Fourth reel, December 17. Continuing demonstration of Step Four.

LRH: All right. Now let’s mock up, let’s make sure now we’ve got one for each… every good friend that you had for the last 74 trillion years and mock ‘em up there 360 degrees all the way around.

PC: Um-hm.

This is the second hour, afternoon, continuing demonstration of Step One. December 17.

LRH: Got ‘em?

LRH: You go through his head?

PC: Yeah.

PC: Yeah.

LRH: All right. Let’s just start picking ‘em up and cramming ‘em in.

LRH: Find the cotton batten in there?

PC: Hmm.

PC: Yeah.

LRH: What’s the matter?

LRH: Let’s take this cotton batten out and make it right wherever you are and make a powder puff out of it.

PC: The first guy in was a cave man – hmm.

PC: Yeah.

LRH: Okay.

LRH: Okay. Now let’s go around to the front and change this… let’s change this giant’s face…

PC: Okay.

PC: Uh-huh.

LRH: Got ‘em all?

LRH: … to a girl’s face and put in that… in that hole that you had up there that you didn’t want to see anything in, that was kind of dim that was just outside the room. Let’s put this whole thing over there, and let’s go over there and put this mock-up there.

PC: Umm-hmm.

PC: I have it in that general area all the time.

LRH: Now, let’s mock up all the enemies you’ve had for the last 74 trillion years.

LRH: Oh, you have) huh?

PC: Umm-hmm.

PC: Um-hum.

LRH: Umm-hmm.

LRH: All right, now let’s just take a big dive and get yourself making a noise like a dive-bomber and let’s go right straight through this head again.

PC: That’s not fun.

PC: Okay.

LRH: That’s not fun, huh?

LRH: Got it?

PC: They’re there.

PC: Yeah.

LRH: They’re there. 360 degrees?

LRH: All right, now let’s put a big rope on this head…

PC: Hmm-hmm.

PC: Okay.

LRH: Any behind your back?

LRH: Now let’s just… just fly away and carry the head with you.

PC: Come to think of it, there was about a slice like a pie that wasn’t… didn’t have anything in it.

(to class)) Processing him over here – finishing action.

LRH: Isn’t that true?

(to PC)) Got it?

PC: Okay, they’re there.

PC: Yeah.

LRH: They’re there.

(to class)) The end of the cycle.

PC: Incidentally, the emotion hits pretty strong on this. Wowee!

PC: No, I’m still flying.

LRH: It does, huh? All right. Now let’s take one of ‘em and make him walk away and just keep walking – just one of them – any one of them.

LRH: Good. You got it? How far have you flown?

PC: Okay.

PC: Oh, heading up in space.

LRH: Let him keep walking, and send another one after him.

LRH: Good. Now let’s change this… let’s change this giant to a devil and still keep on towing him.

PC: Okay.

PC: Okay.

LRH: …and another one, and send him after him.

LRH: Change him to a blue devil.

PC: Okay.

PC: Yeah.

LRH: Now let’s just get ‘em departing.

LRH: Green devil.

PC: Okay.

Now stop where… where ever you are and take this mock-up and take this rope and just start swinging it round and round and round your head. So this thing is really going around in big circles. Got it?

LRH: Get ‘em all shoving off.

PC: Yeah.

PC: Umm-hmm.

LRH: All right, change it into a yo-yo. Put it under your feet. Come down and put it under your feet personally.

LRH: Did you get rid of ‘em all? Good. Did you get rid of ‘em all?

PC: Okay.

PC: Yeah. Boy, what a pleasant feeling! Okay.

LRH: Got that yo-yo?

LRH: Okay. Now let’s mock ‘em all up again in the worst guises, their worst natures. 360 degrees of ‘em, all the enemies you’ve had for… 360 degree sphere around you. All the enemies you’ve had for 74 trillion years.

PC: Yeah.

PC: Okay.

LRH: All right, make the yo-yo sing ‘Old Black Joe’ as you roll it up and down now.

LRH: All right. You got ‘em now?

PC: Yeah.

PC: Umm-hmm.

LRH: All right, change it into… this yo-yo into a very, very solid giant, but very tiny) and keep going up and down with the yo-yo.

LRH: Turn ‘em purple.

PC: Okay.

PC: Okay.

LRH: Got it?

LRH: Turn them blue.

PC: Yeah.

PC: Okay.

LRH: What’s happening?

LRH: Turn ‘em red.

PC: The… the solid giant doesn’t have too much…

PC: Okay.

LRH: Well, mock up about six more giants and put them into that little tiny giant.

LRH: Turn ‘em green.

(to class)) Same statement as ‘You can have lots of giants’. When something is unsubstantial, it’s just because a person doesn’t have enough of it. It’s ‘too scarce’ to have body.

PC: Okay.

LRH: Got that? Is he more scare… I mean, is he more uh…

LRH: Make ‘em shift first to one foot, and then the other foot.

PC: Yeah.

PC: Okay. Sounds like a bunch of soldiers marking time.

LRH: … solid now?

LRH: Oh yeah? Good. Now make ‘em about face and be on their way.

PC: Umm-hmrn.

PC: Okay.

LRH: Now let’s fly up to that point in space where you didn’t want to see something.

LRH: They on their way?

PC: Yeah.

PC: Yeah.

LRH: Now let’s take this thing and swing it round and round your head…

LRH: Good. Mock ‘em all up again.

PC: Yeah.

PC: Okay.

LRH: … round and round. Now let’s let it blow up in size until it fills that entire space.

LRH: Now, make one of ‘em walk forward toward you, and cram him into the body.

(to class) I call to your attention to… ‘chin pull’! He’s out more thoroughly. A preclear who is really out, starts to get ‘chin pull’. You’ll see his chin sink back in toward his neck. You get one out that’s still got some lines on him, and so forth, you always get ‘chin pull’. If you kept lines on a body all the time) and you were outside all the time, you would – if that were possible because the line makes it impossible – the guy would sure look awfully funny. He’d look like some of these aircorps cadets that go around, „Put seven wrinkles in that chin, Mister.“

PC: Okay.

(to PC) Got it?… Did you get that done?

LRH: Another one.

PC: Yeah) I got it real good – way out there.

PC: Okay.

LRH: Really?

LRH: Good. Now let’s just keep ‘em all coming on in, and stuff ‘em all into the body.

