bring him into the MEST universe, and you say, „All right, now, uh… you’re coming in here at the point of origin viewpoint. And uh… here you are and you see all these beautiful dimensions. Now you’re here. Now just out of a favor we’re going to let you into this place and you can go someplace else and take a look at it.“ Of course, the viewpoint of dimension is right there.

He just hasn’t any concept of any dimension between himself and Russia, no concept. If… if he were told that a raging war were going on as the children were in World War II – he knew a raging war was going on and uh… he… he just… he… he knew where it was going on. It was quite real to him. That war was real close to home; it was just on the other side of that hill. And he would take it pretty seriously. It was right close to home. And other people would have been up and looked around and so forth. They, people who lived in that neighborhood and been out driving and so forth, they knew it wasn’t there at all. They knew there was no dimension between them and that war, except maybe Johnny and Johnny was in that war, and he used to write letters and it took the letters four days to get home. So there was a four-day dimension between themselves and the war and that was pretty close.

He’s never been anyplace else from the moment he first heard about the MEST universe until right this instant. You want to play around with this with a preclear, you can feel the walls start creaking. Now we’ll say something about it takes two to disagree. If two disagree with the MEST universe, it’ll go by the boards or something like that. It’s almost… it’s almost that delicately in balance. It’s something you have to be very, very careful about, not something which you have to fight and hit over the head with a sledgehammer.

And there were other fellows who didn’t get any letters from Johnny so they didn’t have any dimension to the war at all. So they just sat around and figured out how much they could make.

The only reason people are hard to process is they’re scared that they’ll find just that and go zip and here won’t be anything. And so they… they won’t move over here and touch this viewpoint of dimension but they’re at the viewpoint of dimension; they’ve never been anyplace else because they can’t be anyplace else in the MEST universe but at the viewpoint of dimension. But that’s a point of no space.

You ask your preclear on an E-Meter what his… what his anchor points are and this was his gyration. And, what do you know, he’ll have visios on them. They’ll be static, cherished visios, and he’s… he… he’ll turn these visios around once in a while and throw them behind him. And he’ll look at them and you get them on the track; it’ll be some fixed position.

And origin is a point of no dimension. A point has neither length, breadth nor depth, but it is something from which you could view length, breadth, and depth. Now if you very adventurously suddenly start out and postulate that you are a viewpoint of dimension, you have broken agreement with, as far as you are concerned, with being where you are.

It might be… one of them might be a fireplace, maybe not in his own home at all, but in a neighbor’s house. That was a piece of space he could own. It was perfectly all right with this neighbor if he owned that fireplace. They was always nice to him, gave him cookies, place calm, peaceful – own home might not have been.

You are saying I am at my own point of origin; naturally, how could you ever be anywhere else. If you’ve agreed that you were at the MEST universe’s point of origin and then the MEST universe has given you a point of origin which you can now use, you have abandoned your own ability to be a viewpoint of dimension. And if you’ve abandoned being a viewpoint of dimension yourself then you don’t think you can create space.

So he had an origin point and uh… it was… it was one of his anchor points. And the other one – he had a teacher who was nice to him, and this teacher had a house on the other side of town. So between the fireplace and the house on the other side of town he could shift around, himself, and to really have a good set he’d have to have a third, so maybe it was Bill’s house.

What’s space? Space is a viewpoint of dimension. That’s why in mock-up processing you get this odd phenomena: An individual goes ahead and he looks at these mock-ups and they fade out and they get thin and they do this and they wobble around. He thinks he’s viewing them in somebody else’s space.

And he’d have these three anchor points, and so his origin point is only apparently here in 1952, 53. Only apparently, and it’s not here at all, and the guy’s been lost for years and years and years, and he doesn’t even know it, because he has no line of dimension between where he finds himself at this moment and – he just never thought about this – and the A-l, A-2, A-3.

He doesn’t know he’s really viewing them in his own space, that he’s never had anything but his own space, there isn’t anything but his own space, he… he doesn’t know this so he thinks they wobble around. Get him to postulate first a viewpoint of dimension. Get him to postulate and look and make the area in which he’s going to place the mock-up. Now the way you make this area, is simply to give it dimension from the viewpoint of the individual. You just give it dimension, you say, it’s uh… uh… long that-a-way and that-a-way and it’s… it’s… it’s tall that-a-way and that-a-way to a certain distance. And it’s… it’s wide this-a-way and that-a-way, and it just goes out there.

He is operating now from A-10,065, N-10,066, and A-10,067. And these are his three anchor points. But he is still at 0-1.

And uh… it’s uh… it’s a very finite dimension. I got… I’ve extended a shell out there and got this shell all around this particular area and, all right, now we’ve got a space here. Now we’re going to put a particle in this and we’re going to make the particle go into motion and we are going to have a mock-up.

So we get 0-1 prime and A-10,066, A-10,067, and A-10,068. And, what do you know, his level of reality is practically zero.

And actually, if he goes at it a long… this isn’t a ritual line, this is really the only way you can do it. He’s been doing that other automatic and let’s get out of the automaticity bracket. He’s been doing the other automatically so you just say to dickens with this automatic. It’s getting postulated space, and you’ll find something very peculiar – that the things are more durable.

Oh boy, is he not here! He just is not present, that’s all. Why? There’s no relationship between these things and A-l, A-2, and 3. There’s no dimension; the fellow’s lost. And he’ll give that lost appearance. You take one of these persons; you try to spring him out of his head and he says, „No… no, I’m not moving out of my head.“

His… his mock-up won’t… are… he looks at them and he’s much more interested in them and they’re much more durable and he’s more careful of his space. So, whenever you have a preclear doing a mock-up, he will think he’s using MEST universe space and as such he… he really won’t have too much brrrr doing this because he knows he’s just working on borrowed space, and… but that’s the biggest gag that could happen to anybody, isn’t it?

Now you can say it’s ridges, it’s smidges, uh… it’s anything you want, but he isn’t in his head. He’s standing back at the corner of 16th and Van Buren in the year 1928. There he is. He knows better than to get any further than 16th and Van Buren, because that’s in rollerskating distance to A-1, A-2 and A-3.

Fellow comes along and he says, „Now look,“ he says, „here you are at this point of dimension? Now you’re going to look at our dimension. Ha-ha. Now you’re going to look at our dimension. Now look out that-a-way and this-a-way and tall-a-way and wide-a-way and… and just… just look at this all. And that’s our viewpoint of dimension. How do you like it?“ Rrrrr.

You will find the most… you will find grief charges – grief charges – on the first time a kid had to abandon his anchor points. He’s gotten accustomed to them, and the first time he had to abandon them… and you get him returning to his home town and if somebody’s moved one of his anchor points he’s just shot. He’s just in a mess; and so he’ll hold on to the facsimile of the anchor point and take his whole track and jam it from that anchor point on up to now, because he knows that there’s distances involved and being distances involved he’s got to jam his track down to match his original anchor points so that he’s still there, so he’s not lost.

You see, all he’s done is make this fellow make some space. I mean, „Now you’ve seen our viewpoint of dimension, isn’t that nice? That’s a nice viewpoint of dimension. Now we’re going to let you go into one of the coordinate points from this viewpoint of dimension and uh… you after that will be able to view our space. And that’s very nice and we’re not going to charge you anything for it. That’s very nice of us.“

And then you come along and ask this fellow to get rid of his facsimiles – oh no you won’t! And you say, „All right fellow, now let’s get rid of these anchor points, and really get lost.“ Uh-uh. He isn’t even vaguely going to do it.

