And this is the first evening hour of the third day of the Phoenix Congress. And this evening, we're going to get in for just a tiny amount of prah-cessing. If this tape is ever played in Great Britain, of course I should have said pro-cessing, if you can appreciate this is our mission. Now, we have, we were taking up this beingness. You know, being one thing then being another thing, and being your chronic somatic or your ailment, and so on. Now, this chap spoke to me after that session and said to me that he had put up a mock-up of this thing, and he had gone out in front of himself and been the mock-up, and then come back and had been his body. Well, that's all right, except he had the ailment right there. You see that. I mean, he, let's say he had a sore shoulder. Well alright, instead of mocking the shoulder up out in front of him and going out there and being it, that, that's too indirect. He simply should have been the shoulder.

There's this scale which starts in with, with know, and then goes down to look, and then comes into feeling, and then goes into effort, and then goes into thinking. Now, there's that scale. And you know the old one which said thought, emotion and effort? Well when you arrange it that way, a lot of things become quite interesting. Knowingness when condensed becomes lookingness. Lookingness when condensed becomes feelingness. Feelingness condensed becomes effort. And effort when condensed becomes thinking as we know it, computive thinking. And thinkingness when condensed becomes a symbol. So, there's where a symbol belongs and that's what a symbol is.

Well, this is quite interesting to observe, that as a person goes up this scale, he approaches the next higher level each time. You see? So he starts up, with think, think, think, and now he's perfectly fine, he can handle thinkingness. All of a sudden, his thoughts are no longer compulsive. You do that by, you could start in by symbols, you see, you mock up a symbol that's a heavy mass. You ever notice some of these big ideas that a fellow has are really massive? You know, and they move around and all of a sudden they become light. Well, they turn into thinkingness.

Well, after you've handled some thinkingness with the individual, he's thought over what he can't be and what his goals are and so forth, it's liable to go on up into effort. And he thinks this is downhill someplace. Well, that's not downhill. After he's run a few of these things, he's liable to think, "Boy, oh boy, that's, I've certainly slugged into it now!" Big ridges, and so forth, move through and so on. If this hasn't happened to you, you're probably too high on the tone scale to begin with, don't worry about it.

Remember though, just as I told you about that cycle of action, that this little business about know-look-feel-effort-thinking, of course, is a brief cycle that parallels the create-survive- destroy cycle. But just as each little section of the create- survive-destroy cycle is itself composed of create-survive- destroy, so in this case, each part of this big curve of, that starts with know and goes down to symbols, is in itself a small part of the same curve. I mean, it's in vignette, you might say, so that way up here between 40, let us say, and 39, we would have this little gradient which would start in with know, then it would go in through looking, and then it would go into feeling and effort and then thinking and then symbols. Well, we're down to 39.

Now, we'll start in at 39 with knowingness and so we go on down the scale. But you see, that wouldn't be very heavy, there wouldn't be very much mass in that. But as we come way down, we find somebody way down on the lower scale. Boy, one of his thoughts, if dropped, would break your foot. Now, you ask him to give you an idea. He sort of looks in his pockets, looks into his notebooks, you know, looks for this idea. There you've got two things that are just adjacent. Now, did you ever have a fellow say, "Well, I don't know. Now, let me think this over very carefully." You know what you could do for him right there, process him.

Whatever you've asked him to have an idea on, you know, tell him to mock up that idea and put it up someplace and move it around for a while. Because you know if he has this, "Well, mmmmmm, I don't know about that, it, I have to think this over, mmmmm, well, I can tell you. I'll give you the answer next week on that," or something like that, there you're dealing with, you've just run straight into concrete. And the idea that you're playing with will, apparently, come to him the moment he mocks it up, terrific mass.

I had a fellow one time, auditor, auditor told a girl, he said, as an indication of what shape she was in, he said, "So, I asked her to put up a couple of anchor points and what do you know, they were two pyramids made out of solid steel." Well, there's nothing wrong with that, but that was just the person's idea of a symbol. Well alright, an anchor point, if a thetan's pretty good, you know he can put up a big, massy, heavy anchor point. He's actually in pretty good shape. Well, let's take this on a symbol basis and we find out that symbols become objects, and the evolution of an object starts with a symbol. And it gets heavier and heavier and heavier and heavier and heavier. That's how you make an object.