PC: Yeah.

PC: Okay.

All right. Now move him and the space he encloses over about a mile.

LRH: Now let’s rig ‘em all up again.

PC: Okay.

PC: Okay.

LRH: Got it?

LRH: How’s that pie slice?

PC: Yeah.

PC: Oh – hmm.

LRH: All right, blow him up and the space he encloses.

LRH: Hmm?

PC: Okay.

PC: It comes and goes.

LRH: Did you do that?

LRH: Well, put… put that particularly full of guys, enemies with weapons in their hands.

PC: Yeah.

PC: Yeah, most of them have got weapons in their hands as it is.

LRH: All right. Now let’s look around and see if there’s any other space around that you’d hate to find something in.

LRH: Yeah, I know. But let’s put those guys in that pie slice.

(to class)) This amount of randomity in auditing is… is really not necessary in an auditor. You just do the most routine job that does have the… the more randomity or color that you put into auditing, the more the preclear remains interested in what you’re doing. It follows that level of interest and aesthetic I was talking about the other day. You don’t have to be terribly interesting.

PC: Okay, okay.

(to PC)) Got it?

LRH: Now make ‘em look real mean.

PC: I don’t see any.

PC: Okay.

LRH: You don’t see any?

LRH: Turn ‘em purple with rage.

PC: No.

PC: Okay.

LRH: Well, let’s come down in the room here and be about in the center of the room. Do that easily?

LRH: Now make ‘em look very sly.

PC: Yeah.

PC: Okay.

LRH: Let’s look down below you and turn all these people into just seething masses of humanity) roaring, seething masses of humanity.

LRH: Make ‘em all look very sly.

PC: Yeah.

PC: Yeah, okay.

LRH: Let’s put ‘em all in hell.

LRH: All right. Get ‘em walking forward toward you now, the whole lot of ‘em.

(to class)) Work out some of these overt acts, while we’re at it. That, by the way, doesn’t accomplish a new overt act. That actually works out old overt acts.

PC: Okay.

(to PC)) Did you put ‘em all in hell?

LRH: Crowd them into the body.

PC: Yeah.

PC: Okay.

LRH: Well, now, while you’ve got all those in hell, select out one particular body, mock it up, put a pitchfork through it and put it on the toasting coals.

LRH: Got ‘em? Pack ‘em down tight. You got ‘em all?

(aside to class)) I wonder who it is.

PC: Yeah.

(to PC)) Got it?

LRH: Pack ‘em down real tight. Now let’s get that first crew, uh… the last crew of friends that were packed in there and let’s have them leave.

PC: Yeah.

PC: The last crew of friends?

LRH: Really got it there?

LRH: Yeah, we packed a bunch of friends down there.

PC: Yeah.

PC: I thought we sent ‘em out? Okay, I’ll mock ‘em up packed in and send ‘em out.

LRH: All right, change it to a frankfurter.

LRH: All right. You thought we got all those friends sent out?

PC: Okay.

PC: Yeah, I thought we did – yeah. Okay.

LRH: Now, put it on a big table out in front of the class, carve it up very carefully, and demonstrate and say to them how this demonstrates that you can destroy.

LRH: Let’s send the whole crew of ‘em out.

PC: Yeah.

PC: Umm-hmm.

LRH: Now mock up everybody looking scared stiff.

LRH: Now let’s send another wave of ‘em out.

PC: Yeah.

PC: Okay.

LRH: Mock ‘en all up rushing from the room.

LRH: How far are they going?

PC: Yeah.

PC: Oh, about five miles so far. They keep on going.

LRH: Got that? Now mock them all up being destroyed by federal marshals the fac… the second they come down the step. Get the guns going there.

LRH: All right. Let’s take about three more waves of ‘em, good friends. Get the nostalgia of their leaving – how sad they feel at leaving.

PC: Umm-hmm.

PC. Umm-hmm.

LRH: Now get how serious these federal marshals are as they deliver their dying speech for their country and are trampled beneath the crowd.

LRH: You got it?

PC: Yeah.

PC: Umm-hmm.

LRH: All right. Take their guns and blow their brains out.

LRH: Get them all gone.

(aside to class)) I’ll get rid of some of these overt acts myself! Mock it up.

PC: Yup.

PC: Okay.

LRH: All right. Mock up another s… full sphere of enemies.

LRH: Hmm? Got that?

PC: Okay.

PC: Yeah.

LRH: Make them take one step toward you.

LRH: Oh, well, now that they’re all safely dead, let’s put ‘em in hell. Put a sign up in front of hell ‘US Hell’, ‘US Department of Hell’. Got ‘em?

PC: Okay.

PC: Yeah.

LRH: One step back.

LRH: Now get these fellows trying to come out and give a dying speech for their country again. Throw ‘em back in.

PC: Okay.

PC: Okay.

LRH: Bring ‘em in.

LRH: You got that?

PC: Okay.

PC: Yeah.

LRH: Pack ‘em down.

LRH: How do you feel about it?

PC: Uh-huh.

PC: Pretty good. I was just going to cook up something real good for ‘em.

LRH: Got them?

LRH: Huh? You were what?

PC: Umm-hmm.

PC: I was going to cook something real good for ‘em.

LRH: Okay. Now that you’ve got all those enemies there – now that you’ve got all those enemies there, let’s mock up all the way around you all the parents you have had on the whole track.

LRH: Oh, really? Well, let’s get a special spit there in hell

PC: Yeah – okay.

PC: Yeah.

LRH: Turn ‘em red.

LRH:… on which they slowly rotate.

PC: Umm-hmm.

PC: Uh-huh.

LRH: Turn ‘em blue.

LRH: Set that up, mark it ‘Eternity’. Got that?

PC: Okay.

PC: Yeah.

LRH: Have ‘em turn around and walk away.

LRH: Mark it ‘Eternity’. Now bring it to an end.

PC: Okay.

PC: Okay.

LRH: They all walkin’? Keep ‘em going, and send after them the last group of enemies.

LRH: You got that? All right, now take them off of these spits and put them in another quarter in two Iron Maidens.

PC: Umm-hmm.

PC: Yeah.

LRH: The next to the last group of enemies.

LRH: Mark that ‘Eternity Number Two’.

PC: Okay.