So, he is told he is at the viewpoint of a dimension and after he’s told he’s at the viewpoint of dimension, so help me, he is permitted then to go to a coordinate point in these dimensions and thereafter operate.

He’s going to find more excuses; he’ll jump up off the couch and smoke cigarettes, and he’ll claim that it’s his… it’s how mean people were to him and how this wasn’t none of his behavior and it was action, it was ideas and it was this and that and the other thing, and you’ll look down at his anchor points. Because we’re going on all out here on theta clearing, we want to get to collect the fellow to a point.

Position one, the only space there is as far as he’s concerned is, the space which he is manufacturing every instant from viewpoint one. But he’s manufacturing from viewpoint one a backtrack back to origin point and he’s keeping this space manufactured all the time very arduously in order to have viewpoint one.

We’ve got to collect the fellow to a point. And what is the point? He’s got to have a viewpoint from which he could postulate other points – and if he doesn’t have a point, from which to do this, why, he’s in terrible shape; and we look down the track and we find our preclears who are very hard to move out of their heads and be certain where they are, are people who have been scattered all over hell’s creation and have, in one lifetime year after year after year – were moved about, moved about, pushed about, pushed about, their possessions taken away from them, their possessions lost, their possessions broken up and particularly their anchor points.

Now, there isn’t any reason why he just can’t start manufacturing space from viewpoint one. He just manufactures space out here and here and here. No reason why he can’t. It’s idiotic that he doesn’t, except for one thing: If he did that too thoroughly the MEST universe would vanish.

You’ll find that after a while every time they have been driven off from a space – in any way – they’ve gone in near hysterics. Or any time anybody’s tried to pin them down into a space. For instance, somebody who comes by and arrests them, something, and puts them in jail. They just go into… all to pieces. Because that’s really getting lost, that’s too much stress of imposition of anchor point. And they can’t stand it. They just go to pieces on it.

Now he does this very diffidently because he’s afraid that if he does this the MEST universe will vanish and then he won’t know how to get back to that point of origin. That’s cute, because the only way he can get back to the point of origin is to say, „Well, let’s see, I’m… I’m viewing this thing now from the point of origin of the MEST universe. Okay, now that I’m there I shall now extend myself to the coordinate point one. Okay, I’m at the coordinate point one, I shall now view the MEST universe.“

Now, anchor point is necessary to have motion, so what do you find quite in addition to this? You’ll find that this preclear who has lost his anchor points and lost his anchor points, has lost his motion and lost his motion…

And he will again. He doesn’t get lost. That’s elementary, an elementary dissertation on the thing.

For a while his motion was dispersing – oh, badly dispersing – and uh… he was trying frantically to keep it up and pretend all was well. And he knew where he was, he knew where he was, yes sir – but did he?

What do we mean by space then? We mean a viewpoint of dimension. That’s just an elementary definition, but it’s a very workable definition. That definition will work in physics, by the way.

There’d be a little voice behind him, „You don’t know where you are, do you?“ And uh… pretty soon, why, somebody comes along and tells him he’s mean and he’s ornery, and he’s no good, and he got no force, and he mustn’t use force, and he becomes convinced that force is no good, too.

What is the space of… what is the space of an electric motor? The space of an electric motor would be two things: the viewer’s – the viewer could consider himself at point of origin and space would be his dimensional set-up, see – I mean he’d be at point of origin looking at electric motor, that would put the electric motor at coordinate point one in the viewer’s space. Now he could look at it just exactly in reverse. We could say the electric motor is a point of origin and the viewer is at coordinate point one. And the viewer is using the electric motor’s space in which to view the electric motor. Yeah, we could do that.

Well, of course, he can’t produce force if he’s lost his anchor points. That’s the essence of production of force is to have terminals. Now, we’re really sneaking up on electricity. You understand we’re not talking here about electricity.

Now, we could go further than that. We could say: The viewer is at origin point and the electric motor as a coordinate point one. But the electric motor and the viewer are both viewable because of the existence of an unknown, get that, unknown coordinate point.

We don’t want in any way to influence the field of engineering. They’ve got some agreements pinned down and they’re stuck with them. And uh… they… we don’t want to interfere with that. So don’t apply any of this material to mathematics or engineering. We don’t want… this stuff wouldn’t change it anyway, I mean.

Of course, neither the viewer nor the electric motor would be viewing with own space and therefore would not be viewing with any great clarity. Get that unknown. All you have to tell somebody and convince them of, is that it’s unknown. There’s a fellow by the name of Herbert Spencer, old favorite of mine. He talks about the knowable and the unknowable. Well, that’s just great. Any time you say that this thing is unknowable, you postulate that somebody has postulated it already, and then you don’t know what he postulated.

Uh… so let’s look, then – the first thing on orientation – let’s look for his original anchor points and see if we can find them. And, of course, his first anchor points in what you call home universe are lost to him. They’re gone. Home universe… boy, you can always get a grief charge on it. So, the home of his very early childhood is usually lost to him as well. So, he’s… on the whole track; he’s been lost and lost and lost and lost and lost. He keeps getting… you want to know long a spiral is? A spiral is as long as one can keep himself convinced he isn’t lost utterly.

That would be all there would be to the unknowable. I’ll go over that again. The unknowable, the unknowable would mean that somebody knows that somebody has postulated something, but this person doesn’t know what that somebody else postulated. And then that the individual himself is willing to make a postulate, that he will now never know what the other individual has postulated.

Now long is a lifetime? A lifetime is as long as one can keep himself convinced he isn’t lost utterly.

All knowledge is, is a series of postulates. Now, anything can work out from these postulates, so when you say something is unknowable you have to go through that… that complete complexity of conditions. You’ve got… you’ve got to postulate that something exists to be known and that then nothing can be known about it. Big trick.

Why do people out in the corn belt sometimes live to the age of 8,000 or whatever some of them claim? Why… why is that? They’ve never gotten lost. And, by the way, some of those uh… octogenarians and so forth quite commonly make a practice of propelling themself not by any other conveyance than shank’s mares, walking the distances they want to go. It’s with perfect confidence one of those old fellows would suddenly say, „Well, I’m going down to see Sister Bess now.“

All right, let’s look how that applies here to point of origin. We have to postulate that this universe, uh… work as it does, we have to postulate that there is a point of origin and that is unknown. And, furthermore, when you start a preclear working, one of the first things your preclear does is run into the postulate that he can’t know because somebody else has made a postulate, now he can’t know what that postulate was. That he’s running across an unknowable. You’re running across the fact that the preclear is certain that if he knows something it will blow up.

And somebody would look at him aghast and say, „But that’s over a hundred and eighty miles.“

Or if a mystery is exposed the power will be gone in it. Ah, ah, true, true, if a mystery is exposed, the power will be gone in it. The uh… whole principle of the unknowable though and the unknown and the „We’ve got to know but it doesn’t exist,“ and that sort of thing depends mostly upon the confidence that somebody else can make a more powerful postulate than yourself.

And he’d say, „Well, sure, it’s going to take me a couple, three, four days to make it.“ He had measured every inch of the way and observed every inch of the way.

All right, if you believe that other people can make much more powerful postulates and they’re in full control of their minds and situation at all times, why, you of course have set yourself up a continuing and continual unknown.