You take an idea and pack it around with energy and pack it down and you find you've got an object. And that's why we talk these days about machines, where it mentions machines in various writings and so forth, they actually are heavy. They have some mass to them. They're an idea which has been fixed in place.

Now, about all a thetan ever does is fix ideas in place and unfix them. That's about all he does. He, he makes them mobile or not makes them mobile and so on. And when you get down to the final analysis, the single difference between an individual and MEST in the physical universe is, simply, the individual has ideas and the object doesn't have ideas. And when we get down to a single, most apparent difference, everybody can see that difference, there's lots of other differences, but that was the big difference.

So, when you're running this, you'll find very many things happen. You'll find very often that when we ask for it the next time, and we go around again on something, well, what do you know, there's an awful lot of them there and there weren't any before. You know, we've asked for something. Well, what we've done there is sort of get the big, huge pyramid idea whittled down a little bit and moved around and unfixed. I say, "Give me three goals, you see, which you don't have. Give me three goals which you don't have," and the fellow, the first time, thinks, "Mmmm, let's see. Well, I don't know. Now, let me see, now. A goal I don't have. Mmmmmm." Boy, you just ran into a piece of concrete. See? He has a goal that has been stopped so hard by a barrier that is still there. Now after he's run a few goals he thinks of one, another one, maybe he gets slower, slower, and he'll speed up faster, faster, faster. Then he can think of a lot of goals. All that was just very easy.

What have you done? You've taken a barrier away from his time track. You've just removed it, and so on. He just seems to do business there and slows it and that's the end of that. But after you've done this too much, you see that it reduces somebody's havingness. You see that? After you've, after you've blown up too many pieces of energy, the fellow starts to get deficient, you know, and he has a, an energy deficiency. So, that has to be balanced to some degree. In running any preclear, you have to watch for this and you have to give him some energy back. He'd rather have the energy, whether it has an idea in it or not. If the idea kills him, so what, the energy's more valuable. That's why a person will pick up one of these horrible, hideous engrams. Level of acceptance, that level of engram. You pick up one of these things, you know? Of course, it about blows his head off, but that's all right with him. Energy. [Laughter]

Now, as you run this stuff and as you get your, as you get a preclear's deficiency too far down, all of a sudden, he'll key some, some things in. See? Boom, boom, boom, boom, and you get a whole lot of somatics. Well, if he starts getting too many somatics and so forth, well, you just better turn around and restore his havingness again. You see why? He's started to eat facsimiles and those things are poison but he doesn't care. Thetan's like a loco horse, you know, he'll eat one piece of loco weed and then he's good for the whole pasture full, he just keeps on going. 'Course, it's actually not nonsensical for him to do this, because nothing can happen to him anyway. He knows this. He can't do anything but survive, why shouldn't he blow his brains out?

So now, as you notice this, as you notice this, as we go along what we actually do is take masses of energy which he has and we strip the ideas out of them that are killing him. You know, these murderous ideas, and let him have the energy. Make it possible for him to have things, to have energy or not have energy at will, and we take the bite out of it, you might say. See what we're doing then, essentially? Well, actually, we're doing a lot more than that. But there in essence, when you're using this technique on somebody, I just wanted you to remember that. And if you'll notice, I'm giving you havingness and then taking it away from you, and then handing it to you again and then taking it away from you, one way or the other, and keeping it pretty well balanced. Well, alright.

This evening, this evening, I hope that you, as you run along, you turn up with a lot of answers I hadn't even stated here, because you should, because we're right on the track and it's very easy for you do this.

But let's take this business of putting the mock-up out there and being the mock-up. And the fellow had his shoulder, let us call it, right there. He could be his shoulders right there, see? You know, all he had to do was kind of slump this way and be his shoulder, and feed this back this way and be his body. Don't do that. No, no. So he had to put a mock-up out here and be the mock-up. Now why, why did he do that? Well, that's look, that's, that's a deficiency in lookingness. See? He could put a symbol, he could have a symbol, look at a symbol, but not a shoulder. See that? Symbol.