(to class)) The old process for this case stuck so let’s… let’s… let’s bash eternity in the head one way or the other.

LRH: Make ‘em turn purple as they’re leaving.

(to PC)) Got that?

PC: Okay.

PC: Umm-hmm.

LRH: All right, just get rid of the rest of the groups of enemies, just have them keep on walking out.

LRH: Okay, now let’s roll all of that Hell and Iron Maiden and the old spits and everything else, and these signs, up into a little ball about the size of a golfball.

PC: Okay.

PC: Yeah.

LRH: Got ‘em all gone?

LRH: Keep it for two ‘Forevers’ …

PC: All gone.

PC: Okay.

LRH: All right. You’ve got ‘em all gone?

LRH: Throw it away.

PC: Yeah.

PC: Okay.

LRH: Real good. All right. Let’s mock up a whole bunch of houses all the way around you – all sorts and descriptions. We want every house in the last 74 trillion years. We want ‘em all.

LRH: Got that? All right, mock up another golfball.

PC: Okay.

PC: Yeah.

LRH: Got ‘em all gone?

LRH:… keep it for four ‘Forevers’ …

PC: I’ve got them all here.

PC: Okay.

LRH: Got them all…

LRH: Take a billiard cue …

PC: All here.

PC: Yeah.

LRH: All here? All right, send ‘em away.

LRH:… drive it through a croquet wicket.

PC: I’m having a little trouble pushing things away from behind me.

PC: Okay.

LRH: Oh, yeah?

LRH: Move it up from where you have it 20 feet.

PC: They go away in front pretty easy but behind me…

PC: Okay.

LRH: Well mock up a wave… mock up about six more for every one behind you.

LRH: Turn it into a ball of fire, and knock it through another croquet wicket.

PC: Okay.

(to class)) Handling energy …

LRH: Is that easier?

PC: Okay.

PC: Shall I send them out?

LRH: … accustoming him to energy.

LRH: Umm-hmm.

(to PC)) Now, move that about 80 feet to the right.

PC: Yeah.

PC: Yeah.

LRH: Turn ‘em blue back there.

LRH: Got it there?

PC: Okay.

PC: Yeah.

LRH: Turn ‘em orange.

LRH: Turn the croquet wickets into hoops of molten electricity that are going ‘zong-zong-zong’.

PC: Okay.

PC: Yeah.

LRH: Turn ‘em red.

LRH: Now reach over with a mocked-up thumb and forefinger and snuff them out.

PC: Umm-hmm.

PC: Okay.

LRH: Turn ‘em all yellow, 360 degrees as they’re departing.

LRH: Got it? All right. Now move this whole thing about a hundred feet to the left… Whatever you got there.

PC: Okay.

PC: Okay.

LRH: All right. How far are they away from you?

LRH: Now let’s turn everything you have into a column of howling electricity – make it howl, by the way. Got it?

PC: Oh, a mile or so around the sides and in front. Not so far away in back.

PC: Umm-hmm.

LRH: Not so far away? Put about 20 more back of you. What happened?

LRH: Really?

PC: I don’t know… (unintelligible)

PC: It roars, it doesn’t howl.

LRH: Huh?

LRH: Well, change it to a howl. Make it go ‘Ow-ow-owooo!’ Still got the roar? Or did you make it howl?

PC: I don’t know? Oh, on the mock-up?

PC: Okay.

LRH: No. No. What… what happened to you?

LRH: Did you howl… make it howl now?

PC: I don’t know. I just got a muscle jerk.

PC: Umm-hmm.

(to class) You want to watch for these. Every once in a while a line will snap or something of the sort. We finally hit… as we go down this sequence, we only handle those things long enough until we hit one that’s a tiny bit difficult.

LRH: Now make it howl ‘Auld Lang Syne’.

(to PC) All right, let’s put about 80 more behind you.

PC: Okay.

(to class) Naturally homes would always appear at the back. That would be the stuck – walking away down the road.

LRH: Now jump right on to the top of it and squash it flat. Stop it.

PC: I can get the sensation of me going away from them, but them going away from me? No.

LRH: Stop then?

LRH: Can’t get that, huh? Well all right. Put up about… put 360 degrees worth of these houses, all the houses, all the dwellings – everything that you’ve lived in for 74 trillion years. Now: let’s put them all up here.

PC: Umm-hmm.

PC: Okay.

LRH: All right. Start it up again. Got it going again?

LRH: Got them all?

PC: Umm-hmm.

PC: Umm-hmm.

LRH: Okay. Now move it about 18 feet up.

LRH: All right. Let’s take all those in front…

(to class)) Completely random, of course, which direction you move things and how. If you run ‘em too long in front of a guy’s face or behind his back, why – of the body – it will start flows going too consistently in that direction.

PC: Okay.

(to PC) You got that?

LRH: …and stuff them into the body.

PC: Umm-hmm.

PC.: Okay.

LRH: All right, now get it roaring again. Now increase the roar. Now decrease the roar. Now stop the roar. Can you do that? Where are you, by the way?

LRH: Got ‘em all? Just stuff ‘em in.

PC: I’m not too close to here.

PC: Okay.

LRH: You’re not too close, huh?

LRH: Now let’s take those that are behind you and stuff them in.

PC: No.

PC: Umm – okay.

LRH: All right, let’s increase this… let’s start the roar up.

LRH: What’s happening?

PC: Yeah.

PC: The behind ones didn’t want to move, but they went in.

LRH:… and stop the roar. You got that?

LRH: They went in. Okay. Now let’s mock up 360 degrees. Let’s mock ‘em all up again. Let’s get… recreate them. Let’s don’t get the other ones. Re-create ‘em now… 360 degrees.

PC: Yeah.

PC: Okay.

LRH: All right, now start the roar up again and start it up and make it go like this: ‘roar-roar’, and then get it doing a sort of a… of a crescendo: an increase and then a decrease and an increase and a decrease and an increase and a decrease. Got it?

LRH: Get ‘em behind you real thick. There are lots of ‘em.

PC: …

PC: Yeah.

LRH: All right, now make it stop with the sound of brake lining squealing.

LRH: All right. Let’s turn all of these red.

PC: Okay.

PC: Umm-hmm.

LRH: Now make it start up with the brake lining squealing.

LRH: All of ‘em blue.

PC: Okay.