Now if he went down there at 80 miles an hour, it is sort of swoosh, and by the time he gets there it’s been a blur and he’s not well connected with it. You would have to get somebody well speeded up to remove him in distance that much.

You see, that doesn’t happen to be true at all. You get up into the telepathy bands some time and find the postulates other people are making around you. „Let’s see, will I have chocolate or vanilla? Well, let’s see, the waitress looked at me rather hard when I said „chocolate,“ so I guess I think I’d better take vanilla, but I don’t like vanilla. But then you can’t ever have what you like anyway, so the best thing to do is – probably they haven’t got vanilla anyway – well, I won’t order it.“

Out in space people are really speeded up. They think very hectically and so forth. Brrrr. All of that space, but, gee, you can see anchor points a long distance. You can see ‘em many light years, and so you can move around to that degree.

Yes, indeed, there are much more powerful postulates around than both you and me.

Who is this fellow? Well, this fellow is the fellow who used to have as anchor points Star X, Star Y and Star Z. He didn’t even live on a planet. You know that he would consider himself… that would be as big as his anchor points were.

All right, don’t get confused about this viewpoint of dimension. We could go much further into this, but that’s about all we got there. We got a viewpoint of dimension. That’s a very simple way to view this.

It’s a very good thing to take out a little kid when he’s very, very young and show him some stars and say, „That is Betelgeuse. That is only – – light years away; it’s a long way away. Now that’s Betelgeuse. Now we’ll take that and we’ll look at it in a telescope and examine that thoroughly and it’s in relation to star so-and-so. And this is Mizar and that’s Marcab, and that’s the North Pole, and that’s some other star. Now you see those stars? Now, they don’t exactly look different, I mean they… they look a little different when you look at them from another point, they… they get closer together when you look at them from another point, because they’re distances apart. But you can look right here now and you can see these stars and you can locate them and you’ll always know they’re there. Take a look.“

You say it’s down there that-a-way, there’s a point and there’s a distance between myself and that point. There’s a dimension between myself and that point. It’s a very interesting thing that the meter is a metal rod of certain length which resides in Paris. That’s a meter. It isn’t even the number of something or others, uh… it isn’t even the number of something or others as a hemisphere, uh… yards, or something of that sort. It’s some equidistant point on the equator. The French tried to make it this and they sent a big expedition down to Equador to measure all this and then they flubbed it up, and so the meter doesn’t mean that.

I ran into a fellow whose father was an astronomer. He was one of the most unlost fellows you ever saw until we got into the Southern Hemisphere. This boy was a navigator, and he was an aerial navigator. Aerial navigators are very smart boys. They… they’re very sharp, they know what they’re doing and so forth. And the grim joke is they think a surface navigator, a marine navigator is something on a stick. They… they… they… they’re very… they’re very fascinated with surface navigation because they think that’s a sharp business.

It could have been circumference, something to do with the circumference of Earth, but they missed it by enough to make it unworkable, unusable. So, uh… it… it is really a length of a piece of metal at a certain temperature which is in Paris.

Sure enough, it is, uh… in standpoint of error, but the surface navigator isn’t going 350 miles an hour. These boys know their navigation inside-out and they’ve always approached a surface navigator with reverence for some reason or other. Maybe that’s because a surface navigator demands it.

What is a yard? Well, a yard is the length of a… of a… of a… something in England, uh… that’s a yard. There’s this down… there’s a couple of these things have been duplicated down here at the Bureau of Standards, US Bureau of Standards, and they are kept down there in cages, so that they won’t get out and measure people. And… and they’re… that’s… that’s… that’s feet and yards and meters and so forth. All right, that’s what they are.

We got down in the… down in the Southern Hemisphere, and this kid started looking at the Southern Cross. And he became… first he became very excited and then he got sadder and sadder and sadder, and I’ve never known to this day exactly what it was until the other day I was figuring out what this was, and the fellow had lost his points of origin.

Now it’s a funny thing, you just take it for granted that those things exist and if you went down there what would you have to do? You’d say, „Let’s… let’s look… look, let’s see now, this… this goes from this distance over here, from this viewpoint of dimension over here to this viewpoint of dimension with relationship to me. That’s what your view of it says.

He was gone, he was obviously in another world somewhere. That Southern Cross in the southern sky is very spectacular and uh… you get far enough south down around New Zealand, if you’ve customarily lived in Canada, where he did, you get an almost completely different sky. Very interesting.

You say it looks from this viewpoint of dimension to this viewpoint of dimension and it exists in space which has been postulated from a point of origin by a fellow by the name God or Johnson or somebody. I mean, they’re just that foggy on it. They… they wou… you would say, „Space, well, they…“

All right, and uh… we’ve got uh… we’ve got then your question of this. In this life, a fellow cannot change his physical identity. If he could change his physical identity, his beingness and so forth to match his new anchor points, he would be all right, but he isn’t permitted to do that.

First thing they tell you, „God is everywhere.“ Rrrrr. You mean we can’t have any of our own space in this universe because that’s all God’s space. That’s the neatest trick of the universe. That’s been perpetuated for 76 trillion years. You think that’s new?

He has a connecting link, he has the same name, with A-l, A-2, A-3, with A,1066, A,1067 and A,1068. He has the same name, he has the same body, he knows, he has the same relatives, and he’s got a lot of other things, and every time these pop up, they keep reminding him that he is not on his anchor points and he doesn’t quite know where those anchor points are. And as a net result he’s quite confused.

It’s all somebody else’s space so you be careful what you put into it. And you be careful what you take out of it, but the only thing you ever see which is the most mysterious thing to you, the most mysterious thing is all you ever see; if you were going to look at the standard meter, you would see that it existed from this far maybe to your left to that far to your right. Or you could go around to the end of it and look down along the length of it and say, „It exists from this point here out there. There it is.“ Or if you, your… your visio was pretty good, instead of seeing with MEST eyes, why, you just turn around to the thing and you’d say, „Well, it goes from a certain distance from here out that-a-way to there.“

Now, this has a great deal to do with the production of force. If it didn’t have anything to do with the production of force, it would not lead us through this maze, uh… because the production of force itself, and tolerance of force, is in itself affinity, reality, communication in this universe and the road out is the road through.

Well, if you were to lie down on a bench and take a look at this meter, you’d say, „Well, it goes from a certain distance below my feet.“ And now if you turn around on the bench you’d say that you went from a certain distance from my head, that’s all the same meter. You’ll notice it keeps occupying different points in space.

So every time we have a preclear who is sort of scattered and dispersed and he doesn’t quite know where he is, and he’s not oriented and so forth, let’s go through a little bit on space and find his origin points for him. Let’s relocate him and reorient him in space. That would be an awfully good idea, wouldn’t it? So here he is with space that he can’t control. And, sure enough, he’s worried about space being too crowded. He’s worried about space crowding in on him, claustrophobia. He’s worried about moving things around in space and keeping space neat. Or he is so careless that he doesn’t care WHAT space keeps neat. He’ll just throw things around in any space because that space isn’t his space anyhow.

Well, it’s an awfully neat trick of you to be able to do this because you see you’re viewing it all the time from a point of origin which you don’t know about and you don’t own. You want to keep that firmly in mind all the time you’re looking at that meter. That it exists, it exists from a viewpoint that is being viewed all the time.