Well now, you will catch yourself doing this sort of thing, and I'm not asking you to be terribly introspective, these ideas occur to you. I'm just trying to show you a little bit where they go and by telling you a little bit about it, why, you'll speed it up a lot faster. You, all of a sudden, won't be confronted with a terrible unknown. We don't want you to be confronted with this awful, horrible unknown that will haunt you. In fact, the only thing we want to haunt you, is you. SOP-8 also contains a step which teaches the thetan how to haunt. I'm not going into that with you this evening.

Now, did anybody get any bad effect from being the somatic and then being his body? Did it stick anything with anybody here? Didn't stick anyone. OK. That's all. 'Cause every once in a while, we'll chew somebody into it and he's got enough energy sitting around to sit in the middle of it, trapped for a long time to come. So, we don't want that to happen. We want you to go home with your feet way below you. Very below you, at least twenty-five feet.

Now, we have some new exteriorizations that haven't happened before, here, and I hope we have some more. Did anybody exteriorize, by the way, on just this one particular one of moving in and being the mass of the sun? Did we get a, an exteriorization on that? A new one? Alright. Did we get one? Yeah? Good. Did we get a greater certainty of exteriorization on that in some cases? Good, good. Alright.

Well, let's have at it. And the first thing I want you to do is mock yourself up the biggest symbol you can. A big symbol. Let's get a nice, big symbol. Now duplicate it, meaning the same thing. Duplicate it. Now get a duplicate of it which doesn't mean a thing. And duplicate that. And duplicate the first symbol again, but now with something that doesn't mean a thing. Same mass. Now throw it away.

Now mock up a symbol in front of you which doesn't mean a thing. Now, we could put our certainty on it. Throw that one away. And let's mock up a symbol that doesn't mean a thing. Now throw that away. We can do better than that. Another one that you're real certain doesn't mean a thing. Got one now, doesn't mean a thing. OK. Now twist it around and make it mean something else. Now twist it around and make it mean nothing. Now twist it around again 'til it's terribly significant and mysterious. OK. Throw it away.

And be a book. Now be the end of the book. The beginning of the book. Throw it away. Be the end of another book. Be the beginning of the book. Throw it away. Any book's good enough. Be a book. Now be the end of the book. Now be the beginning of the book. Throw it away. Now be another book. Be the end of it. The beginning of it. Throw it away. Anybody getting the sensation of words? OK, just, alright. Throw it away.

Now let us decide, now get a big goal of being all knowing and to know everything. Get this goal, and then be a book. Alright. Pile that book up carefully beside you. And be another book. And then put that one aside. And be another book. Now being this new book, leer at you. Now put that aside. Now be another book and put that aside. And be another book and put that aside. And be another book and put that aside. And be another book and put that aside. And be another book. Now let's be a library. Get how knowing that is. Be a whole library. Now just pick out an actual library now, and be it. And get how knowledgeable this makes you. Now be your body. Now be a library. And be your body. And be a whole library. Let's pick out a specific library. Now be every book in it. OK. Got a nice mass? Alright. Now be your body. Now be a library. Now be your body.

Now pick out somewhere, a beautiful wood, oh, a beautiful wood someplace. Lovely, big trees and so forth, let's pick out a beautiful wood that you know about. OK. Now be the wood. The whole thing. I don't care how much you make of the goal the first time, you can build up to it. Just be this wood. Now be your body. Now be this wood. Now be your body. Now be this wood again. Reach the extreme ends of it. Reach all through it and be this whole wood. Now let's get some perception of it, like the odor of trees. Now be your body. Now let's be this wood again. Now be your body. Now be this wood again. Now be your body.

Now let's pick another wood. One that you have been very, very fond of in the past sometime. One that you've been very fond of that you found very acceptable to you. That you found acceptable to you. Whether it's a city park or whatever it is, doesn't matter. A wood that's been very acceptable to you. Now be the wood. Now be your body. Now be the wood. And be the body. And be the wood. And be the body. And be the wood again. And be the body. Now be the wood again. And be the body. And be the wood again. Now be your body. OK.