PC: Umm-hmm.

LRH: All right, make it lie horizontally with still that sound going.

LRH: Turn ‘em all white.

PC: Okay.

PC: Incidentally, these mock-ups don’t have much reality. There’s uh…

LRH: All right, now make the sound go ‘bum ba-da dum-bump-bum-bump’.

LRH: Hmm.

PC: Okay.

PC: …just the uh… occasional outline of the house.

LRH: Okay, what’s happening?…

LRH: Ridge. Okay, that’s all right. That’s all we want.

All right. Stop all action in that mock-up.

PC: But I know confounded well they’re there.

PC: Okay.

LRH: All right, let’s just pick up those that you see and stuff ‘em into the body. Those that you see, and stuff them in.

LRH: Now take the mock-up and press it very flat and thin until it’s a pie plate.

PC: You mean the ones I see individually?

PC: Yeah.

LRH: Yeah. And the outlines. Making it?

LRH: Put a preclear in the pie plate.

PC: They’re pretty good.

PC: Yeah.

LRH: Well, create… for every one there, create two more.

LRH: Mock-up a huge icebox.

PC: Okay.

PC: Yeah.

LRH: Turn ‘em all red and snap ‘em into the body.

LRH: Put the preclear in the icebox, and then bring him out fully baked.

PC: I can snap ‘em in in a mass but I can’t do it individually.

PC: Yeah.

LRH: Hmm.

LRH: Got that? Now get him singing… singing ‘Auld Lang Syne.

PC: I can kind of run a sweeper on ‘em and pull ‘em in, but to pull them in one by one and see them as individuals coming in, I can’t do it.

PC: Yeah.

LRH: Well, just pull them in as a mass.

LRH: Okay, now take this pie plate and turn it into a flying saucer, put it in a catapult from Roman times…

PC: Okay.

PC: Okay.

LRH: Put them all out there again. Keep those you’ve got in and mock them all up again.

LRH: Now stretch the catapult out and fire the thing way out into space.

PC: Okay. They seemed to be farther out this time, for some reason or other.

PC: Yeah.

LRH: Oh, yeah? No!

LRH: Now you get on the catapult and stretch it way out and fire yourself way out into space.

PC: Yeah. It was a narrower band of them too.

PC: Yeah.

LRH: And uh… let’s take them all and turn ‘em red.

LRH: Got that? Okay. Change yourself into the shape of a flying saucer as you fly along there. Got it?

PC: Okay.

PC: Yeah.

LRH: Turn ‘em blue.

LRH: Okay, now move out of the flying saucer and change it into a drum.

PC: All right.

PC: Okay.

LRH: Turn ‘em natural color.

LRH: All right. Take three turtles, mock them up into uh… 1776. Give one the drum, fife – have ‘em march… Whatcha got?

PC: Hmm.

PC: I’ve got them rigged up like the …

LRH: What’s the matter?

LRH: Okay, good.

PC: They all went brown and they shouldn’t, if they’re natural color.

PC: … Union guys.

LRH: Okay, well, you expected it to happen automatically. Turn ‘em all brown.

LRH: Good. Now make that fife sound like a pipe organ.

PC: Okay.

PC: Okay.

LRH: Bring ‘em all in, in a mass.

LRH: Now make the drum… make the drum sound like a bell. Every time it’s hit a bell rings.

PC: Umm-hmm.

PC: All right.

LRH: Mock ‘em all up again.

LRH: Got it? Change them all into three marines.

PC: It keeps getting thinner – farther out.

PC: Yeah.

LRH: Oh, yeah?

LRH: … three angels.

PC: Yeah. It seems like they’re a couple of miles out there.

PC: Yeah.

LRH: Okay. Now let’s have them all snowed on.

LRH: … six angels.

PC: Incidentally, I can see another line of them just beyond. They’re awfully awfully far apart and scattered around.

PC: Yeah.

LRH: Yeah?

LRH: … eight pallbearers

PC: Hey, this is interesting.

PC: Okay.

LRH: Let’s have them… let’s have them all snowed on.

LRH: Put them around the coffin. Open up the coffin lid. Get in.

PC: Snowed on. Okay.

PC: Okay.

LRH: Let’s have them all rained on now.

LRH: Mock up a big cigar …

PC: Okay.

PC: Yeah.

LRH: Let’s have them all blown on.

LRH: … then sit there and go riding off to the funeral parlor.

PC: Okay.

PC: Okay.

LRH: And let’s have the sun shining on all of them.

LRH: All right. Mock up the funeral parlor. Get out of the coffin. Put the undertakers in the coffin…

PC: Okay.

PC: Okay.

LRH: Now let’s have it be twilight on all of them.

LRH: Put the ballbearers in the coffin …

PC: Hmm? Yeah. Okay.

PC: Yeah.

LRH: What’s the matter?

LRH: Put the class in the coffin.

PC: I’m just fascinated. I can keep seeing houses farther and farther out, more and more lines of them.

PC: The what?

LRH: Oh, yeah.

LRH: The class.

PC: I’ve got five of them out there now… four… four lines. They’re awfully… awfully far apart out there. That’s the last bunch.

PC: Okay.

LRH: Yeah. What do you know! We got houses! All right. Why don’t you put twice as many out there?

LRH: Turn it into a flying saucer.

PC: Incidentally, for what it’s worth, I got a kind of an odd sensation. The darn things are stacked up this way, too – in all directions.

PC: Okay.

LRH: There couldn’t be any relationship to this and scrambled anchor points. Let’s mock up twice as many.

LRH: Wind it up with a big crank.

PC: Twice as… Okay.

PC: Yeah.

LRH: Oh, you didn’t want to do that?

LRH: Point her straight up and let her go.

PC: Yeah, I did it.

PC: Yeah.

LRH: Well, let’s mock up twice as many again.

LRH: When it gets way out there, make it blow up.

PC: Okay.

PC: Okay.

LRH: Let’s turn all of those red.

LRH: Got it? Okay. Now, be two feet back of your head.

PC: Okay.

PC: I’m over there somewhere.

LRH: Let’s have night fall on them.

LRH: I know. Be two feet back of your head.

PC: Umm-hmm.

PC: Okay.

LRH: Let’s have dawn break on them.

LRH: Can you see the back of your head?

PC: All right.