And he has a lot of points like this and he is just scattered. So you ask him to move out and be in a new space, why, shucks, his body isn’t in any space, much less the thetan. He isn’t in any space that he can recognize, as a body, and he’s just abandoned the whole thing anyhow… So, we have the three conditions here which will be general categories and you could call these cases then, case one, as an origin, case two, still as an origin, case three as an origin with dispersal, some dispersal, your case four as an origin, considerable dispersal, case five is uncollected, with sole point of origin as the body itself.

That’s why, somebody’s got his eye on you. Viewpoint of origin, that’s what we’ve got here. And all these things I’ve been saying, you got an X Y Z coordinate there. Now there’s no reason at all why we can’t have space that looks this way. That’s the Z coordinate and that is the uh… Y coordinate and that is the X coordinate and this is the G coordinate. And back this-a-way – we get more complicated space now. Back this-a-way from the point of origin we always have a spiral. And that’s twisted space when viewed backwards from the point of origin. This would merely be a fixed point of origin, a more fixed viewpoint – you would say the forward look in this space gives you this picture and objects which are in that conform to that pattern and are distorted to that degree and back of this there is a negative viewpoint and everything just all sort of twists away.

Now let’s just run a gradient scale between those two things. Case five is uncollected with a sole point of origin as the body itself and you can’t ask him to remove from the body because he knows nothing exists as anchor points outside of the body. He knows this.

Once upon a time you probably made a lot of experiments with this sort of thing. The space is terribly interesting in that it is, uh… well, this, by the way, this is, by the way, uh… torsional G space. And that is… it would be the general viewpoint, I’m sure, taken by the torsional people.

Now we’re using here… this is the scale of… this is your… your case numbers on SOP Issue Three, your case numbers. Now what’s six? Six is not sure-body and seven is no body.

You’ve seen contortionists, well, they’re… they’re operating in that kind of space. Now… now, here, this is… this is very solid mathematics. Somebody cores along to you, and he says, „Oh, that fourth dimension, that’s very mysterious stuff.“ It sure is.

I’m drawing it over here. Just above that we have this condition: uh… the person is well oriented at X. That would be uh… figure four here. That would be a one, he’s… he’s… he’s well collected at that point. And here we’ve gotten a sort of a general sight on things, not too good; we’re getting down there. And he’s somewhere in here, and we get down from that into this kind of a thing. Now that’s all very well; he’s somewhere in here.

You know, you could have fourth dimension that was a twist, a spiral, just like this, existing in an X Y Z coordinate. You could say, „Well, that’s time.“ Oh boy, how far fouled up can we get? I mean, time is really the fourth dimension, after all. Now let’s make it a little more unknown and say that although all the space of the MEST universe is from the viewpoint of origin, let’s… let’s be very careful now to say at the same time that this space is from the viewpoint of origin.

But these points aren’t in sight. He’s occluded. He guesses there’s some points over there someplace. He just assumes it.

Time happens to come from another viewpoint of origin. And if time comes from this other viewpoint of origin, you get motion created elsewise and uh… time actually comes from S… from uh… Saturn, everybody knows that, and time is space. When they say time is the fourth dimension they’re saying time is space. Oh, oh no, time can’t be space because time is one of the dependencies for motion, and space, and matter, and energy.

Now if you want this in terms of attention units we’ll put bursts of attention units up here along the one, three, six, we’ll put… he looks like that here, around one.

So time can’t be space, not fourth-dimensional space nor eighty-eight dimensional space, nor contortional space, nor G space nor anything else. You see, it couldn’t be space, because space can be postulated in any way, shape or form.

Here we have… he would be uh… slightly like that, about three, and he would be collected in sight with everything smashing in at him about six. And then here he’d be leaving. You get the idea? The guy’s dispersing around in space, that’s all I’m trying to show you. And you’ve got to get this fellow collected from six up to one.

Now there… here’s an interesting space over here. Uh… this, by the way, is figure two, this torsional G space. Uh… here we have over here, we have three-dimensional time. Now, I want you to watch this on three-dimensional time.

It isn’t… it isn’t a matter of running flows or dichotomies. You can get him out on responsibility any time you want to. Joy of responsibility, beautiful sadness of responsibility, joy of irresponsibility and that sort of thing. On brackets you can get him out any tune you want to if you want to work that long enough. He’ll eventually get there working with flows and… or mock-ups or anything you want to work with, you eventually get there with a case. You know what responsibility is.

Uh… three-dimensional time works this-a-way. Now this is linear time out this way, and it’s going where this arrow is pointing. Now, linear time from viewpoint AB moves forward and goes to second A prime S prime. Follow this very carefully. Uh… this goes forward to viewpoint A prime prime and BB prime prime. That’s really what time is. I… I hope you’re paying attention to this; that’s really what time is, because there’s always from each one of these coordinates a sideways time.

But here we have a case which is a… a big point. He can cover an area. He isn’t just a single point, he can sort of cover and pervade an area. That has contracted down as we go down to the two and has become a negative position by the time we get to three, four and five, and, boy, he… he’s just… he just knows he’s got no point when he’s at five – he just knows. He’ll be chased out of any place he goes into. He has, by the way, this… this funny feeling.

Now it’s obvious that there is such a thing as sidewise time for this good reason: There’s sidewise time because something happens simultaneously to somebody else someplace else right this minute that you didn’t know about. Isn’t that true?

He walks into a strange restaurant or something of the sort; he may be very self-possessed, educated and he… he’s educated himself into that, very self-possessed. He’ll go into the restaurant and uh… so forth, but if the head waiter and so forth looks at him sort of strangely, he just exactly knows what the head waiter’s going to say. The head waiter’s going to turn around to him and say, „Get out.“ He knows that; he knows any time he goes into a strange place he’s going to be kicked out. He has 8 million dollars in cash in his pocket. He has a… a… a local army called the Police Force of Podunk Falls solely in his pay and he goes over into Squeedunk Falls and he knows that when he walks into the main station at Squeedunk Falls that the station master’s going to say to him, „Get out.“ He knows at this moment he will have to flee.

There was somebody had something else that you didn’t know about, something happened to him simultaneously that you were here. Isn’t that right? All right, now, if that’s the case, that’s the case, there’s such a thing as sidewise time, obviously. It might be called simultaneous time, you see how simple that is? So there’s such a thing as simultaneous time, that’s sidewise time.

His havingness, his terrific havingness, is a substitute for having any space. Cause havingness is the bottom of the scale and space is the top of the scale, and when a man’s got to have, he’s telling you he has no space. His space is condensing, and condensed space and that sort of thing is objects. He’s got to carry space around in packages on the theory that maybe some day he can uncondense it. So he gets objects, he gets Rolls Royces and blondes.

And now… now when you get sidewise time, that would be known as G-Q and G-Q, uh… G prime, Q prime. I hope you’re following this very closely because this is very important here. Uh… you see, that goes forward and that shows you immediately that this linear time which is to point K, that’s linear time that’s going out here from origin point, this is for figure three uh… out here from origin point out to K is linear time, so you’ve got that.

Or if he isn’t in that category, he keeps things in his desk drawers. Wife goes out every once in a while and cleans out the tool shed. There’s… the newspapers from eight years back are in there and everything is in there and there’s everything in there, and there’s all this… this… there’s this little gimmick that he took off that something or other there that he was making and he knows he’ll have a use for it someday, and that’s in there and it’s got kind of dusty, and then there’s the dead rat that uh… ha was going to frame, and… All this stuff there, he’s just got to have this condensed space around someplace, because someday he’ll uncondense it, he thinks. Gives him points of origin – that’s what he’s looking for. He’s getting… looking for anchor points, somehow or other, he’s got to have some anchor points. And he can… he can uncondense this any time he wants to, as everybody knows.