Now let's think of somebody, somebody you were very simpatico, extremely simpatico. And right where you are, be exteriorized if you can, if you are, be exteriorized. And right where you are, if you're still in the body do it on the body. Right where you are, put over you the head of a person you have liked, in the past. And without removing it, put on you the head of another person you have liked in the past. Without removing this one, put on the head of yet another person. Without removing that, put on the head of another person. Now just go ahead and keep on putting on heads of all sorts and descriptions. All kinds of heads. If you're not able to make them sit down, change your level of acceptance on them. Lots of heads. A thorough number of heads. Lots more heads. You can get as original as you want, or duplicate them as many times as you want, but let's put on heads. Pack them all down now and put on more heads. And pack them all down some more and let's put on heads. And pack them all down and let's put on heads again. And pack them all down again. Let's put on some more heads. Alright. Pack all those down again. And now put on an enormous head. And pack that down. And let's put on the most huge head that you know about here on Earth. And pack that down real good. And put on another huge head here on Earth. And pack that down. And another one. And another one. And another one. And another one. And another one. And another one. OK. Pack all that down very nicely and put it aside so you can keep it. Now reach out and pick out a planet someplace, and add the planet to it. Well, while you're at it, you might as well add another planet to it. No reason to be cheap about this. Now let's add another planet to it. OK. Now you can just save that, if you want to. OK. Alright.

Now, let's be about five hundred or a thousand feet back of your body. Way back there. Make it a thousand feet. And right away quick, wrap around yourself a lot of this energy you've got. And be five hundred, a thousand feet, doesn't matter exactly what the distance is, that's just order of magnitude, way back there. And wrap around yourself this energy we've been accumulating. OK. Now reach sort of way forward to the body, and pat it on the head and say, "Nice body." OK.

Wherever you are, select three things that aren't giving you orders. OK. Get some more things that aren't giving you orders. Pick 'em up. And some more things that aren't giving you orders. And now lets get some things that aren't giving somebody else orders. Let's see if we can actually spot these things now, in the environment. Actual object that are not giving orders to somebody else. Alright. Now let's find some things around you that you're not giving any orders to. And some things around you that aren't giving orders to somebody else. And now some things that aren't being ordered around by anybody else. Some things which nobody else is ordering around. Make it easier, get a specific person. And now some things which a certain person, pick out a person, isn't using to give orders to another person. And now some things another specific person isn't using to give orders to you. And now let's spot some things you're not using to give orders to another person. Alright.

Now let's find three things you're not telling where to go anywhere. And now some things that are not telling you to go anywhere. And some things which are not telling somebody else to go anywhere.

And now give me some goals you do not have. Some goals that you do not have. And now some goals that another person does not have. Get another specific person, and get some goals this person does not have. OK. Now some goals that you do not have for somebody else. And some goals that somebody else does not have for you. And now some goals that another specific person does not have for somebody else. OK. Now some goals that you do not have. Alright.

Now let's find some persons that you are not. Some people you are not. And now some people that somebody else is not. Get another specific person and get some people this other person is not. Now let's get two other people, specific people, and let's find some people that the first of these isn't trying to make the other one into. Now let's get another specific person and let's find some people this other person is not trying to make you into. You know, not trying to make you into Eisenhower, and so on. Now let's take another specific person and let's get some people that you're not trying to make this specific person into. OK.

Now let's run off some animals that you're not. Alright. Let's get another person, and get some animals this other person isn't. Now get the other person knowing he isn't these animals. Alright. Let's get another person and get some animals this other person knows you aren't. The other person is dead certain you're not certain animals. Now let's get that. OK. And let's get two other people and let's get one of them being certain the other is not certain animals. OK.

Now let's get three places, one-two-three, places where you are not. Alright. Now some places where somebody else is not. Now some places where somebody knows somebody else is not. Two other people. Actually spot these places, now. Now let's get some places where somebody knows you are not. And now some places where you know somebody else is not. Now let's spot these places real good, now. Some places where you are not. OK.