PC: Yeah. I was… that’s what I was checking. Looking around. Checking collar and hair.

LRH: Let’s bring them all in and stuff ‘em into the body.

LRH: Umm-hmm. Look familiar?

PC: All the different…

PC: Yeah.

LRH: Everything.

LRH: Change it into green hair.

PC:. …lines of them out there?

PC: Yeah.

LRH: Yeah, everything. You like those lines, don’t you?

LRH: Okay. Now let’s look at it again. Got it? What’d you do?

PC: Yeah, I get a kick out of ‘em.

PC: Just waiting.

LRH: Let’s just bring ‘em all in.

LRH: Hmm?

PC: I get them in fairly close but they don’t seem to want to pop in.

PC: Waiting.

LRH: Make twice as many.

LRH: Waiting?

PC: Okay.

PC: Yeah.

LRH: Turn ‘em all red.

LRH: Oh, I was waiting for your ‘Yeah’. Okay. Now uh… I want you to take uh… your hand and put up there on your knee. Now from where you are, back of your head, make your body lift the right arm and drop it. Tell the body to lift the right arm out and drop it… Can you do that from outside easily?

PC: Okay.

PC: Well uh… what kinda beam do you want on there?

LRH: Turn ‘em all blue. What’s the matter?

LRH: Oh, no beam. You re… you’re jumping way ahead. I mean, just tell the body to lift the right arm. That’s right, now tell it to lift the left arm. Tell it to lift the right foot. Left foot. Okay. Now let’s swing around over the top of the left hand.

PC: I’m kinda bewildered, their being all over.

PC: Yeah.

LRH: Hmm?

LRH: Got it? Take a look at the index finger of the left hand.

PC: They’ve lost their… their flat orientation to a high degree, and they’re all over.

PC: Yeah.

LRH: Well! Anchor points. Okay. Now let’s take all of those houses – take a good look at ‘em. Then pick up one house and stuff it in.

LRH: Now, you want to lift these with anchor points?

PC: All right. They’re coming now.

PC: Okay.

LRH: Okay.

LRH: Okay, let’s put a couple of anchor points up on the ceiling.

PC: They’re in.

PC: Yeah.

LRH: Good. Pack them all down tight. Make sure that the anchor points are packed down too, tight.

LRH: Now let’s string a line down from one and around the index finger to the left hand, up to the other one.

PC: Make it what? Okay.

PC: Yeah.

LRH: Pack ’em down tighter.

LRH: Okay, now let’s go up and just push those anchor points apart – and keep that line taut, and lift that finger…

PC: Yeah.

Okay, that’s good. Turn it loose. That’s fine. You have any difficulty?

LRH: All right, let’s mock ‘em all up again, particularly behind your back.

PC: Yeah, it was hard. Yeah, it was very hard.

PC: Umm-hmm.

LRH: Huh? All right. Mock yourself up panting. Got it? All right. Now while you’re outside, get the beautiful sadness of how hard it is to work. Now put that on the body. Now mock up a little dancer. Got her?

LRH: Let’s make those behind your back shoot away from you very fast.

PC: Yeah.

PC: Okay.

LRH: Now let’s put the j… emotion ‘joy of dancing’ into her and feel it back out of her. All right, pick that emotion up and put it on yourself.

LRH: All right. Now stop their going, turn ‘em around and make ‘em fly into you very quickly.

PC: Yeah.

PC: Okay.

LRH: Send her away – the body away.

LRH: Stuff all the rest of ‘em in.

PC: Yeah.

PC: Okay.

LRH: Let’s move over this index finger now and let’s mock up a GREAT big hand – horribly big hand – there in place with huge iron gloves on it.

LRH: What happened?

PC: Yeah.

PC: I had a little trouble getting ‘em in, but they kind of got in.

LRH: All right. Let’s get enormous machinery, blocks and tackles, and mock them up there

LRH: Well, stuff them down real good.

LRH: … blocks and tackles. Now let’s put about an… oh, about a 2,000 horsepower diesel engine there, working winches.

PC: Okay.

PC: Yeah.

LRH: Now make one very good-looking house out in front of you – very good-looking.

LRH: Now fasten that down around the right index finger of that huge hand and have it lift. And look at the workmen panting and straining. Get how hard they’re panting?… Got it? All right. Take that whole thing out and throw it down in the drink.

PC: Uh-huh.

Okay, let’s move in over that right hand… left hand, rather. Move in over the left hand and let’s fasten a line on it – just fasten a line on it this time. And let’s see if you can move it just by moving upwards and pulling with a tractor beam. Make the tractor beam contract right from where you are. Just park yourself above it there) see, and make the tractor beam contract… You’re getting it. Do it again now.

LRH: Change it around until you know it’s yours.

Give it a little yank and cut it loose.

PC: Well, I know it’s mine now.

Okay. Now was it easier with that single tractor beam, or with the two anchor points?

LRH: Okay. Put it behind you.

PC: It was easier with the tractor beams – still faster.

PC: Okay.

LRH: It was? All right. Now let’s put another tractor beam on it, and this time all we’re trying to do is just give it a yank up in the air and cut it loose. Let’s develop a little facility here – I mean, for speed of cutting loose, not for anything else…

LRH: Bring it in.

How is it making out? Did you get… did you cut it loose? Gettin’ tight?

PC: Umm-hmm.

PC: Yeah.

LRH: Now, put it way out in front of you.

LRH: Okay. Now let’s move in over that. You’re doin’ fine. Let’s move in over that and let’s pick up the middle finger there of the hand, just to give that other one a vacation. Let’s pick up the middle finger of the hand and turn it yellow, turn it blue, turn it pink.

PC: Okay.

PC: Yeah.

LRH: Now let the next rank… the last group of houses go on out and keep going.

LRH: Got that? Mock up a log of wood.

PC: Okay.

PC: Yeah.

LRH: The next to the last group… just let the houses keep going until you’ve got ‘em all gone – all waves of houses.

LRH: Okay. Get this log of wood with a lumber crew working on it and get it all sawed up… Got it?

PC: I’ve got a sort of feeling of relief.

PC: Yeah.

LRH: Kind of pent up, are you?

LRH: All right. Let’s turn each slab of wood there that you’ve got sawed up into a bomb.

PC: Yeah, in some way.

PC: Yeah.

LRH: You feel pent up?