Well now, you’ve got to be able to stand up in time, haven’t you? Time isn’t just hitting you in the stomach or something like that. It’s hitting you in the head, in the feet at the same time. They’re aging simultaneously, aren’t they? Well, sure they are, they… they’re absolutely aging simultaneously and you look at almost anybody and you can tell that’s so, so obviously there is vertical time which is measured by this coordinate.

So, the preclear you will find amongst homo sapiens starts in as being perhaps larger than a point to himself. This isn’t any past body. He’s very relaxed about it. But if you found anybody very much larger than a point, he would not be in Mr. Homo Sapiens. He would be standing around outside leaning up against the lamp post once in a while, saying to homo sapiens that he is allegedly running, „Okay, Joe, why don’t you go over and have a beer?“

Now, in other words, there’s a sheet of time moving forward through space, and that makes it obvious that there’s a sheet which is merely following this sheet so that all three of these sheets are coming forward at the same time, A’ to B, A, prime, B prime, air. Those coordinate shields and so forth in time are sweeping forward simultaneously.

„Yeah, that’s right, that’s a good thing to do. Ah, to hell with him.“

And after we get through living this moment, it being rather secondhand, somebody comes along right afterwards and lives through this moment. Well, that demonstrates conclusively, actually, I’m making more sense up here than a physics professor does.

He would really be uninterested because he hasn’t gotten too concerned yet. Now by the time he’s collected down to a point he’s getting kind of concerned, and by the time he’s getting down any lower than that, of course, it’s a negative point.

Now this is grand 0. And this is grand Z, and this is grand… grand Y and this is grand X. Now those things can exist then from any point of origin inside the coordinates of origin, can’t they? Now there are eight coordinates of origin so that demonstrates conclusively that there must be linear lines of K at any time there and at all points of origin so that demonstrates that there’s an infinity of time which is running linearly in all directions.

What’s a negative point? It’s a point that a dimension goes through. A point is a dimension going through it. A point should have no space and no dimension. This fellow… this fellow has to drive five miles forward to back up one step. You get the idea. In order to go to plus Y on a three plane dimensional scale uh… in order to go to a plus Y uh… at all, he’s probably got to back up along minus Y for eight yards and then he thinks he’ll get the plus Y.

Therefore you have… you have three-dimensional time and three-dimensional space, which obviously give you in its various coordinates the fact that there are… there are coordinates of this space which have partially negative time and partially positive time and which are going in opposite directions at the same time. That demonstrates there’s an infinity of universes and coordinates and that somewhere in this universe there is a viewpoint of origin and if you went beyond that you would find one of the factors of time negatively; you’d wind the clocks backwards or something of the sort.

And, what do you know, that person acts like that in his behavior; he acts like that. He has a split instant where he has the impulse to go the wrong way and then he tells himself to go the right way. When he starts to turn a corner, if you’ll just watch his hands for an instant you’ll find out that his hands are starting to turn the car the other way. And then he’ll turn them back again to make them turn the right way. Yeah, he’ll… he’ll… he’ll do that, it’s flick. Well, that fellow has got to… got to back up a long distance to go forward an inch, and he’s got to… he, see, he collects space, anchor points, uncertainty. What’s reaction time? What’s motion? What are all these things, comes under the heading of space. Origin points in space.

Now that we’ve made it very clear to you we will go on. You see how silly you can get when it comes to saying time is space. When you… every time you say time is space, you’re saying space is static and time moves, so you could say space is a static sort of viewpoint that just stays there all the time and then time moves through this in some fashion or another. Boy, that’d be wonderful, wouldn’t it?

Your process on this is to mock up spaces. And fill them full and empty them. And fill them full and empty them. And then put lots of things in them and then throw things away and then have things coming out of the anchor points and going away. And then reaching through all of this area of space and being in this area of space and coloring this area of space in various ways. And reaching through the area of space. And then mocking up anchor points that he would like to have. How would you like to orient yourself, Bill? What would you like to have out there to get you to really know you were there? Now don’t try to chase this back by symbolism.

Well, let’s look at something a little more actual with regards to space. Now, I’m… I’m glad you got all those points. And I hope you get a good note on there because the actuality is that the mind runs in torsional G space. Oh, in all psychology departments it runs in torsional G space and that’s why they get so twisted.

I wrote a foul and evil book once upon a time. Was called THE KEY TO THE UNCONSCIOUS. It ties back mock-up processing into reality. It turns out that that’s the meanest thing an auditor can do. You can do a lot of things with this, but if you use it too long it will give the guy the idea that his dreams are all based on reality.

Now, here’s where we have… here’s where we have a very nice pleasant thought for you. I mean, this is a quiet thought, and… and I’m… you agreed to be in this universe that there was an origin. There’s an origin for space, but you didn’t agree to be that origin, because if you agreed to be that origin, the only space… it would be you alone who would be there uh… manufacturing that space, and therefore responsible for everything in it. And you would not find that very desirable because it would be impossible for you to engage in any football games, or randomity.

And that is the primary sin of psychoanalysis. They say, „You can’t have your universe, you poor fool, we’re just uh… helping you now. Let’s see, now think of something else. Oh, that’s because you drowned your grandmother’s kittens. Yes. Oh, you think that’s yours, eh? Well, that isn’t yours, this happy little dream you’re having about, uh… yeah, that depends upon something in the real universe. You’re really agreeing after all. You thought you were trying to get away and disagree and we look it all over and we find out that you were only agreeing.“

Well, let’s… let’s say… let’s say, then, that you say here is an origin point of space. That means there’s a viewpoint of dimension. You get this kind of a thing all the time. You say, that corner of that room goes up that way and it goes across this way and goes out that way and there’s a floor downstairs and it’s an extended line out there and that other line can extend theoretically from that corner.

„Now you say that when you go to sleep at night you have a dream. Now you think you’re free when you dream, don’t you? But you’re really agreeing with the physical universe. Yes, now that will be 185 for this week’s work and that will be 8,000 for next month’s work. And a complete psychoanalysis takes about a year to find out if we can do anything for you and it takes another year to do anything for you and then of course we can’t guarantee that anything will be done for you and that will only cost at average rates in the United States for four appointments a week, of one hour each, 9,450. And that is the cost of doing nothing for you but making you into MEST, brother.“

You say, „That’s a… an origin point“. So, let’s look at you. We’ll put down here „I“ the observer and let’s put „I“ the observer here, and he… he’s at this point and let’s put him uh… there at that point. Now he’s got this kind of an idea on things. He says, „All right, now here we go. We… we’ve got a room here“, and he says, „This is origin point one or prime origin prime prime, origin point prime prime prime and origin point four.“ Now there’s… there he’s got those.

And how is this done? Simply by pointing out to somebody that everything he thinks of has an origin in the MEST universe. He has no independent capacity to dream. And for heaven’s sakes you don’t… you’re using mock-up processing, please learn this as one of the important points: never wonder what caused the fellow to think that up, because at first there’ll be a little impulse for the things he thinks up to be modified by the MEST universe. But, if you don’t challenge him, he’ll go free. Last night we had some demonstrations here. We had a preclear who couldn’t tell me a lie. That was interesting, isn’t it? He couldn’t say there was an airplane just flew in the window. Fascinating. Why? The MEST universe has kept saying to him over and over and over and over, „Look, you’ve got to agree with me.“ And agreement with the MEST universe is the equivalent of, similar to, and is the same as punishment. And there isn’t much difference between the two.