Now let's spot some places where bacteria, bugs, you know, germs, where germs are not. Just find some places where germs are not. Now let's have somebody else get some places where this other person knows germs are not. Now let's have somebody find for somebody else, places where bacteria is not. And somebody find for you places where bacteria is not. And you discovering for somebody else places where bacteria is not. Discover them for this other person where bacteria isn't.

Now let's get some things you are not doing. And some things somebody else is not doing. OK. Now get some things that somebody is not making somebody else do. And some things you're not making somebody do. And some things that somebody else isn't making you do. Now some things you're not doing.

Now let's pick out some places where objects aren't. Places where there are no objects. Alright. Now let's get some objects you are not. And get somebody else and get some objects this person isn't. Alright. Some objects that somebody else knows you are not. OK. And you knowing what objects another person is not. A list of objects some other specific person is not. Now let's locate some places where you are not thinking. Where somebody else is not thinking. OK.

Now let's get some places in the past where a specific object is not. Pick out an object. Now get some places in the past where it is not. Now some places in the future where it is not. Or where it will not be. Places in the future where it will not be. OK. Now let's get some places in the past where you are not. Got some? Alright. Now let's get some places in the future where you will not be. Specific places, let's spot them, places in the future where you will not be. Now let's get some places in the past where somebody else is not. Another specific person. More places where this specific person is not in the past. Alright. Let's get some places in the future where another person is not. Will not be. Some places in the future where another person will not be. Let's go in for some certainty on this now. OK.

Now let's mock up a body. Any kind of a body. Now duplicate it. And duplicate it. And duplicate it. And duplicate it. And duplicate it. And duplicate it. Now pull all these duplicates together. Got them all together? Pull them all together. Now push them down so they're nice and hard. You know, so it makes some hard energy. Alright. Now build a body out of uranium. Real heavy. Any heavy object, heavy ore. Good stuff. Another one. Another one. Another one. Another one. Another one. Now duplicate what you've got. And duplicate what you have, again. And duplicate what you have, again. And duplicate it again. Duplicate it again. Now pull all these duplicates together. Get all the space out of them. Put that down real nice there.

Now just mock-up two spaces. And push them together. And two more spaces. And put them together. Now throw them away. Now let's mock up some space and have it tell you you're nothing. Throw it away. Now mock up some more space and have it tell you you're nothing. Throw it away. Now mock up some space and have it tell you you're nothing. Throw it away. Now mock up some space in front of the body. And have somebody else mock up some space in front of his body and waste it. You mock-up some space and waste it now. OK.

Now let's put some unconsciousness in the front of the platform. A good heavy mass of unconsciousness. And some unconsciousness in the right wall of the room. And some in the ceiling. Fix it in the ceiling now. And some in the left wall of the room. And some in the floor. And some in the back of the room. Alright.

Now let's put obedience in the right wall. Obedience in the front of the platform. Obedience in the left wall. Put obedience in the back wall. Obedience in the ceiling. Obedience in the floor. Obedience in the right wall. Obedience in the front of the platform. Obedience in the back of the room, in the ceiling and the left wall. Let's put some more obedience in the front of the platform and change it into unconsciousness. And then change it into obedience. And change it into a feeling of freedom. And in the right wall. And put in the feeling of obedience. And change it to unconsciousness. And change it to obedience. And change it to a feeling of freedom. And in the back wall of the room let's put obedience. And change it to unconsciousness. And change it to obedience. And change it to freedom. And in the ceiling, put in obedience. And change it to freedom. Put obedience in the ceiling again. Change it to freedom. Put obedience in the floor. Change it to freedom. Obedience in the floor. And change it to freedom.

Now put franticness in the front platform. And franticness in the right wall. And franticness in the ceiling. And franticness in the back wall. And franticness in the floor. And franticness in the left wall. And fear in the front platform. And fear in the right wall. Fear in the ceiling. And fear in the back of the room. And fear in the left wall. And fear in the floor. And put unconsciousness in the whole room. Change it to fear. And change it to franticness. And change it to calmness. Into franticness. Into calmness. Into franticness. And throw it away. And mop up all the walls real quick. Sweep them up. Let go of them. And let go of everything you're holding onto. Let go.

Now hold onto the two back corners of the room. And sit there and don't think.