LRH: All right. Let’s throw each one of those away and have it explode when it gets a considerable distance from you.

PC: A little bit.

PC: Every once in while I get a black spot show up when I do that …

LRH: All right, now…

LRH: Yeah?

PC: Right now.

PC: … in the center.

LRH: … inside yourself… now inside yourself, without creating them outside, but just create a mass inside which are all the women you’ve ever known.

LRH: Well, do it. Just… did you finish them all?

PC: Umm-hmm.

PC: Not quite yet.

LRH: Now have them get out and leave, and just keep them going out.

LRH: All right. The next one you throw out there, make sure you get a white spot instead of a black one… Make that?

PC: Umm-hmm.

PC: Yeah.

LRH: Lots of them?

LRH: Okay. Now let’s move in over that hand again and let’s take a look at it. Let’s pick up the middle finger. Put a tractor beam on it and give it a pull up into the air. And see if you can pull it up and really, really hurt it. I mean, pull it up enough so that it hurts… A little pain on it?

PC: Yeah, lots of them.

PC: No pain. It just feels solid like.

LRH: Lots of eem – keep ‘em going. Create lots more now inside yourself and keep ‘em going.

LRH: Hmm. All right. Now let’s just practice cutting it loose quick. Well, good enough for you. You’re doing fine – doing fine.

PC: Okay.

All right, let’s sweep in over that hand now, and let’s take the finger and mock it up just ENORMOUS. Get that finger just enormous, lying clear across this whole room. And all the students sort of helping the thing to be braced there across the room.

LRH: Create lots more and keep ‘em going. Now as they – what’s the matter?

PC: Okay.

PC: Okay.

LRH: Got it?

LRH: What happened? What were you going to tell me?

PC: Umm-hmm.

PC: Well, for a little while there was this area – probably 25 yards in diameter – that didn’t have any women in it.

LRH: Now have God put down a huge tractor beam and get Him straining and sweating, and lifting the trac… get Him lifting that finger just a sixteen-thousandth of an inch, and get all the students cheering madly. Get it?

LRH: No…

PC: Yeah.

PC: I had to mock up some more to get ‘em coming out.

LRH: Okay, now get the finger falling and breaking into pieces because of this treatment.

LRH: Okay. Now as they leave… as they’ve left there, reach way out and pat one of them on the head and feel how sweet she is.

PC: Yeah.

PC: Okay.

LRH: Hang the fragments out on the car line…

LRH: Feel how nice they all were.

PC: Yeah.

PC: Okay.

LRH: Change them all into doughnuts… Got it?

LRH: All right. Inside yourself now, mock up all these friends and start them leaving.

PC: Yeah.

PC: Okay.

LRH: Now change the doughnuts into rolling hoops of electricity, and have ‘em go snapping and howling down the road after that streetcar to punish it.

LRH: Now following them, just start mocking up houses, one after the other – lots of them – and have them leaving.

PC: Yeah.

PC: These dang things aren’t going out flat at all like you’d think they ought to. They’re going out in a sphere more or less.

LRH: Get the streetcar promising to be more quiet…

LRH: The houses?

PC: Yeah.

PC: Everything.

LRH: Now just get the street blowing up extravagantly – just get it blowing up in large geysers and spurts and snaps.

LRH: Yeah?

PC: Okay.

PC: Friends, women, what have you. They all go out in a sphere.

LRH: Got that? Now rebuild it and give them a golden street out there.

LRH: Umm-hmm. Anything wrong with that?

PC: Okay.

PC: Come to think of it, it makes sense. Okay.

LRH: Okay. Turn it to normal and come back in. Come over this finger. Put a tractor beam on it and give another boost up into the air, and then drop it for speed. You got that?

LRH: Okay. How far have they gone?

PC: Yeah.

PC: Oh, five, ten miles.

LRH: How does that make you feel, doing that?

LRH: None of them stop? Now mock up a very, very nice house right behind you.

PC: A little easier.

PC: Umm-hmm.

LRH: Feel a little easier, huh?

LRH: Now, let’s make it move away with rapidity behind you.

PC: Yeah.

PC: Okay.

LRH: Well, what do you know? Now let’s see if we can get a faster release on that before we go on any further. A little faster release.

LRH: Easy to do.

Slide down in the chair a little bit further. Is that better? All right, now let’s come in over the index finger this time, and let’s see if we can work for just a slightly faster cut-loose…

PC: Umm-hmm!

Good! That was a good fast one. Good. Swell.

LRH: Okay, mock up a whole lot of enemies inside yourself and have them leave.

All right. Now let’s uh… mock up… let’s mock up you on a ship and the roaring tide is carrying this thing in the wrong direction. Get those hausers going out there. Get ‘em singing and tight. Got it?

PC: Okay.

PC: Yeah.

LRH: Follow that by mocking up a whole lot of currency inside yourself and having it leave.

LRH: Now spit on the rope and have it part.

PC: Hey, that’s fun. Okay.

PC: Yeah.

LRH: Is it still leaving?

LRH: Okay. Throw that mock-up over about eight blocks from here and let it blow up over there.

PC: Sure.

PC: Okay.

LRH: Okay. Let ‘em roll. Let’s mock up a whole lot of food inside yourself and let it leave.

LRH: All right, let’s move in over… now, let’s take the other hand for the moment, and let’s… let’s move in over the other hand and pick up the index finger of the other hand…

PC: Hmmmm…

Good.’ Good! That’s very good. All right. How does that make you feel?

LRH: What happened?

PC: Okay.

PC: That steak looked good.

LRH: Why don’t you slide down just a little bit further in the chair and make yourself just a little bit more comfortable? Okay?

LRH: Good. Good. Okay. Let it leave. You holding on to it?

All right. Now let’s… let’s mock up your right hand out on the floor.

PC: Well, there’s a pork chop!

PC: Yeah.

LRH: Pork chop?

LRH: Got it? Well, let’s move it over to the left side.

PC: Okay.

PC: Yeah.

LRH: All gone.

LRH: Move it below your feet.

PC: Yeah.

PC: Yeah.

LRH: Okay, let’s put a uh… point…

LRH: Turn it purple

PC: Yeah, but that steak’s still there!

PC: Yeah.

LRH: That steak’s still there?

LRH:… green.

PC: Yeah.