Now he pins down and postulates four origin points. He can pin down and postulate eight origin points. He knows that if he was in that point and viewed that area what he would see from that point. So he can – he also knows how these things are modified one way or the other.

So, unless he agrees, he’ll be punished. Unless he says what the MEST universe tells him to say, he’ll be punished. So any operation in mock-up processing which tries to convince the preclear that what he has just mocked up has symbolical purpose in the MEST universe is an overt act and is black magic, operating to reduce the self-determinism of the preclear.

So he says, „Look at this room, there are four origin points, there are eight origin points, it doesn’t matter. There can be an origin point for every dot on that acoustic shielding up there“, but he… he knows what these origin points are; he’s accustomed to that as viewpoint because he’s been around himself and looked, so he can postulate these as origin points and then he leaves himself free to be an observer.

He keeps mocking up a broom handle. „All right,“ he says, „I’ll take this broom handle and I go this-a-way with it and I… I… I got a broom handle here“ and so on.

And he can then swing himself back and forth on origin points which are all around him and he can postulate that he isn’t the origin point and in that wise he goes into action. You see, if he were the origin point only of dimension, he would never be in motion himself. He would be pinned in one place and that would be the end of that; but by letting other things take the responsibility for being origin points he can shift himself around in any confined area which he himself has uniformly postulated.

And you say, you know, to yourself, you know, „What he’s really mocking up… what he really is mocking up is a… is a pressor beam. And he’s afraid of pressor beams; he’s afraid they’ll collapse, so he’s got something solid like a broom handle that he’s monkeying around with there.“

Now he has been in agreement in one lifetime, he’s in agreement since childhood, with origin points. Origin points? He knows what origin points the family made; he knows what origin points he himself has made. Well, there was a time in his life when he was so careless about this and he knew so little about it – he’d never taken the anatomy of it apart – origin points would shift all over the place on him.

Well, you know that. But that’s all right, what the heck? Don’t point out to him that he’s mocking up pressor beams. Let him get a bigger and better broom handle. He’ll find out sooner or later that he’s mocking up pressor beams, but let him find that out. Then if he wants to mock up something else he can have zing-zag broom handles or something and get away from it. But the essence of it is to let him know he is doing it and that it is his. Not that it is related to the MEST universe.

All you got to do is feed somebody some hashish, by the way, and, boy, do his origin points go by the boards. He becomes sufficiently non compos mentis to be unable to control the origin points of any area or postulate origin points of view.

He only has one area to get out and that is CERTAINTY and his only real certainty he’s going to be able to get is the certainty that he himself has his own illusions. And he gets that certainty, goes up the line of knowingness; if you keep showing him that THAT certainty really was the MEST universe and was not a certainty at all, you’re going to knock him on down tone scale and out through the bottom.

I just talked as though they existed, they exist for him. He’s… he becomes unable to control and postulate the origin points of any area. And if he does that, he gets distortional shapes of things. He… he lies down on the bed and the bed is 18 miles high. It is 87 miles to the door, the corridor is one inch long. He gets this kind of upset because it throws him out of „orientation“ – so what is orig… orientation?

You’ll make MEST out of him because he’s saying you can’t locate anything in space. Look, it’s still the MEST universe located in space with you, fellow. I’m… I’m sorry to have to digress and give you this… this technical discussion on psychoanalysis.

Orientation is the principle here of being able to have an „0“ moving – that’s origin point in motion. „I“ is the origin point in motion. „I can be here, then… or second point uh… origin point motion two or it can be over here – origin point motion three, this is origin point motion one. Now that… he could be at this… this here two, three, you see, he apparently is in motion.

I have used psychoanalysis, by the way. I have the edge on people in psychoanalysis who have things to say anything about Scientology. I know their subject – they don’t.

All he’s got to do is keep shifting these origin points and other people have agreed these origin points and coincided with their agreement with him so he can keep shifting these things in accordance and in viewpoint of everybody else.

Now, we have, then, the whole principle of spacation outlined under the heading of anchor points, and origin points. There’d be the preclear’s origin point. There would be an understood anchor point which he somehow or other somewhere has consented to. That would be anchor point understood but not located, or origin point understood… better change that around, call it origin point unknown, but understood. And then there’d be the origin point which he conceives to be himself. That would be, according to him, a secondary origin point. He thinks of himself as a secondary origin point. He’s an origin point being located by the first unknown origin point. Therein lies his aberration.

Here on Earth he knows how to shift his origin points according to this society. This is one of the things he had to learn in order to know how to walk, fall, talk, anything else. That’s the first thing he had to know and that’s the first principle of education, is you have to learn origin points.

Now he is an origin point, then, and as an origin point he can clearly be an origin point as long as he has a good solid assignment to anchor points. Your preclear needs anchor points to find himself oriented.

If you learn the principle of points of origin and that’s an origin of dimension, that’s a… an origin point is just a viewpoint of dimension, you understand, so when we say „origin“, we merely mean viewpoint of dimension.

Now, the only way he could really, really be sure of anchor points is to mock them up. He can’t guarantee that this is the MEST universe, this MEST universe is real, but he could guarantee that he himself had mocked up real anchor points. That would really be real anchor points, but in this universe you will find out that his earliest decided upon anchor points are really postulates. They’re heavy ones. He’s made them day after day after day.

He’s got to be able to postulate their existence instantaneously in order to perceive, and if he’s learned how to do that properly then he as X has four, six, ten thousand points of reference which he handily has nailed down, pinned down, and he knows they’re not going to move around and it gives him a feeling of security.

„Well, I’m getting home now. There’s Mrs. uh… Marsha’s house. Oh, here I am at the corner.“ How often you’ve said that; have to say good night now. „I’m at THE corner.“ If he could only know what he really felt down underneath about the corner, and if he were to say to himself or think to himself, „Someday there isn’t going to be any corner anywhere in reach of me at all,“ he’d get the funniest sensation. „Someday I won’t be able to walk to this corner.“ And in that whole subject lies nostalgia.

If you want to give your preclear a fantastic feeling of security, start picking up his origin points and moving them around. Now I’ll give you an example of that.

You’re gonna get… you can actually blow grief on this – nostalgia. Nostalgia goes back anchor points; you can get nostalgia on anchor points one, two and three up to maybe anchor points uh… nineteen, twenty and twenty-one, and after that don’t bother to get any nostalgia, because the guy has given up about that time having any anchor points.

Shut your eyes, shut your eyes and take the upper corner… oh, pardon me, open your eyes again, look at that upper corner of that room over there. Okay, now shut your eyes again. Now move that corner, postulate that corner out into the middle of the room, now put it back where it was in the first place, now let’s move it out into the middle of the room again. Now let’s put it back there and let’s look over to the other side here of the stage and let’s look at that origin point over there. That’s a postulated origin point.

And if he’s gone up to a set of what did we have here, same here as the Battle of Hastings, more or less. Boy, that was a fight. Uh… A-1066, uh… if you get up to a thousand anchor points this guy’s had… he’s now at anchor point 1,000, 1,001, and 1002 or something like that. Oh, no. This is just… his life is just a blur. It’s just a vague blur to him. You can go back and he will locate in terms of objects.

Now close your eyes. Now take both of these origin points and bring ‘em slowly together just up above my head. Interesting feeling, isn’t it? Put them back where they belong. The second you do that it leaves some people sitting outside. It leaves some people no place.

So if you want to put a guy’s time track back together for any reason or other, put it together in terms of objects instead of energies, because he’s low enough on the tone scale so all he can actually locate is objects not motions, ordinarily, if he’s in that shape.

All right, now shut your eyes again and take that origin point and move it over uh… to your right about four feet and then back again. Move it over about four feet and back again. Now take these two forward origin points on the roof and move them both over four feet simultaneously to the right and then back over about to four feet to the left and then just move them back and forth, back and forth, till you get a sensation of motion.

Now things won’t be in motion for this guy, for this preclear; he won’t see things in motion, things won’t be in motion for him, he’ll have a hard time making anything move. That’s merely because he hasn’t any solid anchor points. How can you make anything move if you haven’t got anchor points? It’s impossible, naturally.

Isn’t that interesting? Well, that’s what motion is. It is, isn’t it? You… you can experience that. And uh… one of the first things you want to… want to show your preclear… want to show your preclear is something like that. He… he’ll have an idea then what motion is, better than anything else you can tell him.

What is a terminal? A terminal is an anchor point. What are the terminals of an electric motor? The terminals of an electric motor are the anchor points from which motion can emanate. The principle of the manufacture of electricity has to do with the shift of the point of origin between the anchor points of an electric motor. With this principle, could we work out a new, good and usable electric motor? Yes, we could.

Motion, all he’s… all you’ve got to do for motion is just keep shifting OM-1 up here back and forth, up and down, back and forth. Well, how do you do that? It’s just by repostulating origin 1, origin 2, origin 3, origin 4. You just keep postulating those and you know how the society thinks and you’re in agreement with the society and you know how this universe is and you’re in agreement with that. And you’ve learned all these things very arduously, there’s some universe race out there, the darn fools, which have postulated that it’s only four inches across one galaxy. And, of course, if they postulated they only have to shift that particle across one galaxy and they’d never get a chance to look at it because the galaxy is too small. And yet if you want to go from one corner – assuming it has a corner – of this universe to another corner of this universe, all you have to do is take a very, very clear view of some origin point, postulate it, take a clear view of another origin point, postulate it and shift. Just move those origin points and you’re there. That’s space.

For the first time we could have an electric motor. That’s all due respect to General Electric. That’s a good outfit, General Electric, actually. I never appreciated American electrical equipment till the last few months and uh… two-twenty A.C. is gaps all the time and they have to have the most fantastically wide plug-ins. At a hundred and ten, A.C. is pretty good, that doesn’t close the gap; that doesn’t have to be very heavily insulated on a hundred and ten.

That’s the most fundamental thing about teleportation. You’ve agreed on the origin points for everything else because you’ve agreed so hard. Well, you’re never going to get a solid object to move as long as you continue in complete agreement that you will never change the origin points of an environment.

But if you were to put two-twenty on a hundred and ten plugs and fitting and lines and that sort of thing, you’d get quite a fuss, so the British believe that our electrical equipment isn’t any good. And we believe that the British electrical equipment is far too heavy. And we forget that the difference of voltage is so wide.

It’s just as though you went down and swore your boy scout oath. And, and, and uh… gave your pledged word as a knight, that you would never at any time disagree with the rest of the society on what the origin points were. We have a… corners of a room. Look how standard they are for every… corners of a room, floors, ceilings, roofs of buildings, ground levels of buildings, and that would be anything from a Nipa hut straight on through to skyscrapers. Uh… that there is a center to every cube – you’ve agreed that. And that these things can be movable in or not movable in. You can move in ‘em or not move in ‘em. It’s very upsetting to a preclear to find himself sailing through walls for the first time. Well, he’s just… he’s just postulated that you can’t move in that area.

Well, anyway, actually the British manufacture electricity far cheaper than anybody else. I don’t know whether this is… has something to do with having a higher power to go over the lines or less line loss or something of the sort. But uh… the point is that when you deal with any kind of terminals you can get a nice sparky current, nice juice, good hot juice. If you got a terminal one, the terminal here, whether it’s made by… in Great Britain or in the United States or on the planet Gandalupia…

Now in order to perceive motion, all you have to do… well, we’re in the subject of motion right away. All you have to do is perceive motion – and we will have uh… point uh… N here as uh… as uh… uh… an origin to point N as an origin, point NO-1 as an origin… All right, observe from… from ON-1 here, now let’s… uh… let’s… let’s look at this chair. Take a good look at this chair. Now this is point uh… NO, it’s point NO right this minute. Now we’ll move it over here to point NO-1. Now it’s at point NO, NO-1.

You got two terminals… and a base to keep them apart or a will to keep them apart, will, postulates, base, no real difference. Uh… you’ve got location, and where you have location you can have motion, and where you can have motion you can have life, life forms. You can have action, you can have objects, you can have all of these things. And they all come out sort of on the course of the horseshoe nail, straight through.

Look at that chair now. Okay, shut your eyes and move that chair. Shift it from point NO, now to point NO-1. Just from NO-1 back to NO. Now shift it from NO to NO-1. Now get to shifting it so fast that it’s a blur. Did you make that chair move back and forth for yourself? That’s motion.

They all come out from that one line, origin point, unknown and understood, origin point, preclear, anchor points. When you’ve got that together you have the complex terminal set-up necessary to produce a high- level energy flows and the phenomena which you see here in the MEST universe and which you call electricity and which on a much higher level, causing the electricity, human thought. This is not a very mechanistic approach, by the way. This is highly esoteric as an approach, because, what do you know, you keep postulating this and you’ve agreed with everybody, you’re trained in viewing anchor points, you’re all set. You’re… you’ve done all this. You’ve gone through all this and you… you’ve… after you got trained to produce anchor points and you produced… you had envisioned good ones.

„It becomes a solid block“.

You could put motion into them and you assisted motion all over the place, and you have produced lots of action for yourself there. And… gee, life was running fast and so forth, and eventually people started to disagree with you and you lost those anchor points and… and other things happened and you weren’t supposed to use force anymore which is to say it isn’t your space, same thing.

„Ummm?“

Uh… you ever notice dogs when they run into a… a neighbor dog’s yard? They really cool down. It isn’t their space anymore. Well, they can’t go into motion like that, but they go back in their own yards again and some Pekingese goes into his own front yard – there’s nothing more savage than a Pekingese in his own front yard. Mastiff comes in there and he says, „Excuse me,“ and he walks out. That’s own space.

„It becomes a solid block“.

All right, all this subject comes down to – you… you’re actually producing that motion, you’re producing an agreement with an awful lot of people, you go on producing it and what do you know, you reach over all the time and keep planting emotion into things, so that you can perceive emotion.

„Yes, it’s true, it becomes a solid block. Thank you.“

You not only put the motion there but you put the e… emotion there and perceive the emotion out of it continually. And you want it all to be automatic, and you want sensation like mad, so you just skip that step every time. You skip the step of a postulation of space, and then you skip the step of a postulation of motion, and then you skip the step of postulation of placing energy there to emanate back at you again, all because you want the sensation to effect you.

You’ve said that this point of you is shifting and in view of the fact the point of view is shifting, it’s unoccupiable. You get anything that’s shifting that fast, becomes unoccupiable and you finally say, „That is solid“.