PC: Yeah.

LRH: Well, just create several platters of steak.

LRH: Above your head.

PC: Okay.

PC: Umm.

LRH: Oh, let’s get them stacked now. Lots of platters of steak on top of platters of steak. Got that?

LRH: Get it throwing sparks.

PC: Okay.

PC: Yeah.

LRH: Now get beautiful waitresses carrying each platter of steak.

LRH: At this point, paint a real mean face on the ball of each finger and have them s… have them glare at you.

PC: All right. They’re gone!

PC: Yeah.

LRH: They’re gone. All right. Okay. Now uh… one more… still taste it?

LRH: Okay. Now let’s throw the hand out in the street.

PC: Confound it, I could.’ Yes.

PC: Yeah.

(to class) Well, we of course go into this – we go into another Spacation besides this, but I want to test something here.

LRH: All right, let’s move over any two fingers on the right hand and pull ‘em together with a beam. Okay, got it?

(to PC) What’s the matter?

Okay. Now let’s pull those two fingers apart with a beam. Okay. Good. Good. Let’s pull them together with a beam, now. Good. Now while they’re together there, wrap a beam around the two of them and lift them up in the air…

PC: Oh, I just get a kick out of it, that’s all.

Okay. Good enough. Let’s move over now to the left hand and let’s move any two fingers together…

LRH: Okay.

Okay. Let’s just go through that. Let’s move the four fingers together and then apart – just sep… spread them all.

PC: I could really taste that confounded steak for a while there.

Good. Good. Now let’s move two fingers together on that hand and pick ‘em up.

LRH: Let’s put a point out in front of yourself.

Good. That’s fine.

PC: Eyes open or closed?

Now let’s move over there to the right hand and move all of those fingers together and pick up four fingers.

LRH: Doesn’t matter.

How do you feel about that one?

PC: Okay.

PC: Strong.

LRH: Is it stable?

LRH: Oh, boy! All right. Let’s mock up that hand… let’s mock up that hand now and let’s hide it… let’s hide it in a green box.

PC: A lot more stable than it was, yes.

PC: Umm.

LRH: A lot more stable than it was?

LRH: Got that?

PC: Pretty – pretty stable.

PC: Yeah.

LRH: Well. oh, let’s just shoot the moon here. Uh… let’s take a look at the inside of your forehead.

LRH: Now let’s stuff the green box down the mouth of a cannon and fire it.

(aside to class) Two ways to play this, the spacation is the safe way.

PC: Yeah.

PC: I’m still getting a lot of purple, but I think that’s a visio through the normal eyes.

LRH: Okay. Now let’s move over the… the uh… left hand; let’s close up those four fingers there – and then pick ‘em up…

LRH: Yeah? Well, let’s put a beam out against the front of your forehead and shove yourself out the back of your head, if you can find yourself there. If you can get that. What do you get when you do that?

Okay. Now, let’s move over to the uh… right hand and close three fingers together – just three – and pull the fourth one separate. Lift the three – pant as you do so.

PC: Well, it’s still uncertain, but I’ve a kind of a hunch that I might be there.

That was fine.

LRH: Kind of a hunch you might be there, huh? Well, let’s mock up the body, dress it up in a turban, and put a big feather in front of the turban.

Now just for speed, let’s pull three fingers together there on the left hand and pull the fourth one separate, and let’s put a beam on those three fingers now and lift ‘em up uh… just… just for speed of cut-away.

PC: Uh-huh.

(aside to class)) I’m rushing him doing it.

LRH: Got that? Okay. Now let’s explode the whole thing with a bang of electricity.

(to PC)) And let’s lift those three up and see how quick we can cut em.

PC: Mmm… okay. It didn’t explode very well. I busted it in two, and I’ve got the halves lying there.

Good! Good. How do you feel?

LRH: Okay. All right. Where the halves are lying, have them get uh… all blown up with electricity.

PC: Tired.

PC: Is that them too? Okay.

LRH: You’ve got tiredness? All right. Mock up your body way out there in the street. Put your body out in the street. Look at it real close. Got it?

LRH: You got it? Let’s take a… let’s take a look there at the back of your head.

PC: Yeah.

PC: Hmm.

LRH: All right, now let’s get it getting very old and worn. Let’s put a huge toboggan behind it with something marked ‘CARE’ on it as a package, and have it go trudging up the street.

LRH: What’s the matter?

PC: Okay.

PC: I was starting to begin to ask myself ‘which direction?’ And looking at the outside seemed to be easiest.

LRH: All right. Now let’s take that body and that mock-up, let’s mock up a whole lot of people down in the street, and let’s pick up that body and throw it down on top of ‘em and make ‘em practically explode.

LRH: The outside seemed to be…

PC: Okay.

PC: Yeah. I don’t know. I just suddenly began to wonder which direction I look at it from, and…

LRH: All right, move that crowd further down the street and mock up another body and pick it up and make it just GLOW with molten electricity, and throw it down on their heads and blow ‘em all to pieces.

LRH: Okay. Let’s call that a process.

PC: Okay.

PC: Okay.

LRH: Got it?

(to class) You wouldn’t ordinarily do what I just did.

PC: Yeah.

Okay, uh… that’s just simply that. I could have gone down through the rest of the line but I had sympathy for your appetites and so on, you’ re very patient, and uh… if you’ll notice there, one point about it, he did have a little bit higher level of certainty. We tore up all his anchor points and we did a lot of other things.

LRH: How does that make you feel?

Now that is not a complete – not complete Give and Take. A complete Give and Take would be as given. I introduced some randomity in it just to show you that you don’t have to go according to the rule book. And uh… that was played in the direction as to give him minimals… minimal can’ts. If you’d rigged up all these enemies, for instance, and done nothing more about them, and had them suddenly spring, and so forth, you would have run into a little bit of ‘can’t’. In other words, we’re just keeping on the sunny side of ‘can’ all the way through. Now we get through, he’ll have a better sense of orientation. And that’s what we’re looking for.

PC: Huh?

Now how many people in this class have been… how many people in this class have been outside and know it? Just have been outside and know it? That’s what we’re saying. Let’s count this.

LRH: How does that make you feel? Okay?

Would you count it?

PC: Yeah.

Voice: There’s 13 or 14 – 14 out of about… we’ve got a couple of them. We’ve got two or three more slightly doubtfuls.