You want all this to make an effect out of you, because you want sensation from it, so you just skip these steps and you’re all set. Except you wind up aberrated and homo sapiens.

Now each one of these points has a viewpoint of dimension. Each point in this chair has a viewpoint of dimension.

Let’s take another break.

„Well, then if you shift as fast as that chair you can get inside that chair“.

„Sure.“

All right, viewpoint of dimension then can be existing from any origin point, and if you have a multiple series of origin points you can at any time get what is laughingly called matter.

You can get uh… energy. Anything you want to say you get you can get, but the mechanics that you use are this.

Now, if you want to operate in five-dimensional space, it becomes very simple to simply postulate different points of origin and different complexities to these points of origin and it’s wonderful mental exercise for a preclear to start operating in five-dimensional space and do this.

He’s taken this uh… here; now he’s got 0-1, 0-2, 0-3, 0-4, 0-5, and he is at X-l. And he has postulated that in any five-dimensional pentagon of that character – of course in any pentagon, you understand, there are many, many areas where nothing is there at all. You understand that. And no matter how… how much looks like it’s there, there’s just a lot of nothing there. You look at any pentagon and it’s true. So… that was a labored joke.

All right, there’s… this bears no similarity to any buildings. Uh… we’ll just say there’s nothing in the center here. So therefore the center at all times is avoided as a point of origin. It’s all times avoided.

Now what are you going to get if you have X-1 and… and uh… X-1 moving to X-2? That’s all right. X-1 to X-2 in that pentagon. That will be okay, but uh… what about moving X-1 to uh… T-I? What about moving that? T is not for time; we’re just being very snide about time by using time’s sacred symbol for something else.

Uh… X to T, well, it’s gotta follow a route like this. That right? It’s gotta go from here back through there. It’s gotta avoid that because nothing then goes through that point. All right, now what happens here when we move X-2 down here to T-2? If we moved it directly and those two things were moving you would get a flow action, whereby the X-l, T-1 flow would push out of line the X-2, T-2 flow. It would get sort of crowded in there.

It couldn’t help but get crowded because you… when you had… can’t have the shortest line, uh… a line is the shortest distance between two points, why, you’re naturally going to get a lot of lines coinciding in there someplace or another. So you get it going and get a different type of wave in that type of space; it’s going to look different, it’s going to feel different and so forth.

Sound can’t go, then, straight from X-1 to T-1; sound has to detour over here by the dotted line. So therefore sound with sound here’s bunched up so there would be a higher intensity of sound at point S. So everybody knows, who lived in that universe, everybody would know that uh… this was just an S point, and everybody would know sound got more intense at an S point. So therefore it would be a very, very good thing uh… to get a seat closer to the S point.

What do you know, over here in this figure, your previous draft uh… over here everybody knows that sound in three-dimensional space goes back here to the back wall and hits and comes forward this way and the greatest intensity of sound is here, right in the center. So this is intensity. And uh… the sound is blurred though.

There’s more sound action there at point „IN“ but it’s blurred, and your greatest sound clarity would probably be then at back „B“. Well, that’s just a freak of three-dimensional space. It is distorted because of three-dimensional space and the insistence on putting walls up in three – dimensional space and so on. And so you’d get a different type of behavior of waves only if you had pentagonal space of some sort and supposing you made a real postulated space that every pentagonal space would go over to the right as a warp here. And this warp is where you put in the furniture you don’t want. Therefore you could… you could actually train somebody who would see no motion at those points.

At that point of warp he would not make any points of origin; he would collapse a point of origin, and the furniture which was „in there“ would never be there for anybody. You could train anybody you wanted to, in other words. Just start out from scratch and train people to view things differently than they are viewing them and they would get a different universe.

They would not only get a different universe, they would not necessarily get this one at all. If you would just want to make an experiment sometime, get somebody trained to take every point, every uh… this ought to have a name on this… on this figure 1 here, 0-1 uh… 0-1 ought to be uh… called an anchor point. And just train him to have an anchor… here’s… here’s his anchor points. Anything which he ordinarily orients his scenery by would be his anchor points; without those anchor points he wouldn’t have any dimension.

He’d have to have that, uh… pardon me, he wouldn’t have any motion; he would have dimension, but if he had to use OM-1 here all the time for his origin point only and his dimensional point only, you see, he couldn’t get any… any… any motion himself. He couldn’t get into motion. He would eventually get to a point where everything… everything else moved but he didn’t. And he would see motion and freeze and, what do you know, that’s one of the commonest things you find out wrong with a preclear. He’s gotten to a point where everything else is in uncontrolled motion and so then he conceives that he can’t move. In order to control it he says, „I am these dimensions and they are running in me. And therefore I’ll stop them by not moving.“ You get that as one of the first reactions in a preclear. He sees something going fast, he stops.

The best way to anchor anything, one of the first and fundamental ways to anchor anything down is to be the viewpoint of dimension of that thing, because it is then owned. God owns the universe because he is a viewpoint of dimension.

We’ve all said that he exists, but we’ve never said where the viewpoint of dimension is and then all of us handily operate in groups and postulate viewpoints of dimension for that particular area of the universe and we’re off.

We’re all set, then we can see everything everybody else sees. We can get the same motions everybody else gets; we’ve trained ourselves to do that. It was training, agreement that does that.

Now, what about somebody who is unable to control a motion? Let’s say he is unable to control a motion. Let’s say that at OM-1 up there is out of control. There’s too much motion in there. How do you solve OM-1’s concept. of being in too frantic a motion? That’s a dispersal case, mind you.

He’s in too frantic a motion. You’ll find out… the first thing you will find out is that these corner points, these anchor points here, O-l, 0-2, 0-3, 0-4, are in vibration. He won’t pin himself down as… as something to move in relationship to these viewpoints of dimension, these anchor points, because he doesn’t dare, things always get him out of there.

They chase him out of there. So he… he’s just gotten… gotten unconfident about the whole thing and he no longer desires to have, in figure l, 0-l, 0-2, 0-3 and 0-4 to be very static. He… he doesn’t want those things to be motionless.

He wants to… he’s trying to shift the room out from underneath him on the theory that he might not be able to shift himself out of the room fast enough. Now you take a little test to that. You’ll find most of your occluded cases when you have them shut their eyes and try to hold an anchor point still. Go ahead and shut your eyes and do that. Take that anchor point over there and hold that thing still.

Don’t let it move, hold it still. Now take that in relationship to the other anchor point in this room, 0-2, and hold those things the same distance apart. And hold each one of them dead still. Don’t let ‘em shift. Any difficulty with that? All right.

What you’re doing, you see, is you’ve… you’ve already agreed that, those were static and stable and there and then you thereafter didn’t uh… uh… like that agreement and your agreement left to disaster for yourself so you had decided then that the best thing that you can do is to he kind of cautious about that agreement, and you are actually kicking sideways from that agreement and you don’t want those points to stay still and that’s why you can’t step easily out of the body and anchor up the atmosphere. You know what space is then? Viewpoint of dimension.

So you can have three kinds of space; you can have point of origin, you can have the viewpoint of dimension such as OM-1. You have… this is the big, the big point of origin down here, 0. This is mythical. Then you’ve got OM-1, and then you’ve got anchor points 0-1, 0-2, 0-3, and 0-4, so that you can get motion into OM-1. Nothing will move unless you do that. Okay, let’s take a break.