LRH: All right. Now let’s take the four fingers of your left hand, pull them all together and give them a little boost up into the air.

LRH: Two or three more doubtfuls. We’ve got 13 or 14.

Good! How did you feel about that?

Voice: Yes.

PC: Okay.

LRH: Or we’ve got just a little bit over a third.

LRH: You feel that’s okay?

Voice: Uh-uh.

PC: Okay.

LRH: That’s not good enough, you know?

LRH: All right. Next take the four fingers of the other hand and give them a boost up into the air. Put them together and give them a little boost up into the air. And this time let’s get speed of cut-loose. When you’ve decided to cut them loose, let’s see how fast you can cut them loose right after you cut them.

Voice: About 40 percent.

Okay?

LRH: You’re not working hard enough, that’s all. Just been too many lectures here in this period of time. Now you can blame me.

PC: Umm-hmm.

But, when we get down to a Standard Operating Procedure, Issue Five, you can do it with a great deal more randomity, with a lot less uh… color. mean by that, a lot less razzle-dazzle, as I’m doing it. You can do it on a strictly ‘plug-it-out’ basis. I don’t care what you do as long as you avoid the ‘shuns’ and just carry through. Why, you’re gonna… gonna get there with the pc.

LRH: How do you feel about that? Hmm?

Now you’ve had… you’ll have some time for auditing after this, but uh… that is because we haven’t had time to audit. That’s because I haven’t done as much auditing here as I should have done – too many lectures again.

PC: A little better.

Now you may have, at this moment, a little more Idea of the level of precision demanded. It’s sloppy, isn’t it? That’s the level of precision – sloppy.

LRH: A little better? Why don’t you do it again.

You know, if you go out… if you go out with a… on a Chicago piano loaded to the hilt, and then put four more Chicago pianos around it so it fires in all directions, and then get inside and pull the trigger; and your target is a sphere located five feet away, you are sure to hit the sphere. Level of precision.

Now the way you make a man fail in Standard Operating Procedure – you couldn’t just in auditing make him fail very badly – but you could make him fail by just getting can’ts, can’ts, can’ts, can’ts, can’ts. And then… one little win, and then cant’s, cant’s, cant’s, cant’s. Because at the level you find your preclear, he can’t get too many loses. An operating thetan can get loses without much affecting his skill. So you want to get him up there, otherwise he rollercoasters around.

As I started to say, if you were out in Curlique, New Jersey, or uh… the other end of the moon or some place, you take SELF ANALYSIS all by itself, with mock-ups for yourself and do it – put the mock-ups in front of you and behind you – I don’t know how long it would take off-hand. Maybe… I don’t know, 60, 80, 90 hours – you’d get there, just on that level of randomity.

So let’s not strain too hard to make sure and be very serious and very careful about the whole deal. Let’s just keep him winning and follow SOP Issue Five. And uh… follow it as roughly as that. See, I… I played a game there. I… I did a risk. He said, „It’s more stable than it was.“ If he’d said, „It’s completely stable,“ I could, of course flipped up to Two without much trouble. „It’s more stable than it was“ – that really indicated Spacation – here we go. And you actually would have done it… done Spacation at that point and just gone right on through and done a complete Spacation.

And if your session was all busted up by time, you’ve ended a session, you end another session and you end another session. If you would just bring him to a win. It’s easy to find wins in this processing – very easy. ‘All the houses lined up out there’ actually were a win. He suddenly realizes that ‘he had them, sort of’, in an orderly effort to orient them or… or something of the sort. Why, there he sat, they were aligned. It’s a funny thing, anchor points and there the darn houses were…

I don’t know, how’d you feel about that?

PC: l can’t correlate them – with an anchor point. I mean, that’s the only thing I have trouble finding… Where do you get the connection? To me they’re houses, period.

LRH: They’re houses period, that’s right. But it’s funny – they all lined up. The only mock-up that lined up for you. We don’t have to get a connection. Nobody asks a preclear to think or evaluate. I was just doing that for your own benefit.

And don’t look at the preclear and expect that uh… he’s going to thank you tremendously and depend on him for a licence to survive, because this immediately tells you that you’re not cause.

It’s an inevitable fact that you can make not only a theta clear, but an operating thetan. And you start operating with a postulate at whatever level you’re going to hit or whatever you’re going to do. And then you just go ahead and do it – no automaticity to amount to anything. All the automaticity you need is in the organization of this subject. And boy, it’s cut down up there at least about C on that cone I was showing you last night.

And your level of precision can be even sloppier than this level if you just follow those steps. But if you think it’s terribly serious and it’s terribly important and it’s terribly this and it’s terribly that, the strain will tell, not necessarily on the preclear, but you.

Now, when you audit, don’t worry about… don’t worry about consequences too much because sooner or later in using any of the steps you’re going to hit a win. And leave him in a win and keep him winning, because winning goes up-scale. And losing goes down-scale. That’s all you need. And you start going up-scale on wins and you get automatically, up into the energy band, you get right on up into the being band. That’s all. Just keep winning. And you as an auditor make sure with your preclears that you win. That’s the only thing that you want to do. And that will make you a better and better and better auditor.

And then one fine day you walk down the street, and you say, „Now that’s a fine-looking man. He ought to be a theta clear!“ POP! „Now how do you feel?“ you say theta-wise.

And the fellow says, „Well, imagine me being here!“

You say, „Well, you imagine it if you want,“ and uh… walk on down the street.

The fellow says, „Wait a minute, uh… uh… you say, you were thinking at the time of so-and-so and so-and-so?“

And you say, „That’s right. That’s right.“

He says, „Well the last thing that I was going to do before I got into this spiral is I knew a little thetan – cute little thing – up on uh… uh…uh… Ganymede in uh… the Upper Constellation of the Swan and… Goodbye. Thank you.“

You talk about healing at a distance. Don’t you worry about healing at a distance until you can heal instantaneously up close. If you can heal instantaneously up close, Lord knows what will happen.

But again, it isn’t an automatic process. It’s because you BE the thing, and ‘be’ it perfectly – simple, isn’t it? Just be it, and then be it perfectly, and then be something else. Don’t go on being it. It wins then too, and you stay up scale.

Okay, that’s uh… it and uh… we’ll have a few more demonstrations of these principles.